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date: 23 September 2019

De Domenicis, Ginolocked

(b Ancona, 1947).
  • Matthew Gale

Extract

(b Ancona, 1947).

Italian conceptual and performance artist. At 17 he mounted his own exhibition (1964; Ancona, Gal. D.D.), before moving to Rome where he was influenced by Arte Povera. His one-man show (1969; Rome, Gal. Attico), for which he published an obituary announcing his death, included traces of ‘invisible objects’: a square outlined on the floor constituted Invisible Pyramid. Such dematerialization was associated with mortality, with which de Domenicis was primarily concerned, investigated through autobiography and self-portraiture, as well as through juxtapositions of Urvasi, the Hindu goddess of beauty, and the partially divine Ghilgamesh, who sought immortality in vain. Invisibility became a paradoxical and primary conceptual means: D’io (‘of me’/‘God’, 1971) filled the Galleria L’Attico with a recording of laughter. Having included live animals in his Zodiac exhibition (1970; Rome, Gal. Attico), de Domenicis increasingly used people to embody such concepts as ageing (e.g. the opposition of a young and an old man at Incontri Internazionale d’Arte, Rome, ...

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