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Müller, (Johann) Friedrich  

Ingrid Sattel Bernardini

[Maler Müller]

(b Kreuznach, Jan 13, 1749; d Rome, April 23, 1825).

German painter, engraver, draughtsman, poet and Playwright. From about 1765 he was taught by Daniel Hien (1724–73), court painter to Christian IV, Duke of Zweibrücken, with 17th-century Dutch painting as his model. Müller showed a talent for realistic depiction of animals, especially horses, and landscape, including farm scenes. The Duke gave him an allowance so that, from 1769, he was able to attend the Mannheim Akademie. Müller’s friendship there with Ferdinand Kobell and Franz Kobell (1749–1822) led to a considerable mutual influence in the work of all three. Müller also established himself as a poet at this time, becoming one of the representatives of the late 18th-century German literary movement known as Sturm und Drang. In the course of the 1770s Müller wrote a celebrated series of idylls, the lyric drama Niobe and the first parts of his Fausts Leben dramatisiert, all issued in editions with his own engraved illustrations. Life drawings and etchings from this period are in Mannheim (Städt. Reiss-Mus.), Frankfurt am Main (Goethemus.) and Monaco-Ville (Archvs Pal. Princier). At this time, however, Müller’s work as a poet and dramatist was more widely known and admired than his work as an artist. His study of the famous collection of casts of antique sculptures in the Antikensaal at Mannheim, and of paintings in the picture gallery belonging to the Elector ...

Article

Rode, (Christian) Bernhard  

Ekhart Berckenhagen

(b Berlin, July 25, 1725; d Berlin, June 24, 1797).

German painter, draughtsman and etcher. He was the son of the goldsmith Christian Bernhard Rode (d 1755) and the pupil of N. Müller (fl 1740s) and Antoine Pesne. From 1750 to 1752 he studied with Carle Vanloo and Jean Restout in Paris, and between 1754 and 1756 he studied in Rome and in Venice, where he produced oil sketches after Titian, Tintoretto, Pordenone and Giordano. He was a fast and prolific worker with a talent for strong composition and use of colour. This last quality became especially evident after 1770, when he began to execute his works in bright, strong-toned colours. He painted several monumental wall and ceiling paintings, mainly in the castles and palaces of the aristocracy in the area of Berlin and Potsdam. In 1771–3 he produced a series of paintings (e.g. the Ploughman Cincinnatus Chosen to be Dictator) for the house of ...

Article

Sigrist, Franz or François, the Elder  

German, 18th century, male.

Born 23 May 1727, in Alt-Breisach (Eberfeld); died 21 October 1803, in Vienna, Austria.

Painter, engraver. History painting, religious subjects, mythological subjects. Murals.

Neo-Classical.

Franz Sigrist studied under the Austrian painter Paul Troger (1698 - 1762) at the academy in Vienna and was also influenced by Josef Ignaz Mildorfer (...