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Article

Kirk Ambrose

(b Moscow, May 7, 1903; d Paris, Jan 25, 1988).

Lithuanian art historian, scholar of folklore and Egyptology, and diplomat of Russian birth. Son of the celebrated Lithuanian Symbolist poet of the same name, Jurgis Baltrušaitis II studied under Henri(-Joseph) Focillon at the Sorbonne and earned the PhD in 1931. The concerns of his mentor are evident in La stylistique ornementale dans la sculpture romane (1931), which reprises and extends arguments for the ‘law of the frame’ in Romanesque sculpture. Accordingly, the shapes of architectural members, such as capitals and tympana, determined the articulation of sculptural forms. This theory could account for the genesis of a wide array of monumental carvings, from foliate capitals to narrative reliefs, but ultimately it had a rather limited impact on the field of Romanesque sculptural studies. In a scathing critique, Schapiro argued that Baltrušaitis’s book—and by implication Focillon’s methods—robbed Romanesque sculptors of agency and neglected the religious and expressive meanings of this art form....

Article

In its most general sense, spolia (pl., from Lat. spolium: ‘plunder’) denotes all artifacts re-employed in secondary contexts, from building blocks reused in a wall to pagan gems mounted on a Christian reliquary. It is a matter of debate whether this broad application of the term is justified, or whether it should be restricted to the relatively small subset of reused objects that were taken or ‘stripped’ (like spoils) from their original context, rather than found, purchased, inherited or otherwise acquired by non-violent means. It is likewise debated when the use of spolia should be considered meaningful, if at all. Arnold Esch defined five possible motives for using spolia: convenience, profanation, Christianization, political legitimation and aesthetic attraction. Michael Greenhalgh has argued for reducing the motives to three (at least with regard to marble): pragmatism, aesthetics and ideology; while Finbarr Barry Flood cautioned against reductive interpretations generated by any taxonomy, insisting that reused objects are mutable in meaning and capable of multiple interpretations during their life cycle....

Article

Sheila R. Canby

( Kyrle )

(b London, Oct 13, 1897; d Sharon, CT, April 18, 1986).

American archaeologist, curator and collector . Trained as an artist at the Slade School, University College, London, in 1920 he joined the graphic section of the Egyptian Expedition to Thebes, organized by the Metropolitan Museum of Art, New York. During the 1920s and 1930s Wilkinson painted facsimiles of Egyptian tomb paintings in the museum collection, and he joined museum excavations in the Kharga Oasis (Egypt) and Qasr-i Abu Nasr and Nishapur (Iran). Transferred to the curatorial staff of the museum in 1947, he became curator in 1956 of the new Department of Ancient Near Eastern Art, which merged with the Department of Islamic Art in 1957. Through his energetic collaboration on major excavations at Hasanlu, Nimrud and Nippur, Wilkinson greatly expanded the Ancient Near Eastern collections at the Metropolitan Museum. After his retirement from the museum in 1963, he taught Islamic art at Columbia University and was Hagop Kevorkian Curator of Middle Eastern Art and Archaeology at the Brooklyn Museum, New York (...