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date: 08 December 2019

Palaiologan familylocked

  • Barbara Zeitler


Byzantine imperial dynasty of patrons. Between the reigns of Michael VIII (reg 1259–82) and Constantine XI (reg 1449–53), the empire underwent a last flowering of Byzantine art; at the same time there was a marked change in patterns of patronage. Constrained by financial difficulties, the imperial family was no longer the most important patron of the arts, although the artistic patronage exercised by women of the Palaiologan dynasty is notable. Courtiers and wealthy individuals were the major patrons of the period, for example Theodore Metochites (1270–1332) and Michael Theodore Doukas Glavas Tarchaneiotes, who respectively commissioned large parts of the decoration in Christ the Saviour in Chora (see Istanbul §III 3., (ii)) and in the church of St Mary Pammakaristos (see Istanbul §III 7.). The majority of the imperial commissions appear to date from before 1320, but losses since that time may have distorted our knowledge of Palaiologan patronage. Little has survived of the luxury arts; metalwork, for instance, was frequently made into coins. Among Palaiologan ecclesiastical foundations is the south church of the monastery of Constantine Lips (now Fenari Isa Cami) in Constantinople (now Istanbul), which was built between ...

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