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date: 10 December 2019

Douglas, Stan(ley)locked

(b Vancouver, 1960).
  • John-Paul Stonard

Extract

(b Vancouver, 1960).

Canadian photographer and film maker, lives and works in Vancouver. After studying at the Emily Carr College of Art in Vancouver (1979–82), he began making films and videos that reflect on issues of culture and technology and on the relationship between popular representations of history and subjectivity. In 1988 long-term research culminated in an essay and exhibition that gathered together Samuel Beckett’s eight works for film and television. Samuel Beckett: Teleplays, which toured Canada, America and Europe for four years, touches on themes of alienation, displacement and the collapse of subjectivity that Douglas explores in his film and video installations. For his slide installation Onomatopoeia, (1985–6), lasting six minutes in each rotation, Douglas projected 154 black-and-white images of an empty textile factory on to a screen hanging over an 88-noteplayer-piano that played bars from Beethoven’s C Minor Sonata, Opus 11; the selected refrain sounded uncannily like a ragtime piece. By isolating this phenomenon Douglas pointed to the difficulties of interpreting history from an unbiased perspective. The questioning of habit and criticism of popular contemporary media was continued in ...

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