(b 1892; d 1967).
Chilean sculptor. From 1902 to 1939 he lived in Germany; he studied under Franz Metzner in Berlin. On his return to Chile, he taught at a private school and then taught sculpture in the Academia Particular of the Universidad de Chile in Santiago, also executing important works such as the tomb of President Pedro Aguirre Cerda (1941; Cementerio General de Santiago) and a large relief, La naturaleza, in Parque Cousiño (1945; Santiago, Escuela Jard. Parque Cousiño).
Albert’s training in Germany, when Expressionism was at its height, led him to use distortion of form as the sign of vehement emotion. In his Ariel and Caliban (bronze, h. 8 m, 1960; Santiago, Parque Forestal), limbs are lengthened, muscles swell, tendons are visible beneath the skin, and one body yields and droops while the other rises imposingly into space. These traits are found in all his other sculptures, with the stress on subjectivity impelling him towards the metaphysical notion that the ‘real’ materials with which he works are his own feelings. Yet there is also a meditative depth in his work and a calming effect arising from an idealized geometry of forms. Albert’s concern with mass, which brought out the sensual qualities of his materials, was part of a profound examination of the specific problems of sculptural language: rhythm, movement and tension of surfaces....