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The Boulevards at Paris

William Henry Fox Talbot: The Boulevards at Paris, salted paper print from paper negative, 151×199 mm, May–June 1843 (New York, Metropolitan Museum of Art, Gilman Collection, Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 2005, Accession Number: 2005.100.609); image © The Metropolitan Museum of Art

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Articles of China

William Henry Fox Talbot: Articles of China, salted paper print from paper negative, before January 1844 (New York, Metropolitan Museum of Art, Gift of Jean Horblit, in memory of Harrison D. Horblit, 1994, Accession Number: 1994.197.1 (3)); image © The Metropolitan Museum of Art

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Wild Fennel

William Henry Fox Talbot: Wild Fennel, salted paper print, 187×227 mm, corners clipped, 1841–2 (New York, Metropolitan Museum of Art, Gilman Collection, Purchase, Denise and Andrew Saul Gift, 2005, Accession Number: 2005.100.260); image © The Metropolitan Museum of Art

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Fruit Sellers

William Henry Fox Talbot (attrib.): Fruit Sellers, salted paper print from paper negative, 171×211 mm, c. 1845 (New York, Metropolitan Museum of Art, Gilman Collection, Purchase, Harriette and Noel Levine Gift, 2005, Accession Number: 2005.100.607); image © The Metropolitan Museum of Art

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A Scene in a Library

William Henry Fox Talbot: A Scene in a Library, salted paper print from paper negative, 133×180 mm, before March 22, 1844 (New York, Metropolitan Museum of Art, Gilman Collection, Gift of The Howard Gilman Foundation, 2005, Accession Number: 2005.100.172); image © The Metropolitan Museum of Art

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Wrack

William Henry Fox Talbot: Wrack, photogenic drawing, 220×175 mm, irregularly trimmed, 1839 (New York, Metropolitan Museum of Art, Harris Brisbane Dick Fund, 1936, Accession Number: 36.37 (25)); image © The Metropolitan Museum of Art

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The Reading Establishment

William Henry Fox Talbot and Nicolaas Henneman (attrib): The Reading Establishment, salted paper prints from paper negatives, 186×223 mm, 1846 (New York, Metropolitan Museum of Art, Gilman Collection, Gift of The Howard Gilman Foundation, 2005, Accession ID: 2005.100.171.1, .2); image © The Metropolitan Museum of Art

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The Oriel Window, South Gallery, Lacock Abbey

William Henry Fox Talbot: The Oriel Window, South Gallery, Lacock Abbey, photogenic drawing negative, 83×107 mm, irregular, 1835 or 1839 (New York, Metropolitan Museum of Art, The Rubel Collection, purchase, Ann Tenenbaum and Thomas H. Lee and Anonymous Gifts, 1997, Accession ID: 1997.382.1); image © The Metropolitan Museum of Art

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The Open Door

William Henry Fox Talbot: The Open Door, salted paper print from paper negative, 143×194 mm, before May 1844 (New York, Metropolitan Museum of Art, Gilman Collection, Purchase, Joseph M. Cohen and Robert Rosenkranz Gifts, 2005, Accession Number: 2005.100.498); image © The Metropolitan Museum of Art

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Bust of Patroclus

William Henry Fox Talbot: Bust of Patroclus, salted paper print from paper negative, August 9, 1843 (New York, Metropolitan Museum of Art, Gift of Jean Horblit, in memory of Harrison D. Horblit, 1994, Accession Number: 1994.197.4 (2)); image © The Metropolitan Museum of Art

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The Tomb of Sir Walter Scott, in Dryburgh Abbey

William Henry Fox Talbot: The Tomb of Sir Walter Scott, in Dryburgh Abbey, salted paper print from paper negative, 168×179 mm, 1844 (New York, Metropolitan Museum of Art, The Rubel Collection, purchase, Lila Acheson Wallace and Jennifer and Joseph Duke Gifts, 1997, Accession ID: 1997.382.4); image © The Metropolitan Museum of Art

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