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Article

Astrology in medieval art  

Sophie Page

Astrology is the art of predicting events on earth as well as human character and disposition from the movements of the planets and fixed stars. Medieval astrology encompassed both general concepts of celestial influence, and the technical art of making predictions with horoscopes, symbolic maps of the heavens at particular moments and places constructed from astronomical information. The scientific foundations of the art were developed in ancient Greece, largely lost in early medieval Europe and recovered by the Latin West from Arabic sources in the 12th and 13th centuries. Late medieval astrological images were successfully Christianized and were adapted to particular contexts, acquired local meanings and changed over time.

Astrology developed into a scientific branch of learning in ancient Greece, but because of the opposition of the Church Fathers it was transmitted to early medieval Europe in only fragmentary form in technically unsophisticated textbooks and popular divinatory genres. Literary and scientific texts provided more general ideas about the nature and attributes of the planets which were influential on later iconography. The first significant astrological images appear in 11th-century illustrated astronomical texts (e.g. London, BL, Cotton MS. Tiberius BV), which were acquired and produced by monasteries to aid with time-keeping and the construction of the Christian calendar....

Article

Rallis, Theodoros  

Greek, 19th – 20th century, male.

Born 16 February 1852, in Istanbul, Turkey; died 2 October 1909, in Lausanne, Switzerland.

Painter, watercolourist, draughtsman. Genre scenes, portraits, local figures, architectural subjects, interiors with figures, animals.

Theodoros Rallis (Théodore Jacques Ralli) studied in Paris under Gérôme and Lecomte du Nouy and at the École des Beaux-Arts. He travelled widely in the Middle East and North Africa, finding many sources of inspiration. He exhibited first in 1875 at the Paris Salon, and subsequently at the Salon des Artistes Français, of which he was a member. He received an honourable mention in 1885 and a silver medal in 1889 for the Exposition Universelle, and served as a member of the jury for the 1900 Exposition Universelle. He also exhibited at the Royal Academy in London from 1879. He was made a Chevalier of the Légion d'Honneur in 1901....