Search Results

German, 20th century, male.

Active in France from 1960.

Born 1934, in Bad Bellingen.

Painter (including gouache), performance artist, watercolourist, engraver (etching), monotype artist, draughtsman. Stage sets, artists' books, posters.

Hermann Amann is very active. He has published written works and given numerous lectures on painting. As a painter, he produces very colourful, very musical works, with a dynamic rhythm, made up of geometric figures in thick lines or black rings, biomorphic forms and graphic signs. He also produces engravings (etchings and monotypes), artists' books ( ...

Danish, 20th century, male.

Active from 1947 active in France.

Born 20 or 29 May 1924, in Kolding; died 21 October 1999, in Paris.

Painter, watercolourist, draughtsman, engraver, illustrator, newspaper cartoonist. Stage sets, stage costumes.

Lars Bo was the son of an architect and painter who duly followed in his father's footsteps. His earliest drawings were of animals of every description. He enrolled at the academy of applied arts in Copenhagen in ...

Belgian, 20th century, male.

Born 1920.

Painter (including gouache), draughtsman, engraver, illustrator, decorative designer. Stage costumes and sets, postage stamps.

Oscar Bonnevalle studied at the Ghent academy and went on to produce postage stamp designs which demonstrate a genuine feeling for realism and traditional folklore....

German, 20th – 21st century, male.

Born 1950.

Painter, lithographer, performance artist, photographer. Artists' books.

Fluxus.

Wolf Adam Bottinelli trained at the art academy in Kassel. He appears to have a very free idea of the act of creation, which has brought him close to the ...

French, 20th century, male.

Born 18 November 1907, in Versailles; died 29 May 1990, in Paris.

Painter (including gouache), watercolourist, engraver (etching), lithographer, draughtsman (including ink), monotype artist, illustrator, decorative designer. Figures, portraits, scenes with figures, genre scenes, landscapes with figures, landscapes, architectural views, seascapes, still-lifes...

French, 20th century, male.

Born 3 September 1921, in La Baule.

Painter, lithographer, illustrator. Scenes with figures, portraits, nudes, landscapes, still-lifes. Stage sets, stage costumes, church decoration.

Jean Bruneau was a student at the École des Beaux-Arts in Nantes from 1938 to 1945 and won the Prix de la Ville de Nantes in his final year. In ...

German, 20th – 21st century, male.

Active in France.

Born 1955, in Germany.

Painter, sculptor, engraver, illustrator, performance artist.

Alex Cassel arrived in the south of France with his family in 1970, and moved to Paris in 1972. He embarked on a course in law and economics, but in ...

French, 20th century, male.

Born 25 March 1897, in Paris; died 12 July 1981, in St-Germain-en-Laye.

Painter, engraver, illustrator. Scenes with figures, landscapes, still-lifes. Designs for tapestries, stage costumes and sets.

Roger Chastel's father was a banker and a collector. In 1914, he entered the Atelier Cormon at the École des Beaux-Arts in Paris, which he left quite quickly for the Atelier Jean-Paul-Laurens at the Académie Privée Julian. Having been drafted in 1916, he was discharged in 1919 and enrolled at the Académie Ranson. At the same time, encouraged by the caricaturist Sem, he was commissioned to produce fashion designs and cartoons for magazines, including the leading contemporary French fashion magazine ...

French, 20th century, male.

Born 1944, in Lyons; died 8 April 1997, in Turkey, as the result of an accident.

Sculptor of assemblages, installation artist, collage artist, draughtsman, engraver, mixed media, illustrator, performance artist, designer, video artist. Multimedia, stage sets.

Land Art.

Jean Clareboudt studied at the École d'Arts Appliqués ...

French, 20th century, male.

Born 13 December 1904, in Meynes; died 21 June 1977, in Paris.

Painter (gouache), engraver, illustrator. Figure compositions, still-lifes, landscapes, landscapes with figures. Murals, designs for tapestries, stage costumes and sets.

Lucien Coutaud was the great-grandson of a Provençal cabinet-maker, some of whose works are housed at the Musée d'Arlaten. His careful, meticulous approach, particularly in his own engraving work, also came from his father, a goldsmith, who taught him his craft. From 1920, for four years, he studied at the École des Beaux-Arts in Nîmes where he was taught by Armand Coussens. In 1924 he left for Paris, where he attended the Académies Libres in Montparnasse and enrolled at the École des Arts Décoratifs. In 1952 he discovered the region of Normandy and bought a house near Villerville. Its name, the 'Cheval de Brique' (Brick Horse), would be given to the period of artistic activity lasting until 1976. He received the Prix Daumier de la Gravure in 1952 and was made a Chevalier of the Légion d'Honneur in 1957, then Chevalier des Arts et Lettres in 1958....

French, 20th century, male.

Born 1 May 1916, in Hanoi, Vietnam; died 1988.

Painter, engraver (wood/copper), illustrator. Murals, designs for mosaics, stage costumes and sets, posters, comic strips, decorative designs, medals, postage stamps.

After studying at the school of fine arts in Hanoi in 1935...

(b Montauban, Sept 30, 1894; d Perpignan, July 21, 1972).

French painter, printmaker, stage designer, illustrator and tapestry designer. He was encouraged to study art by Emile-Antoine Bourdelle, to whom he showed his drawings at the age of 16, and was taught by him at the Ecole de Dessin à la Manufacture des Gobelins. From 1912 to 1914 he attended the Ecole des Arts Décoratifs in Montauban, and after serving in the infantry during World War I he moved to Paris, where he showed his work regularly at such exhibitions as the Salon des Indépendants and the Salon d’Automne.

Desnoyer lived and worked among the Cubists, but like the Fauves he favoured bright primary colours, marrying colour and line in landscapes, still-lifes and portraits. His debt to both movements is visible in paintings such as La Foire du Trône (1927; Paris, Pompidou). He also produced an illustrated edition of La Fontaine’s Dies Irae (Editions Mortier, 1947) and stage designs for the Opéra Comique in Paris, for example for Henri Barrand’s ...

(b Cincinnati, OH, June 6, 1935).

American painter, sculptor, printmaker, illustrator, performance artist, stage designer and poet. He studied art at the Cincinnati Arts Academy (1951–3) and later at the Boston Museum School and Ohio University (1954–7). In 1957 he married Nancy Minto and the following year they moved to New York. Dine’s first involvement with the art world was in his Happenings of 1959–60. These historic theatrical events, for example The Smiling Workman (performed at the Judson Gallery, New York, 1959), took place in chaotic, makeshift environments built by the artist–performer. During the same period he created his first assemblages, which incorporated found materials. Simultaneously he developed the method by which he produced his best known work—paintings, drawings, prints and sculptures that depict and expressively interpret common images and objects.

Clothing and domestic objects featured prominently in Dine’s paintings of the 1960s, with a range of favoured motifs including ties, shoes and bathroom items such as basins, showers and toothbrushes (e.g. ...

Spanish, 20th century, male.

Active also active in France.

Born 5 February 1897, in Murcia; died 1967, in Paris (?).

Painter (including gouache), watercolourist, pastellist, engraver (etching), draughtsman, illustrator. Figure compositions, figures, bullfighting scenes, harbour views. Church decoration, stage sets, stage costumes.

Following the collapse of the family business, Pedro Flores was allowed to leave school and study drawing at the Friends of Murcia academy where he was awarded the Government of Murcia Prize for Painting at a very young age. He also appears to have studied at the Real Academia de Bellas Artes de San Fernando in Madrid. In ...

[Nicos]

(b Athens, Feb 26, 1906; d Athens, Sept 3, 1994).

Greek painter, printmaker, illustrator, stage designer and theorist. While still a schoolboy he studied drawing under Konstantinos Parthenis. In 1922 he enrolled at the Sorbonne in Paris for a course in French and Greek literature, but soon moved to the Académie Ranson where he studied painting under Roger Bissière and printmaking under Demetrios Galanis. He first exhibited at the Salon des Indépendants at the age of 17. His first one-man exhibition, at the Galerie Percier, Paris (1927), was enthusiastically reviewed by Tériade in Cahiers d’art. His first one-man exhibition in Athens was at the Galerie Strategopoulos in 1928.

Ghika returned to Athens in 1934 and became closely involved with aesthetic and educational issues, specifically the popular art movement and the search for Greekness in art. In 1936–7 he edited the Third Eye, an avant-garde magazine in which he was able to introduce new aesthetic trends into Greek cultural life. In collaboration with the leading architects in Greece, he became actively concerned with the problem of urbanism and the restoration of traditional architecture. As a leading member of several cultural and artistic societies and a theoretician of art, he wrote and lectured extensively on art and education. From ...

(Sergeyevna)

(b Negayevo, Tula Province, June 16, 1881: d Paris, Oct 17, 1962).

Russian painter, stage designer, printmaker and illustrator. She was a leading artist of the Russian avant-garde in the early 20th century but became a celebrity in the West through her work for Serge (de) Diaghilev and the Ballets Russes. During the 1920s she played a significant role within the Ecole de Paris and continued to live and work in France until her death.

She was the daughter of Sergey Mikhaylovich Goncharov, an architect, and Yekaterina Il’icha Belyayeva but grew up in her grandmother’s home at Ladyzhino, near Kaluga, in Tula Province. She attended the Fourth Gymnasium for Girls in Moscow and in 1898 entered the Moscow School of Painting, Sculpture and Architecture as a sculpture student where she was taught by Paolo Troubetskoy. At the school Goncharova became friendly with Mikhail Larionov. He became her lifelong companion and colleague, and he encouraged her to relinquish sculpture for painting. Goncharova’s early work comprised mainly pastels, which were exhibited in ...

(b Waal, Bavaria, May 26, 1849; d Budleigh Salterton, Devon, March 31, 1914).

English painter, illustrator, printmaker, stage designer, film maker, writer and teacher of German birth. He was the only child of Lorenz Herkomer (d 1887), a wood-carver, and Josephine (née Niggl), an accomplished pianist and music teacher. They left Bavaria for the USA in 1851 and lived briefly in Cleveland, OH, before settling in Southampton, England, in 1857.

Herkomer received his first art instruction from his father and from 1864 to 1865 he attended the Southampton School of Art. Later he often criticized the crippling academic methods to which he was exposed as a student. In 1865 he briefly attended the Munich Academy and spent the summer terms of 1866 and 1867 at the South Kensington Art School in London, where he found the teaching ‘aimless and undirected’. With the encouragement of his fellow student Luke Fildes, Herkomer took up black-and-white illustration; his first wood-engraving appeared in Good Words...

(b Budapest, April 17, 1904; d Budapest, Jan 26, 1986).

Hungarian painter, illustrator, mosaicist, tapestry designer, stage designer, poster designer, printmaker, sculptor, teacher and administrator. From 1922 to 1929 he studied at the Hungarian Academy of Fine Arts (Magyar Kepzőmüvészeti Főiskolá) in Budapest under Gyula Rudnay (1878–1957) and János Vaszary (1867–1939). In the mid-1920s he became acquainted with Béla Uitz’s General Ludd series (1923; Budapest, N.G.) and in Venice he saw the work of such Russian avant-garde artists as Rodchenko and El Lissitzky and such Italian Futurists as Severini. In 1926 in Paris he studied the works of Léger, Braque, Picasso and others in the collection of Léonce Rosenberg. He was also influenced by the art of Brancusi and Joseph Csáky, as well as André Breton’s Manifeste du surréalisme (Paris, 1924). From the outset, Hincz’s work revealed a number of different objectives. Although he experimented with abstraction, the reference to the figure is always present in one form or another. His profound interest in humanity and its social interaction was based on, and motivated by, this interest in the figure. His early paintings are expressionist in mood and are composed of flattened forms in a shallow space in a manner reminiscent of Cubo–Futurist art. Elements of Purism and Surrealism are also present. After World War II he became increasingly preoccupied with realism, political agitprop art and the problems inherent in creating new symbols; a study trip to Korea, China and Vietnam in ...

British, 20th century, male.

Active in the USA since 1975.

Born 9 July 1937, in Bradford (West Yorkshire).

Painter (including gouache), watercolourist, collage artist, draughtsman, engraver (etching/aquatint), lithographer, illustrator, photographer. Portraits, scenes with figures, interiors with figures, landscapes, still-lifes. Stage sets, stage costumes, painted ceramics.

London Group.

David Hockney studied at Bradford College of Art from 1953 to 1957, and at the Royal College of Art in London from 1959 to 1962. The exhibition Picasso, shown at the Tate Gallery, London, in 1960, made a deep impression on him. The following year he went to New York for the first time, then travelled to Egypt and Los Angeles in 1963, and to France and Italy in 1967. During his time in the USA, Hockney held several teachings posts: at the University of Iowa in 1964; at the University of Colorado in 1965; and in Los Angeles from 1966 to 1967...

German, 20th century, male.

Born 28 June 1885, in Munich; died 1967.

Painter, draughtsman, illustrator, poster artist, decorative designer, lithographer. Stage costumes and sets.

Ludwig Kainer started out as a doctor and only later became an artist. From 1904 to 1914, he lived in Paris. In ...