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Gau, Franz Christian  

Barry Bergdoll

(b Cologne, June 15, 1790; d Paris, Dec 31, 1853).

French architect, writer and archaeologist of German birth. In 1810 he left Cologne with his lifelong friend J. I. Hittorff for Paris, enrolling at the Ecole des Beaux-Arts in 1811 under the tutelage of the ardent Neo-classicists Louis-Hippolyte Lebas and François Debret. But from the beginning Gau was exposed to a wider field of historical sources, first as assistant site architect under Debret on the restoration of the abbey church of Saint-Denis (1813–15) and then from 1815 in Nazarene circles in Rome, where he met the archaeologist and philologist Barthold Nieburh (1776–1831), who arranged a scholarship for him from the Prussian government and a trip through the eastern Mediterranean. In Egypt Gau undertook an arduous trip down the Nile to visit and record the monuments of Nubia, which he published as the lavish folio Antiquités de la Nubie. He noted assiduously every trace of colour on the remains, just as he was to do in ...

Article

Salzmann, Auguste  

Hélène Bocard

(b Ribeauville, Alsace, April 14, 1824; d Paris, Feb 24, 1872).

French photographer, archaeologist and painter. A painter of landscapes and religious scenes and a keen archaeologist, he was fascinated by the Middle East from an early age. He visited Italy and Algeria with his friend Eugène Fromentin, and he was in Egypt at the time of the excavations of Auguste Mariette (1821–81). Taking advantage of a mission supported by the Ministère de l’Instruction Publique, he decided to set off for the Holy Land at the end of 1853. In his desire to support the disputed theses of the archaeologist Louis Félicien Caignart de Saulcy (1807–80) concerning the age and appearance of the monuments there, in 1854 he brought back from his trip c. 200 calotypes. The album Jérusalem (pubd 1855–6; Paris, Mus. Orsay; Paris, Bib. N.; priv. col.) contained 174 of them (see fig.). In 1863, he set off again with de Saulcy to carry out more intensive research, and his photographs were used to illustrate the archaeologist’s articles....