15th – 17th century (?), male.
Monogram of an engraver (wood).
Cited by Brulliot as having engraved a Conversion of St Paul.
15th – 17th century (?), male.
Monogram of an engraver (wood).
Cited by Brulliot as having engraved a Conversion of St Paul.
16th century, male.
Monogram of an engraver.
Cited by Ris-Paquot as having engraved drawings by Frans Floris in or around 1599.
14th – 17th century (?), male.
Initials of a painter and engraver.
Cited by Bartsch and Defer; known for an engraving of Young Satyr and Old Satyr copied from an etching by Marcantonio Raimondi.
15th – 16th century (?), male.
Monogram of an engraver (wood).
Cited by Bartsch and Brullior; known to have engraved two works, a St Jerome and a Three Graces.
German (?), 14th – 17th century (?), male.
Monogram of an engraver.
Brulliot made a reference to this artist. His monogram is usually interpreted as A. A. B., but it could also be read as M. B. He left a cartouche, held by two eagles and topped by a ram's head....
German (?), 14th – 17th century (?), male.
Monogram of an engraver (stippling).
Brulliot makes a reference to A. B. He produced decorations in gold and silver.
Spanish, 16th century, male.
Active during the first half of the 16th century.
Painter. Religious subjects.
The master painted an altarpiece in Segovia signed A.B., seven panels of which can be found in the Prado in Madrid. His work shows the influence of Gerard David....
16th century, male.
Monogram of an engraver (wood).
Cited by Ris-Paquot; an engraver using this monogram is credited with several allegorical woodcuts on the theme of Due Judgment, a series of ten plates (one of which carries the date 1549 and depicts Justice and a Man under Oath...
German, 16th century, male.
Active in the 16th century.
Monogram of an engraver.
A. C. is mentioned in the writings of Ris Paquot. His initials appear on an etching dated 1569 and entitled Rebel.
Italian, 16th century, male.
Active in Italy at the end of the 16th century.
Monogram of an engraver (etching).
A. C. P. is mentioned by Charles Le Blanc. Eighty of his numbered plates showing vases survive.
German, 16th – 17th century (?), male.
Monogram of an engraver.
The signature A. C. T. is to be found on a copy of Bagpipe Player, an engraving by Albrecht Dürer.
16th century, male.
Painter. Portraits.
Lived and worked in France towards the end of the 16th century.
Monaco, 16 June 1989: Portrait of a Woman (oil on panel, 13¾ × 10½ ins/35 × 26.5 cm) FRF 333,000
16th century (?), male.
Monogram of a painter.
Believed to be the monogram of Abraham de Bruyn. Defer cites a full-length portrait with this monogram of Isabella of Austria, wife of Charles IX, dressed in a resplendent gown. The figure is turned to the left and holds her gloves in her left hand and a fan in her right....
16th century, male.
Painter. History painting.
Bryan's Dictionary cites this artist as being born in Austria or Westphalia and justifies his inclusion on the grounds of an altarpiece dated 1511 and preserved in Vienna. The altarpiece in question no longer features in the catalogue of the imperial gallery in Vienna....
Italian, 16th century, male.
Active in the early 16th century.
Monogram of an engraver.
A. F. is mentioned by Bartsch and Brulliot and known for Poetry, a copy of a plate by Raimondi after Raphael and Winged Child on Horseback.
Italian, 16th century, male.
Monogram of an engraver (including copper), print publisher (?). Religious subjects.
A.G. is mentioned by Brulliot, and believed to have been a pupil of Marcantonio Raimondi. He is known for his Virgin Holding the Infant Jesus, and Crowned by Two Angels...
Italian, 16th century, male.
Active at the end of the 16th century.
Monogram of an engraver (etching).
A.G.L.O. is mentioned by Charles Le Blanc. He created grotesque masks that were dynamic and witty in style, though somewhat coarse.
Swiss, 16th century, male.
Active in the 16th century.
Monogram of a glass painter.
German, 16th century, male.
Monogram of an engraver (wood).
The initials A. H. are found on drawings, as well as on wood engravings printed in Baden in 1517.
German, 16th century, male.
Monogram of an engraver (etching/burin).
A. H. is mentioned by Bartsch and Brulliot around 1540. The works attributed to him include: Fabricius (Joannes) (1540); Hohenheim Effigies (Aureoli Theophrastus ab) (1538); and Hohenheim (Effigies Aureoli, Theophrasti) (1540...