Show Summary Details

Page of

 Printed from Grove Art Online. Under the terms of the licence agreement, an individual user may print out a single article for personal use (for details see Privacy Policy).

date: 21 November 2019

Beccafumi [Mecarino, Mecherino], Domenico (di Giacomo di Pace)locked

(b Cortine in Valdibiana Montaperti, 1484; d Siena, between Jan and May 1551).
  • Fiorella Sricchia Santoro

Extract

(di Giacomo di Pace)

(b Cortine in Valdibiana Montaperti, 1484; d Siena, between Jan and May 1551).

Italian painter, sculptor, draughtsman, printmaker and illuminator. He was one of the protagonists, perhaps even the most precocious, of Tuscan Mannerism, which he practised with a strong sense of his Sienese artistic background but at the same time with an awareness of contemporary developments in Florence and Rome. He responded to the new demand for feeling and fantasy while retaining the formal language of the early 16th century. None of Beccafumi’s works is signed or dated, but his highly personal maniera has facilitated almost unanimous agreement regarding the definition of his corpus and the principal areas of influence on it. However, some questions concerning the circumstances of his early career and the choices available to him remain unanswered. The more extreme forms of Beccafumi’s reckless experimentation underwent a critical reappraisal only in the later 20th century.

The primary sources of information concerning Beccafumi are Vasari’s biography (1568) and archival findings, mostly 19th century, relating to the artist. Vasari, although a direct acquaintance of Beccafumi in his last years and in a position to gather information from mutual friends, was, predictably, unreliable in regard to his early career. According to Vasari, Mecherino, the son of a poor farmer named Giacomo di Pace, became the protégé of ...

You do not currently have access to this article

Login

Please login to access the full content.

Subscribe

Please subscribe to access the full content.