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date: 20 January 2020

Lupas, Analocked

(b Cluj-Napoca, 1940).
  • Călin Dan


(b Cluj-Napoca, 1940).

Romanian tapestry designer and installation artist. She studied tapestry design at the ‘Ion Andreescu’ Institute of Fine and Decorative Art in Cluj-Napoca, first exhibiting her work at the National Exhibition for Decorative Arts, Bucharest, in 1965. She evolved from a two-dimensional concept of tapestry towards an original attempt to work in a three-dimensional context. She was quickly recognized internationally as an innovative designer, whose suppleness of technique (passing from high warp to ikat, or the Oriental tassel technique) enabled her to move beyond the confines of conventional tapestry design to participate in installations and happenings. In her work the textile is set in opposition to hard elements, such as wood or stone, or unexpected ones, such as leather or fruit, forming only the ambient structure of an idea of a space. An organic and disquieting element appeared in her Flying Machines and Nests, small works that attempt a Dadaist effect by being absurd and aggressive. Lupas’s ecological concerns, which dominate much of her work, were first expressed in optimistic works made from wheat sheaves and by installations such as the one executed with the help of peasant women in a Transylvanian village, who unfolded on a hill huge rolls of white hand-woven fabric. In the 1970s and 1980s, however, she became more pessimistic about the future of mankind, expressing her more morbid attitude in photographs, videos, drawings and texts as well as further installations. The festive installation of bleached hand-woven fabric was repeated in an urban context, with tar-spread fabric and funerary symbols (Bucharest, ...

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