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date: 16 December 2019


  • Ticio Escobar


Paraguayan movement, active in the second half of the 1960s. It developed in Asunción as the Paraguayan equivalent of the Nueva Figuración movement in Argentina. However, it formulated its own guidelines and aims, and had a considerable influence on later developments in the visual arts in Paraguay. It represented an approach to figurative art halfway between Art informel and Expressionism, between a preoccupation with the physical material of the painting and the intention of distorting the figure. It was used by a group of Paraguayan artists to loosen the rigid pictorial image that had become accepted in the 1950s and to assimilate aspects of historical experience that had not until then played a part in artistic development. Social criticism was approached from two different angles within Neofiguración. The first, represented primarily by Carlos Colombino and Olga Blinder, had a sense of drama and a strong political message; the second, represented by ...

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