(b London, Nov 18, 1886; d London, July 22, 1963).
English sculptor, painter and designer. The son of a commercial artist, from 1902 to 1904 he worked in the studio of the academic sculptor William Reynolds-Stephens. The few surviving paintings from before 1914 show the influence of such French painters as Paul Cézanne and Paul Gauguin. By the time Dobson enlisted in the Artists’ Rifles in October 1914 he had begun to carve. In 1920 he was selected by Wyndham Lewis as the only sculptor in the ‘Group X’ exhibition. His first post-war carvings such as Man Child (1921; London, Tate) exhibit an aggressive angularity, which suggests a conscious intention to adopt the Vorticist style of Henri Gaudier-Brzeska and Jacob Epstein. This was a short-lived phase, and from the mid-1920s Dobson was to concentrate on the naked female figure treated in a calm, simplified monumental fashion. The most obvious affinity was with the work of Aristide Maillol: Reclining Figure...