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Article

Alÿs, Francis  

Francis Summers

revised by Martin R. Patrick

(b Antwerp, Aug 22, 1959).

Belgian-born interdisciplinary artist, active in Mexico. He studied architecture at the Institut d’Architecture de Tournai in Belgium (1978–83) and at the Istituto Universitario di Architettura in Venice (1983–6). Alÿs moved to Mexico in 1987 and his art practice initially concentrated on Mexico City as a laboratory of urban living, often documented in the form of evocative, conceptually layered photographs, sculptures, and videos. In the slide series Ambulantes (Pushing and Pulling) (1992–2002), Alÿs photographed street vendors and workers as they passed by carting a wide variety of goods within a ten-block vicinity of his studio. For his project entitled The Liar, The Copy of the Liar (1997) Alÿs created small images of suited men inspired by the commercial sign painters of Mexico City, and subsequently commissioned from them larger versions in their own styles. In this process Alÿs deferred authorship into a semantic chain. Hovering between the banal and the surreal, these works have an uncanny theme, of individuals observed in situations that defy explanation....

Article

Montenegro (Nervo), Roberto Fabrés  

Leonor Morales

revised by Deborah Caplow

(b Guadalajara, Feb 19, 1887; d Mexico City, Oct 13, 1968).

Mexican mural and easel painter, printmaker, illustrator, and stage designer. In 1903 he began studying painting in Guadalajara under Félix Bernardelli, an Italian who had established a school of painting and music there. He produced his first illustrations for Revista moderna, a magazine that promoted the Latin American modernist movement and to which his cousin, the poet Amado Nervo, also contributed poetry. In 1905 he enrolled at the Escuela Nacional de Arte in Mexico City; his teachers included Antonio Fabrés, Julio Ruelas, Leandro Izaguirre (1867–1941), and Germán Gedovius. Some of his fellow students were Diego Rivera, Francisco de la Torre, Saturnino Herrán, Angel Zárraga, and Jorge Enciso. In 1905 Montenegro won a grant to travel to Europe, first studying at the Academia de San Fernando in Madrid. In 1907 Montenegro moved to Paris, where he continued his studies and immersed himself in the world of contemporary art, meeting Cocteau, Picasso, Braque, and Gris, among others....