(b Toyama, Toyama Prefect., Dec 7, 1903; d Tokyo, Jan 1, 1979).
Japanese writer and critic. He was already fascinated by Surrealism when he graduated from the English Department of Keio University, Tokyo, in 1931, and had translated André Breton’s Le Surréalisme et la peinture (Paris, 1928) in 1930. He also had a profound concern for the visual arts, regarding Surrealism as a ‘metamorphosis of the power of poetry’. In his major work Kindai geijutsu (‘Modern art’) he discussed the opposition between abstract art and Surrealism as a means of identifying the nature of contemporary art. Because of his involvement with art movements, in 1941, with Ichirō Fukuzawa, he was arrested by the political police, who regarded Surrealism as a branch of the Communist Party, and he was detained for eight months.
After World War II and particularly during the 1950s, Takiguchi continued to be involved with art movements and wrote criticism in which he showed a sharp sensitivity capable of detecting the contemporary vanguard. His translations of work by ...