Korean painter and teacher. He graduated in 1954 from the Fine Arts College, Hong’ik University, Seoul, and exhibited in Korea, East and South-east Asia, the USA, Europe and elsewhere. He is regarded as a leader of Korean modernism. Park has used a variety of techniques. Typical of his Art informel stage is Painting No. 1 (1957; oil on canvas, priv. col., see Young-na Kim, p. 177), where paint was splashed on to the canvas. In his ‘white’ paintings, thin layers of gesso were applied over a period of time, then graphite and gesso were applied alternately to build up a surface. In 1989 he began to use tak (mulberry bark paper), laid in three layers on canvas, sealed with gesso and overlaid with acrylic paint. Further sheets of paper, soaked in acrylic medium or Korean ink, were then laid, and the surface was manipulated with the fingers or an implement. In working or marking the surface Park’s intention was to help the medium to express itself by adding nothing more than a sign of his involvement, which he termed his ‘écriture’; one of his works is titled simply ...