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Acerenza  

Pina Belli D’Elia

[Lat. Acheruntia]

Town and commune in the province of Potenza, southern Italy. Known for its strategic position on top of a rocky hill, it was a Roman colony and subsequently coveted by Byzantines, Goths, and Lombards. During this time it was under the authority of Benevento, and later on Salerno. It was conquered in 1043 when the city came under the rule of Asclettino I, Count of Acerenza (d 1045), brother of Ranulph, Count of Aversa (reg 1030–45), and then from 1061 Acerenza was under the control of Robert Guiscard, Duke of Apulia (reg 1059–85). It was at this time that Pope Nicholas II (reg 1058–61) elevated the city to an archbishopric. The first archbishop was Arnaldo, from Cluny, and in 1080, when the relics of St Canius were discovered, he founded a new cathedral in the centre of town, which is now the main monument. In ...

Article

Adolus, Joannes  

Greek, 16th century, male.

Active in Nicaea before 1588.

Painter. History painting, portraits.

According to Zani, Adolus reproduced an old Byzantine painting dating from the 14th century, the Portrait of Epiphanias, Bishop of Constance.

Article

Ahenny  

Roger Stalley

Site of an obscure Early Christian settlement formerly known as Kilclispeen (St Crispin’s Church) in Co. Tipperary, Ireland. The only remains are two outstanding stone crosses and the base of a third (c. 750–900), which are situated in a graveyard below the village. The crosses belong to a well-defined regional group and were constructed of three characteristic elements: a square base with sloping sides, a shaft with an unusually wide ring and a peculiar, rather ill-fitting, conical cap (the latter missing on the south cross). With its capstone, the north cross measures 3.7 m in height. The form of the Ahenny crosses is emphasized by a bold cable ornament along the outer contours. Projecting from the main faces are sculpted bosses, the most prominent feature of the ‘Ahenny school’. The ring and shaft of the crosses are covered with dense patterns of carved ornament, including interlace, spirals, frets, entangled beasts and interlocking men. Much of this decoration can be compared with the metalwork and manuscript illumination of the period, and it appears that the sculptors were in effect transposing altar or processional crosses into stone. With the addition of pigment, the analogy with metalwork would have been complete. In contrast to the shafts and rings, the bases bear figure sculpture in low relief. That on the north cross is best preserved and represents Adam and Eve with the animals in the Garden of Eden, a chariot procession (a theme repeated on other Irish crosses), seven ecclesiastics (possibly symbolizing Christ’s mission to the Apostles) and an enigmatic funeral procession with a headless corpse....

Article

Alahan Monastery  

Mary Gough

[Koca Kalesi]

Early Christian monastery on the southern slopes of the Taurus Mountains in Isauria, part of the Roman province of Cilicia in south-western Turkey. It is some 300 m above the main road between Silifke (anc. Seleucia) and Konya (anc. Iconium), 21 km north of Mut (anc. Claudiopolis). From two funerary inscriptions, pottery and coins, the monastery may be securely dated to the reigns of two Isaurian emperors, Leo (reg ad 457–74) and Zeno (reg 474–91).

The monastery was originally founded in a series of caves in a limestone outcrop at the west end of a narrow mountain ledge. The largest of these caves contained two rock-cut churches. The ledge was later enlarged by quarrying to the north and by the construction of a retaining wall to the south. The earliest building, immediately to the east of the caves, was the three-aisled Basilica. It was originally lavishly decorated, both inside and out, with architectural sculpture in a flowing naturalistic style, including plant forms, birds and fishes; figures occur only on the jambs and lintel of the main doorway between the narthex and the central aisle. On the west side of the lintel is a head of Christ set in a circle supported by angels, and at each end of the lintel and on the doorposts are four busts in high relief, possibly of the Evangelists. On the inner faces of the jambs are full-length figures of the archangels Michael and Gabriel in flat relief, while on the underside of the lintel is a remarkable relief of the four ...

Article

Alipi  

Russian, 11th – 12th century, male.

Died 17 August 1114.

Painter.

This artist was a monk who took his name from that of the monastery in the caves of Kiev. He painted images of the oldest saints, having learned his art from the Byzantine painters who decorated the monastery church in ...

Article

Anatolia, ancient  

Dominique Collon, Donald F. Easton, Jeanny Vorys Canby, J. D. Hawkins, K. Aslihan Yener, Oscar White Muscarella, and A. Nunn

Region roughly equivalent to the modern state of Turkey. The name Anatolia was first used by Byzantine writers in the 10th century ad, as an alternative to Asia Minor, and is now often used in its Turkish form, ‘Anadolu’, to describe Turkey in Asia. In this article the term ancient Anatolia covers the cultures and civilizations that flourished in the region from possibly as early as the 14th millennium bc to the 6th century bc. A wealth of remains from the Neolithic period (c. 8000–c. 5800 bc) to the Early Bronze Age (c. 3400–c. 2000 bc) testifies to the advanced prehistoric culture of Anatolia. During the 2nd millennium bc this was succeeded by the civilization of the Hittites (see Hittite), the demise of which was followed by a Dark Age lasting some two centuries. Eastern and south-eastern Anatolia were dominated from the ...

Article

Andreino da Edesia  

Italian, 13th – 14th century, male.

Active Lombard artist, active at around the same time as Giotto.

Fresco artist.

Andreino da Edesia was probably of Byzantine origin but biographers disagree about the artist. Zani refers to him from 1290 to 1310 and Lomazzo in 1330. The fresco of ...

Article

Angelus  

Italian, 13th century, male.

Painter. Religious subjects.

Venetian School.

Of Venetian origin. An Behold the Man ( Ecce Homo) in the Byzantine style is signed Angelus painted this ( Angelus pinxit).

Venice (Mus. Correr): Ecce homo (signed)

Article

Anicia Juliana  

L. James

(b ?Constantinople, c. ad 461–3; d Constantinople, c. 527–9). Byzantine patron. As the great-granddaughter of Galla Placidia and daughter of Flavius Anicius Olybrius (Emperor of the West, reg 472) she was the last major figure of the Theodosian house. In 512, during a popular uprising against Emperor Anastasius I (reg 491–518), the imperial crown was pressed on her husband Flavius Areobindus Dagalaifus, an honour he avoided by flight. Her imperial connections and social standing gave her an important status at court and she was an active patron. She is chiefly remembered for the Dioskurides codex (Vienna, Österreich. Nbib., med. gr. 1), which was produced in Constantinople c. 512 (see Early Christian and Byzantine art, §I, 2, (ii)). The inscription around her portrait (fol. 6v) indicates that the manuscript was commissioned for her by the people of Onoratou, a suburb of Constantinople, in gratitude for a church she built for them....

Article

Antioch (ii)  

Stephen Mitchell

[‘Pisidian’]

Greek and Roman city in western Asia Minor (now Turkey) on a plateau above Yalvaĉ. It was founded by the Seleucids in the 3rd century bc and refounded as a colony for veteran soldiers by Augustus c.25 bc; it flourished until the Early Christian period. The site was excavated in 1924 by D. M. Robinson and was the object of a detailed archaeological survey by S. Mitchell and M. Waelkens in 1982–3. Further excavations have taken place during the 1980s and 1990s, directed by M. Taslianan. About 4 km south of the city Hellenistic remains survive at the sanctuary of Mên Askaênos, where an imposing temenos with porticos on four sides enclosed a mid-2nd-century bc Ionic temple (6 by 11 columns) on a high, stepped podium. The design of the temple was influenced by the layout of the temples of Zeus Sosipolis and Artemis Leukophryene at Magnesia on the Maeander...

Article

Aprilis, Maetius  

2nd – 3rd century, male.

Active in the early Christian period.

Sculptor.

Ancient Roman.

Maetius Aprilis' name and the tools of his trade (hammer and chisel) are preserved on an epitaph in the Catacombs of Priscilla in Rome.

Article

Aquileia  

Franz Rickert

Roman and Early Christian city at the east end of the plain of the Veneto, c. 90 km north-east of Venice and 5 km from the Adriatic coast. Founded as a Roman colony in 181 bc, it received full town status in 89 bc and became the regional capital of Venetia et Histria. It was strategically sited on the River Natissa, which was navigable to the sea, and at the intersection of routes leading north-west over the Alps and north-east to the Balkans. Written sources indicate that several emperors, including Constantine the Great, had a residence in Aquileia; from ad 294 to the 5th century it also had its own mint. In 313 it became a bishopric and in 381 it was the venue of a council before which followers of Arianism were tried. Civil wars and the invasions of the Huns (452) and the Lombards (568) led to the migration of most of the population and the transference of the see to Grado....

Article

Asinou  

Susan Young

[Gr. Panagia Phorbiotissa: ‘Our Lady of the Pastures’]

Byzantine church in Cyprus, situated on the west side of the island, 4 km south-west of the village of Vizakia. The church was originally part of the monastery of the Phorbia (destr.), and a marginal note in a synaxarion copied in Cyprus or Palestine in 1063 indicates that the manuscript once belonged to this monastery. The church is renowned for its well-preserved cycles of wall paintings and painted inscriptions, two of which attribute the foundation and decoration of the church to Nicephoros Ischyrios, the Magistros, in 1105–6. A third, damaged inscription mentions a certain ‘Theophilos’ and ‘the people’, who were probably responsible for a programme of redecoration in 1332–3. The wall paintings were cleaned and restored in 1965–8 by Ernest Hawkins and David Winfield under the auspices of the Center for Byzantine Studies at Dumbarton Oaks, Washington, DC.

The church is a single-aisle structure with a semicircular apse and barrel-vaulted nave supported by transverse ribs and engaged piers, forming three blind niches in the north and south walls. In plan it resembles the parekklesion of the Cypriot monastery of St John Chrysosthomos, but it does not have a dome. Although the original walls were of stone mortared with mud, probably in the late 12th century, yellow sandstone of better quality was used for the construction of a domed narthex with north and south absidioles; this arrangement is found elsewhere in Cyprus, at the monasteries of St John Chrysosthomos, and the Panagia Apsinthiotissa. The church was later given a secondary steeply pitched wooden roof of a type common among the Cypriot mountain churches....

Article

Astrapa  

Serb, 13th – 14th century, male.

Painter.

This Byzantine artist was working around the end of the 13th and beginning of the 14th century. Employed as painter to the king Milutin, he had many assistants in his studio, including in particular his sons Entychios and Mikhail. A stylistic shift towards greater expression was discernible in the work emerging from their studio, dealing with subjects such as poetry, fables and religious history. Numerous frescoes are attributed to these artists, for instance ...

Article

Astrapas  

A. Dean McKenzie

(fl c. 1290–1311). Byzantine painter active in Macedonia. ‘Astrapas’ (Gr.: ‘lightning’) is a pseudonym, and some scholars doubt that it refers to a particular artist. Although the name Astrapas appears together with the name Michael on the wall painting (1295) in the church of the Mother of God Peribleptos in Ohrid, it is not clear whether the two names belong to one and the same artist or two different people. It is also not possible to distinguish the style of Astrapas from that of Michael and Eutychios who also painted frescoes there. The signature of ‘Astrapas’ as painter appears in the exonarthex of the church of the Mother of God (Sveta Bogorodica) Ljeviška (1307–9) in Prizren, where his work has been associated with that of the so-called ‘Master of the Prophets’. Astrapas has also been credited with the frescoes (c. 1311) in the church of the Ascension in the monastery of Žića, in Serbia. His style of painting is characterized by dramatic composition and lively, lifelike figures achieved through the use of classicizing three-dimensional techniques and a palette of warm colours against dark blue backgrounds. His nationality has been disputed, some scholars believing him to be an itinerant Greek artist recruited from Thessaloniki into the service of the Serbian king ...

Article

Berende  

Tania Velmans

Village c. 40 km north of Sofia in Bulgaria. It is famous for its Byzantine church dedicated to St Peter. Built on the edge of the River Nishava, the church has a single nave (4.50×8.50 m) and contains on the west façade fragments of a donor inscription referring to King John Asen II (reg 1218–41), during whose reign it may have been built. There is some controversy regarding the date of its paintings, which have been assigned to both the 13th and the 14th centuries. In the apse all has been lost apart from Four Bishop–Saints Officiating at the Liturgy Accompanied by Two Deacons. The Mandylion was painted on the eastern wall above the apse, between the Virgin and the Archangel of the Annunciation. The Ever-seeing Eye occupies the western niche in the prothesis, and a large bust of St Peter near the iconostasis is surrounded by a masonry frame imitating the appearance of an icon. The scenes and figures painted on the vaulting have disappeared, but part of the ...

Article

Bertolt  

German, 11th century, male.

Active in Salzburg.

Miniaturist.

Although this artist worked in Salzburg, his work has the Byzantine traits of the Regensburg School.

Article

Bessarion, Cardinal  

Jonathan Harris

[Johannes]

(b Trebizond (now Trabzon), Jan 2, 1402; d Ravenna, Nov 18, 1472).

Byzantine cleric and patron. Consequent on the negotiations for the union of the Western and Eastern churches (1438–9), in which he took a prominent part, Bessarion changed to the Latin rite and was created a cardinal by Pope Eugenius IV (reg 1431–47). He resided in Rome from the 1440s as Cardinal Bishop of Sabina and Tusculum and later as titular Patriarch of Constantinople, during which time he employed the considerable revenues that he drew from these appointments to restore churches including SS Apostoli (c. 560) in Rome and della Madonna del Monte (12th century) in Bologna where he commissioned frescoes (destr.) by Galasso Galassi (fl 1449–88).

Bessarion’s patronage was influenced by his Byzantine roots. The chapel of the Madonna di San Luca (1198) in Bologna probably benefited from his generosity because it contained an icon from Constantinople, while the Madonna of Bessarion...

Article

Beycesultan  

Seton Lloyd

Ancient settlement around the upper reaches of the Büyük Monderes (Meander River), near Çivril in Turkey, that flourished during the Bronze Age (c. 3500–1200 bc) and was briefly reoccupied in the Early Christian period. The imposing ruin mound, with twin summits, was excavated (1954–9) by the British Institute of Archaeology at Ankara under Seton Lloyd.

These excavations revealed 40 successive levels of occupation with modest building remains. At the earliest levels, the pottery can be dated to a late phase of the Chalcolithic period (c. 3500 bc), though metal objects (including silver) already appear in small quantities. Comparable finds from other sites in the same area combine with the Beycesultan material to produce a schematic chronological sequence for the whole of south-western Anatolia. The architectural and artistic material shows the evolution of a culture that was possibly the direct forebear of the Iron Age civilization in western Anatolia. In the 2nd millennium ...

Article

Binbirkilise  

Mark Whittow

[Turk.: ‘The Thousand and One Churches’]

Group of late Roman and Byzantine sites on the Karadağ, an isolated mountain in the plain north of the Taurus Mountains in the modern province of Karaman in south-central Turkey (Roman and Byzantine Lykaonia). The mountain has been convincingly identified as the site of Barata, a minor city attested as a bishopric from the 4th century ad to the 12th. On the mountain there are the remains of over 40 churches and associated buildings. These are concentrated in two groups: a lower settlement now known as Maden Șehir and an upper settlement called Değler. There are also numerous other remains on the Karadağ, including some Hittite rock carvings, several churches built on the peaks of the mountain and several medieval fortifications.

Although known to scholars since 1826, the first and only survey of the Karadağ was that carried out by Sir William Ramsay (1851–1939) and Gertrude Bell in ...