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Ghika [Chatzikyriakos-Ghikas], Niko  

Fani-Maria Tsigakou

[Nicos]

(b Athens, Feb 26, 1906; d Athens, Sept 3, 1994).

Greek painter, printmaker, illustrator, stage designer and theorist. While still a schoolboy he studied drawing under Konstantinos Parthenis. In 1922 he enrolled at the Sorbonne in Paris for a course in French and Greek literature, but soon moved to the Académie Ranson where he studied painting under Roger Bissière and printmaking under Demetrios Galanis. He first exhibited at the Salon des Indépendants at the age of 17. His first one-man exhibition, at the Galerie Percier, Paris (1927), was enthusiastically reviewed by Tériade in Cahiers d’art. His first one-man exhibition in Athens was at the Galerie Strategopoulos in 1928.

Ghika returned to Athens in 1934 and became closely involved with aesthetic and educational issues, specifically the popular art movement and the search for Greekness in art. In 1936–7 he edited the Third Eye, an avant-garde magazine in which he was able to introduce new aesthetic trends into Greek cultural life. In collaboration with the leading architects in Greece, he became actively concerned with the problem of urbanism and the restoration of traditional architecture. As a leading member of several cultural and artistic societies and a theoretician of art, he wrote and lectured extensively on art and education. From ...

Article

Larionov, Mikhail  

Anthony Parton

(Fyodorovich)

(b Tiraspol, Moldova, June 3, 1881; d Fontenay-aux-Roses, nr Paris, May 10, 1964).

Russian painter, stage designer, printmaker, illustrator, draughtsman and writer of Moldovan birth. He was a leader of the Russian avant-garde before World War I but came to prominence in the West through his work for Serge Diaghilev and the Ballets Russes. During the 1920s he played a significant role within the Ecole de Paris and continued to live and work in France until his death.

He was the son of Fyodor Mikhailovich Larionov, a doctor and pharmacist, and Aleksandra Fyodorovna Petrovskaya, but he grew up in his grandparents’ home in Tiraspol. He completed his secondary education at the Voskresensky Technical High School in Moscow and in 1898 entered the Moscow School of Painting, Sculpture and Architecture. Here he studied under Valentin Serov and Konstantin Korovin, and he also became friendly with Natal’ya Goncharova who was to remain his lifelong companion and colleague. Larionov’s work soon caught the imagination of collectors and critics. In ...