(b 1862; d 1933).
French designer. He was a barrister by profession, and his legal training is perhaps reflected in his furniture designs, which are solid in construction, each part being carefully conceived to relate to the whole. He published his theories about avant-garde furniture and became established as an advocate of the modern school. Although known almost exclusively for his furniture, he also designed a wide range of objects and decorative schemes in an elegant Art Nouveau style.
Early in his career Gaillard collaborated in S. Bing’s fashionable Art Nouveau shop in Paris. Together with Georges de Feure and Edouard Colonna he created interiors and furniture for Bing’s pavilion, Art Nouveau Bing (destr.), at the Exposition Universelle of 1900 in Paris. Under Bing’s direction these artists carried out an aesthetic programme that laid claim to ‘the old French tradition’ infused with ‘a lively spirit of modernity’. Gaillard was responsible for three rooms in the pavilion: the vestibule, dining-room and bedroom. French precedents, especially elements from the Rococo style, were freely used as a source of inspiration. In the vestibule Gaillard installed a mosaic floor, bold pink draperies and a stencilled frieze that effectively set off a walnut portemanteau with mirrored back and shelves. The dining-room was furnished in walnut, ornamented with scrolled foliage and panelled wainscot, beneath a mural painted by the Spanish artist ...