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Article

Syrian, 20th century, male.

Born 1934, in Hama.

Painter. Figures, scenes with figures. Stage sets.

Symbolism.

Group of Ten.

Khouzayma Alwani trained at the academy of fine art in Rome in 1957 and received his diploma as a theatre artist in 1964. In 1973, he was awarded another diploma, this time from the École des Beaux-Arts in Paris. He has been Professor at the school of fine arts in Damascus since ...

Article

Lebanese, 19th – 20th century, male.

Active also active in France.

Born 6 February 1875, in Beirut; died 23 July 1970, in Paris.

Painter, draughtsman, illustrator. Figure compositions, figures, portraits, landscapes. Murals, postage stamps.

Orientalism.

Philippe Mourani trained first in Beirut, before going to Rome for five years and then Paris, where he studied at the École des Beaux-Arts under Jean-Paul Laurens. In ...

Article

Armenian, 20th century, male.

Born 28 February 1880, in Nor-Nakhichevan, Armenia; died 1972, in Erevan, Armenia.

Painter, designer, illustrator. Scenes with figures, portraits, still lifes, flowers, landscapes. Stage sets.

Symbolism.

Golubaya Roza (Blue Rose), Obshchestvo Khudoznikov 4 Iskusstva (Four Arts Society of Artists).

Between 1897...

Article

Armenian, 19th – 20th century, male.

Born 2 January 1884, in Tiflis (now Tbilisi), Georgia; died 28 December 1928, in Erevan, Armenia.

Painter. Stage designs.

Symbolism, Constructivism.

Born into an Armenian family, Georgii Bogdanovich Yakulov attended the Lazarev Institute of Oriental Languages in Moscow from 1893 to 1899...

Article

V. Rakitin

( Bogdanovich )

(b Tiflis [now Tbilisi], Jan 2, 1884; d Erevan, Dec 28, 1928).

Georgian stage designer and painter of Armenian origin, active in Russia . He studied at the Moscow School of Painting, Sculpture and Architecture (1901–3) but was expelled after a disagreement over the teaching methods. Posted to the Far East during military service, he became acquainted with Far Eastern decorative art, which inspired the works he exhibited with the Blue Rose group after his return to Moscow in 1907 (e.g. The Races, 1905; Moscow, Tret’yakov Gal.). His work of this time refers to traditional Chinese and medieval European art refracted through Art Nouveau, in an attempt to create a new decorative style in easel painting. In Moscow he often designed the décor for artistic soirées and balls, creating architecturally decorative compositions whose basic components were painted panels. In 1910 he travelled to Italy and in 1912–13 he worked in Paris, where he became acquainted with Sonia Delaunay and Robert Delaunay. In ...