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date: 19 August 2019

Appiani, Giuseppelocked

(b Porto, nr Milan, 1701; d Triefenstein, Franconia, 1785–6).

Extract

(b Porto, nr Milan, 1701; d Triefenstein, Franconia, 1785–6).

Italian painter, active in Germany. As a youth he assimilated the decorative traditions of Lombard painting and was deeply influenced by Venetian artists, chiefly Giambattista Tiepolo. He probably left Italy as a young man, travelling to Bavaria, where he was attracted to the art of Carlo Innocenzo Carlone, and then, perhaps between 1720 and 1730, to that of Jacopo Amigoni. Appiani’s earliest confirmed works are four preparatory studies (three pairs of Classical figures and the Parnassus, all c. 1743; priv. col., see Zubeck, figs 1–4) for frescoes in the castle (destr. 1793) at Saarbrücken. From 1745 he lived in Mainz, where he became the foremost court painter, and between 1748 and 1751 he executed frescoes of sacred subjects in churches in Lindau and Oberdorf. His two most notable surviving early fresco cycles are that in the refectory of the former Premonstratensian monastery of SS Peter and Paul, Obermarchtal (including the ...

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Dizionario enciclopedia dei pittori e degli incisori italiani, dall’XI al XX secolo, 11 vols (Turin, 1972–6) [pubd by Bolaffi]
Dizionario biografico degli italiani (Rome, 1960–)