Show Summary Details

Page of

 Printed from Grove Art Online. Under the terms of the licence agreement, an individual user may print out a single article for personal use (for details see Privacy Policy).

date: 22 October 2019

Ensor, James (Sidney Edouard), Baronlocked

(b Ostend, April 13, 1860; d Ostend, Nov 19, 1949).
  • Francine-Claire Legrand

Extract

(b Ostend, April 13, 1860; d Ostend, Nov 19, 1949).

Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as ‘superficial daubers’ he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor’s most memorable and influential work was almost exclusively produced before 1900 (see The Intrigue, 1890), but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (...

You do not currently have access to this article

Login

Please login to access the full content.

Subscribe

Please subscribe to access the full content.