- Carol Magee
(b Bamako, 1959).
Malian photographer. He began his career in 1983 when he began documenting cultural patrimony for the Musée National du Mali, where he was staff photographer. His photographs present both broad and intimate views of life, and he is equally skilled in capturing a place empty of people as he is with close-ups, for example of hands or feet. Suggesting both absence and intimate presence, he evokes a powerful sense of the human condition. His aesthetically stunning works offer views that might otherwise go unnoticed: feet pedaling a bicycle, a faint reflection of a colourful boat on creamy white water. Working in both black and white and colour, he almost never shows the faces of his subjects as he captures them at work or in everyday pursuits, for example in Le bol de lait (1997). He suggests people through their interaction with their surroundings; although they remain anonymous, they have an overpowering presence. Light is important both technically and compositionally: in photographed reflections off the land and buildings, one senses the overpowering Malian sun, and such conditions enable him to create images rich in saturated colours....