Persian painter. He produced at least ten full-size oil paintings of the Qajar monarch Fath ‛Ali Shah (reg 1797–1834). One of the earliest (1797–8; Calcutta, Victoria Mem. Hall), a portrait of him kneeling on a carpet, was probably sent as a present to the amirs of Sind in 1800. Two fine portraits (1803–4 and 1804–5) were painted for the Hall of the Marble Throne in the Gulistan Palace, Tehran, and a third, of the King enthroned (undated; Versailles, Château), was sent to Napoleon. These early portraits show Fath ‛Ali Shah with a squat neck and round face, but Mihr ‛Ali’s drawings improved in the first decade of the 19th century and later portraits show the King with more flattering proportions. These later paintings include portraits of the King standing (1809–10; St Petersburg, Hermitage), kneeling and holding a mace (1813–14; St Petersburg, Hermitage), and a third with the date obliterated (London, B. W. Robinson priv. col.). Mihr ‛Ali’s finest portrait, and perhaps the finest ...