Not a movement so much as an attitude or artistic position bound up with Modernism itself, anti-art is opposition to art from within: negative responses by artists to coercive constraints or perceived orthodoxy in the creative realm. Dada and Fluxus were groups closely associated with anti-art, but as a contrarian attitude rather than a movement, it has taken many forms since the late 19th century, from a rhetorical proposition to a life of dedicated activism. Although not aligned with religious iconophobia or fundamentalist iconoclasm; destruction, political action, and impiety are among common characteristics, along with often acerbic humor. Born of Modernism, at the extremity of those rejections or refusals that shaped and closed the era, anti-art shadowed and made visible some contradictions in aesthetics and in capitalist culture.
Insults to convention were common by 1896, when Stephane Mallarme’s poem Un Coup de Des audaciously broke the rules of prosody and Alfred Jarry’s ...