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(b Lugano, March 26, 1787; d Naples, Dec 6, 1849).

Italian architect and archaeologist, of Swiss origin. He was a pupil of Luigi Cagnola and attended the Accademia delle Belle Arti in Milan, graduating in architecture at Pavia in 1806. He lived in Rome and between 1810 and 1814 was superintendent of the excavation of the Colosseum, which was being directed by Giuseppe Valadier. In 1812 Bianchi published the Osservazioni sull’arena e sul podio dell’Anfiteatro Flavio … in Rome, and he also carried out excavations on the Forum Romanum.

As a member of the Accademia di S Luca, Bianchi was put forward to design the layout of the Largo di Palazzo (now the Piazza del Plebiscito), Naples; the commission was awarded him by Ferdinand I of the Kingdom of the Two Sicilies (reg 1759–1825). Ferdinand had in fact announced a competition in 1817 for the completion of this work, which had been initiated by Joachim Murat, King of Naples, in ...

(b Casale Monferrato, Oct 24, 1795; d Florence, Oct 17, 1856).

Italian architect, archaeologist and architectural historian. He studied architecture at the University of Turin (1810–12) under Ferdinando Bonsignore (1767–1843) and his assistant Giuseppe Talucchi (1782–1863). After serving (1812–14) in the fortress of Alessandria, he resumed his studies and obtained a degree in architecture in 1814. He served a period of apprenticeship under Talucchi, who helped him obtain a three-year grant from the Court of Turin for further study in Rome, where Canina settled in January 1818. He worked on engravings of Roman monuments under the antiquarian, scholar and publisher Mariano Vasi (1744–1820), and at the end of his three-year period as pensionato, he presented a survey of the Colosseum (Anfiteatro Flavio descritto, misurato e restaurato; dispersed) to the architects of the Accademia di S Luca, including Giuseppe Valadier, who were much impressed.

In 1824 Canina was appointed to execute his scheme for the expansion of the park of the ...

(b Paris, baptAug 28, 1721; d Auteuil, Jan 19, 1820).

French architect, archaeologist and painter. He was an important if controversial figure associated with the development of the Neo-classical style of architecture and interior design and its dissemination throughout Europe and the USA. He studied at the Académie Royale d’Architecture, Paris, under Germain Boffrand and won the Grand Prix in 1746. He spent the years 1749 to 1754 at the Académie Française in Rome but left after an argument with the director Charles-Joseph Natoire over his refusal to make his Easter Communion; this may have been due to his Jansenist sympathies. He nevertheless remained in Italy until 1767. During these years he became a close friend of Piranesi, Winckelmann, Cardinal Alessandro Albani and other members of the international circle interested in the Antique.

In his early student days in Rome, Clérisseau became acquainted in particular with English travellers and began to sell them his attractive topographical drawings of Roman architecture. Initially these were influenced by his studies with ...

(b Cologne, June 15, 1790; d Paris, Dec 31, 1853).

French architect, writer and archaeologist of German birth. In 1810 he left Cologne with his lifelong friend J. I. Hittorff for Paris, enrolling at the Ecole des Beaux-Arts in 1811 under the tutelage of the ardent Neo-classicists Louis-Hippolyte Lebas and François Debret. But from the beginning Gau was exposed to a wider field of historical sources, first as assistant site architect under Debret on the restoration of the abbey church of Saint-Denis (1813–15) and then from 1815 in Nazarene circles in Rome, where he met the archaeologist and philologist Barthold Nieburh (1776–1831), who arranged a scholarship for him from the Prussian government and a trip through the eastern Mediterranean. In Egypt Gau undertook an arduous trip down the Nile to visit and record the monuments of Nubia, which he published as the lavish folio Antiquités de la Nubie. He noted assiduously every trace of colour on the remains, just as he was to do in ...

(b Berlin, 1858; d Florence, 1935).

German architectural historian and archaeologist. He attended the University of Berlin from 1876 to 1880 and studied archaeology with Ernst Curtius and Hans Jordan, classical philology with Emil Hübner and Johannes Vahlen, ancient history with Hans Droysen and Theodor Mommsen, and epigraphy with Johann Wilhelm Adolf Kirchhoff. In 1881 he went to Rome with the aid of a grant from the German Institute of Archaeology. From then on he devoted himself to the study of Rome from the point of view of epigraphy, topography, cartography and urban development. He was especially interested in studying the ways in which Renaissance artists approached the ancient monuments of Rome. From 1887 to 1909 Hülsen held the post of second secretary of the Institute in Rome, and he was an honorary professor at the University of Heidelberg.

[Karl Anton Leo Ludwig]

(b Vienna, Nov 4, 1848; d Vienna, July 15, 1933).

Polish archaeologist, writer, collector and patron, active in Austria. As an archaeologist his main interest lay in the architectural ruins of the late Roman Empire in Anatolia. In 1884 he organized an expedition of which he later published an account, Stadt Pamphyliens und Pisidiens. Sketches made by Jacek Malczewski (e.g. Warsaw, Royal Castle; mainly watercolours) are also records of the expedition. Lanckoroński and Malczewski later toured Italy and travelled to Munich together. Other artists patronized by Lanckoroński included Antoni Madeyski (1862–1939), Henryk Rodakowski and Hans Makart. During 1888 and 1889 Lanckoroński made a round-the-world voyage and subsequently published a diary of this trip, entitled Rund um die Erde. He brought back to Vienna various works of art, mainly sculptures and textiles. Between 1890 and 1895 a Baroque Revival palace was built for him in Vienna to designs by Ferdinand Fellner and Hermann Hellmer (1849–1919). In it Lanckoroński installed paintings, mainly Dutch and French, that he had inherited and Italian paintings he had purchased (e.g. Masaccio’s ...