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Article

Lam (y Castilla), Wifredo  

(Oscar de la Conception)

Cuban, 20th century, male.

Active also in France.

Born 8 December 1902, in Sagua la Grande, Cuba; died 11 September 1982, in Paris.

Painter (gouache, pastels, watercolours), draughtsman, sculptor, engraver, illustrator, lithographer, potter.

Murals.

Surrealist group.

After a brief period at the Academia Nacional de Bellas Artes San Alejandro in Havana from 1918 to 1923, Wifredo Lam went to Spain and remained there from 1924 to 1938, first in Madrid and later Barcelona. By 1938, Spain had been devastated by civil war and Lam was forced to move to Paris. Picasso became very fond of Lam and introduced him to André Breton, Max Ernst, and Victor Brauner, among others. From 1938 to 1941, Lam participated in the activities of the Surrealist group, particularly from 1940 when he found himself in Marseilles with the Surrealists who had been driven out of Paris by the war and the invasion of France. In 1940, Lam illustrated Breton’s ...

Article

Lazo, Agustín  

Margarita González Arredondo

(b Mexico City, Aug 26, 1896; d Mexico City, Jan 28, 1971).

Mexican painter, stage designer, illustrator, and writer. He studied in Mexico City at the Escuela al Aire Libre de Coyoacán and at the Escuela Nacional de Artes Plásticas, before living in Paris from 1922 to 1930, where he trained as a stage designer from 1928 to 1930 in the studio of Charles Dullin. In Paris he attended the Académie de la Grande Chaumière and became aware of Surrealism; he was one of the first artists to introduce the style to Mexico. In his characteristic small-scale oil paintings, such as Children with Cage (Mexico City, Mus. N. A.), in which two girls are silhouetted in front of a curtain, he combined neo-Impressionist brushwork and a highly theatrical handling of light with absurd elements. He abandoned his career as a painter at an early age, concentrating in the 1930s and 1940s on designing for the stage as well as making his name as a critic and playwright....

Article

Montenegro (Nervo), Roberto Fabrés  

Leonor Morales

revised by Deborah Caplow

(b Guadalajara, Feb 19, 1887; d Mexico City, Oct 13, 1968).

Mexican mural and easel painter, printmaker, illustrator, and stage designer. In 1903 he began studying painting in Guadalajara under Félix Bernardelli, an Italian who had established a school of painting and music there. He produced his first illustrations for Revista moderna, a magazine that promoted the Latin American modernist movement and to which his cousin, the poet Amado Nervo, also contributed poetry. In 1905 he enrolled at the Escuela Nacional de Arte in Mexico City; his teachers included Antonio Fabrés, Julio Ruelas, Leandro Izaguirre (1867–1941), and Germán Gedovius. Some of his fellow students were Diego Rivera, Francisco de la Torre, Saturnino Herrán, Angel Zárraga, and Jorge Enciso. In 1905 Montenegro won a grant to travel to Europe, first studying at the Academia de San Fernando in Madrid. In 1907 Montenegro moved to Paris, where he continued his studies and immersed himself in the world of contemporary art, meeting Cocteau, Picasso, Braque, and Gris, among others....