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Article

Hjortzberg, Gustav Olof  

Swedish, 19th – 20th century, male.

Born 14 November 1872, in Stockholm; died 1959.

Painter, watercolourist, engraver, draughtsman, illustrator, poster artist. Figures, portraits, landscapes with figures, still-lifes (including flowers/fruit). Wall decorations, designs for stained glass.

Gustav Olof Hjortzberg studied at the Stockholm academy from 1892 to 1896. He spent seven years travelling in France, Italy, Spain, Greece and Asia. After returning to Stockholm, he was professor of drawing at the academy from 1911 to 1917, and later its director from 1920 to 1941. Between 1921 and 1938, he instituted a school of decorative arts at the academy. He took part in group exhibitions, including the ...

Article

Holst, Richard (Nicolaüs) Roland  

Jan Jaap Heij

(b Amsterdam, Dec 4, 1868; d Bloemendaal, Dec 31, 1938).

Dutch painter, printmaker, illustrator, writer and stained-glass artist. He trained at the Rijksakademie in Amsterdam (1886–90), under the directorship of August Allebé. Having initially painted and drawn Impressionistic landscapes, he started working in the ’t Gooi region in 1892, where, influenced by Vincent van Gogh and Jan Toorop, he made a number of Symbolist drawings and lithographs. In 1896 he married the Dutch writer Henriette van der Schalk. They both devoted themselves to the recently founded Sociaal Democratische Arbeiders Partij. In the years up to c. 1900 Holst produced among other things a series of lithographs of political cartoons with socialist content, as well as serene landscapes and paintings of girls from the village of Huizen. His allegorical murals (1902; in situ), on topics such as ‘Industry’ or ‘Commerce’, in the new Koopmansbeurs in Amsterdam by H. P. Berlage (1876–1903), marked an important point in his career as his first opportunity to construct a monumental piece of work. Partly inspired by the murals in the town hall at ’s Hertogenbosch by Antoon Derkinderen, he developed a tight, stylized type of design, which he believed to be ideal for visually representing idealistic and exalted thoughts. In his murals (...