1-2 of 2 Results  for:

  • Twentieth-Century Art x
  • Art Education x
  • Artist, Architect, or Designer x
  • Nineteenth-Century Art x
  • East Asian Art x
Clear all

Article

Conder, Josiah  

Hiroyuki Suzuki

(b London, Sept 28, 1852; d Tokyo, 1920).

English architect, active in Japan. He was articled to Roger Thomas Smith and then entered the office of William Burges. In 1876 he was awarded the Soane Medallion by the RIBA. In the next year he was appointed the first professor of architecture at the Imperial College of Engineering (now Tokyo University) in Japan, in which role he taught every aspect of architecture and building construction. During this period he was also active as an architect, designing such buildings as the Tokyo Imperial Museum (1877–80; now Tokyo National Museum) and a national banqueting house, Rokumeikan (Deer Cry Pavilion), for the Ministry of Public Works. After leaving his academic and governmental posts, Conder went into private practice and designed many residences, including the Iwasaki residence in Kayacho (1896; see Japan, §III, 5), the Shimazu residence (1915) and the Furukawa residence (1917). His style gradually changed from Gothic to more classical. He is often called the father of Western architecture in Japan, not only on account of his designs but also because of his role in establishing the Western method of architectural higher ...

Article

Kuroda, Seiki  

Aya Louisa McDonald

[Kuroda, Kiyoteru; Seiki]

(b Kagoshima Prefect., June 29, 1866; d Tokyo, July 15, 1924).

Japanese painter. He is best known for introducing the plein-air palette of French Impressionism to Japan. He was the most successful and politically influential advocate of Western-style painting (Yōga; see Japan §VI 5., (iv)) in Japan at the turn of the century. Born into a wealthy aristocratic family, Kuroda was adopted by his uncle Viscount Kuroda Kiyotsuna (1830–1917) and educated in French and English in preparation for a career in the Foreign Service. In his teens he studied pencil sketching and watercolours under Hosoda Shūji (fl 19th century), a minor follower of the Western-style painter Takahashi Yūichi.

In 1884 Kuroda was sent to Paris to prepare for a career in law. It was then that his interest in art was reawakened, not only by the city of Paris itself but also by his contact and friendship with other Japanese such as Fuji Masazō (...