Show Summary Details

Page of

Printed from Grove Art Online. Under the terms of the licence agreement, an individual user may print out a single article for personal use (for details see Privacy Policy).

date: 28 January 2020

Marchesi, Giuseppelocked

(b Bologna, 1699; d Bologna, 1771).
  • Dwight C. Miller


(b Bologna, 1699; d Bologna, 1771).

Italian painter. After initially studying with Aureliano Milani, he entered the studio of Marcantonio Franceschini, whose refined classical style had a decisive influence on his development. His first independent work was the huge Rape of Helen (1723; Bologna, Pal. Mentasti). During the 1730s he proved himself to be a capable practitioner of large-scale fresco painting with his ambitious decoration of the vaults and cupola of S Maria di Galliera, the Oratorian church in Bologna. Franceschini’s influence is particularly evident in Marchesi’s interpretation of Ovidian pastoral myths, where his suave, languorous figures, his comely maidens and scantily clad nymphs represent the transformation of Franceschini’s elegaic classicism into an elegant late Baroque idiom with clear analogies to Rococo. Marchesi was among the more prominent painters in Bologna in the mid-18th century and an active member of Bologna’s Accademia Clementina, which Franceschini had founded. His works must have had a particular appeal to English patrons, as many of them have been discovered in English country-house collections, for example a series of paintings of the ...

You do not currently have access to this article


Please login to access the full content.


Please subscribe to access the full content.