Show Summary Details

Page of

 Printed from Grove Art Online. Under the terms of the licence agreement, an individual user may print out a single article for personal use (for details see Privacy Policy).

date: 06 December 2019

Asser, Eduard (Isaac)locked

(b Amsterdam, Oct 19, 1809; d Amsterdam, Sept 21, 1894).
  • Mattie Boom

Extract

(Isaac)

(b Amsterdam, Oct 19, 1809; d Amsterdam, Sept 21, 1894).

Dutch photographer and lawyer . He made the earliest photographs to be found in the Netherlands, daguerreotypes of his daughters and other members of his family. In the 1840s a number of daguerreotypists, mostly foreign, settled in Dutch towns as professional portrait photographers. Asser, however, remained an amateur and experimented with a variety of photographic techniques and genres. He took self-portraits, pictures of his daughters, his son, his wife and of his friend E. Bour, also a photographer, using the calotype process (see Photography, §I). There are also studies of streets, buildings and canals in Amsterdam in his albums (Amsterdam, Rijksmus.). In his studio he made photographic still-lifes of vases, small sculptures and of the instruments from his physics cabinet. His compositions reveal a knowledge of the fine arts: in his youth the painter Jan Adam Kruseman had given him drawing and painting lessons.

In 1855, with Bour, Asser entered the first Dutch photographic exhibition, organized by the Vereeniging van Volksvlijt in Amsterdam and The Hague. This exhibition, which introduced photography for the first time to some people, included works by Louis-Désiré Blanquart-Evrard, André Adolphe Eugène Disdéri, Charles Nègre, Charles Marville, Bisson frères, Hermann Krone and others. In the same year Asser put himself forward for membership of the Société Française de Photographie. Asser’s work was shown at the ...

You do not currently have access to this article

Login

Please login to access the full content.

Subscribe

Please subscribe to access the full content.