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Astrology in medieval art  

Sophie Page

Astrology is the art of predicting events on earth as well as human character and disposition from the movements of the planets and fixed stars. Medieval astrology encompassed both general concepts of celestial influence, and the technical art of making predictions with horoscopes, symbolic maps of the heavens at particular moments and places constructed from astronomical information. The scientific foundations of the art were developed in ancient Greece, largely lost in early medieval Europe and recovered by the Latin West from Arabic sources in the 12th and 13th centuries. Late medieval astrological images were successfully Christianized and were adapted to particular contexts, acquired local meanings and changed over time.

Astrology developed into a scientific branch of learning in ancient Greece, but because of the opposition of the Church Fathers it was transmitted to early medieval Europe in only fragmentary form in technically unsophisticated textbooks and popular divinatory genres. Literary and scientific texts provided more general ideas about the nature and attributes of the planets which were influential on later iconography. The first significant astrological images appear in 11th-century illustrated astronomical texts (e.g. London, BL, Cotton MS. Tiberius BV), which were acquired and produced by monasteries to aid with time-keeping and the construction of the Christian calendar....

Article

Bawden, Edward  

British, 20th century, male.

Active in London.

Born 10 March 1903, in Braintree (Essex); died 21 November 1989, in Saffron Walden (Essex).

Painter (including gouache), watercolourist, illustrator, printmaker, graphic designer. Military subjects, rustic scenes, landscapes, seascapes, harbour scenes, architectural views, church interiors. Decorative panels.

Edward Bawden studied at Cambridge School of Art ...

Article

Brangwyn, Frank (Sir)  

British, 19th – 20th century, male.

Born 13 May 1867, in Bruges, Belgium, to English parents; died 11 June 1956, in Ditchling.

Painter (including gouache), watercolourist, engraver, lithographer, illustrator. Religious subjects, figure compositions, figures, local scenes (carnival), rustic scenes, urban landscapes, architectural views, urban views, harbour scenes, seascapes...

Article

Said, Issam (Sabah) el-  

W. Ali

[Sa‛id, ‛Isam Sabaḥ al-]

(b Baghdad, Sept 7, 1938; d London, Dec 26, 1988).

Iraqi architect, painter and designer. The grandson of the Iraqi prime minister Nuri el-Said (d 1958), he studied architecture in England at Corpus Christi College, Cambridge (1958–61), and attended Hammersmith College of Art and Design, London (1962–4). From the early 1960s he incorporated sentences and words in kufic and other scripts into his paintings. He designed the interior of the Central Mosque and the Islamic Cultural Centre in London (1976–7), and he was consultant to PPA Ltd of Canada for the Abdul Aziz University master plan in Jiddah (1977–8) and to TYPSA Ltd of Spain for the Imam Saud Islamic University master plan in Riyadh (1978–9). In Baghdad he designed the Aloussi Mosque (1982–8) and al-Aboud Mosque (1984). In addition to his paintings in oil and watercolour he worked with such materials as paleocrystal (a transparent material made of polyester resin) and enamel on aluminium. His ...