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Article

Jean E. Feinberg

(b Cincinnati, OH, June 6, 1935).

American painter, sculptor, printmaker, illustrator, performance artist, stage designer and poet. He studied art at the Cincinnati Arts Academy (1951–3) and later at the Boston Museum School and Ohio University (1954–7). In 1957 he married Nancy Minto and the following year they moved to New York. Dine’s first involvement with the art world was in his Happenings of 1959–60. These historic theatrical events, for example The Smiling Workman (performed at the Judson Gallery, New York, 1959), took place in chaotic, makeshift environments built by the artist–performer. During the same period he created his first assemblages, which incorporated found materials. Simultaneously he developed the method by which he produced his best known work—paintings, drawings, prints and sculptures that depict and expressively interpret common images and objects.

Clothing and domestic objects featured prominently in Dine’s paintings of the 1960s, with a range of favoured motifs including ties, shoes and bathroom items such as basins, showers and toothbrushes (e.g. ...

Article

Italian, 20th century, male.

Born 1942, in Turin.

Painter, sculptor, installation artist, performance artist.

Computer Art (Virtual Art).

Gilardi came into favour with the great wave of Pop Art that broke over the USA, but stood apart from it, sympathising more with the exponents of Arte Povera. He creates his ...

Article

American, 20th century, male.

Born 1 June 1937, in Nashville (Tennessee).

Painter, sculptor, draughtsman, performance artist, environmental artist, installation artist, film maker.

Neo-Dadaism, Pop Art.

Born Charles Rogers Grooms, the red-headed Red Grooms studied at the School of the Art Institute of Chicago (1955...

Article

American, 20th century, male.

Born 13 September 1928, in New Castle (Indiana).

Painter, sculptor. Stage sets, stage costumes, posters.

Pop Art.

Robert Indiana trained at the John Herron School of Art, Indianapolis, in 1945 and 1946, then at the Munson-Williams Proctor Institute, Utica (New York), Art Institute of Chicago from 1949 to 1953, Skowhegan School of Painting (Maine), University of Edinburgh and Edinburgh College of Art, and then in London. Afterward, he travelled to Mexico, Europe, and the interior of the USA. In 1958, he moved to New York and, in 1978, settled in Vinhalven, on an island in Maine....

Article

British, 20th century, male.

Born 1937, in Southampton, England.

Painter, sculptor, draughtsman. Scenes with figures, figures. Stage sets, stage costumes.

Pop Art.

Allen Jones studied painting at Hornsey College of Art from 1955 to 1959 and from 1960 to 1961 (the intervening year was spent at the Royal College of Art in London). He travelled to Paris in 1958, where he discovered the work of Robert Delaunay. He taught in the USA in the mid-1960s, and then returned to live and work in London. He was elected an associate of the Royal Academy in 1981 and a full member in 1986.

Allen’s earliest sculptural compositions feature warm colours and forms circled with haloes of paler tints. Initially reminiscent of Braque, his work later evolved in the direction of Pop Art, using vivid colours applied to everyday subjects such as a representation of a ‘bus together with its speed’, sometimes defined by drawing from the repertory of Conceptual Art. In ...

Article

Ulrike Lehmann

(b Nice, April 28, 1928; d Paris, June 6, 1962).

French painter, sculptor, performance artist and writer.

He was the son of the Dutch-born painter Fred Klein (b 1898), whose work was representational, and Marie Raymond (b 1908), who developed a reputation in the 1950s as an abstract artist, and whose abstraction was influential on the development of her son’s work. Although he had had no formal art training, he was already making his first serious attempts at painting by 1946 and showing his interest in the absoluteness of colour by formulating his first theories about monochrome. In 1946 he befriended Arman, with whom he was later to be associated in the Nouveau Réalisme movement, and the writer Claude Pascal, whom he met at a judo class. Together they developed their interest in esoteric writing and East Asian religions. Klein became a student of the Rosicrucian Fellowship in 1946 and was influenced both by its mystical philosophy and by judo. In ...

Article

Swedish, 20th century, male.

Active in the United States.

Born 1929, in Stockholm.

Sculptor, painter, mixed media, watercolourist, lithographer, draughtsman, performance artist.

Neo-Dadaism, Pop Art.

The son of a Swedish consular official, Claes Oldenburg arrived in the United States with his family in 1929. From 1946 to 1950, he studied art and literature at Yale. After working as a reporter and illustrator, he abandoned journalism in 1952 and attended the Art Institute in Chicago until 1954, exhibiting thereafter in local galleries. In 1956, he settled in New York, where he survived on odd jobs, through which he became familiar with the New York street scene. He met Allan Kaprow, the American artist, art theorist, and main creator of ...

Article

Marco Livingstone

(Milton Ernest)

(b Port Arthur, TX, Oct 22, 1925; d Captiva Island, FL, May 12, 2008).

American painter, sculptor, printmaker, photographer, and performance artist. While too much of an individualist ever to be fully a part of any movement, he acted as an important bridge between Abstract Expressionism and Pop art and can be credited as one of the major influences in the return to favour of representational art in the USA. As iconoclastic in his invention of new techniques as in his wide-ranging iconography of modern life, he suggested new possibilities that continued to be exploited by younger artists throughout the latter decades of the 20th century.

Rauschenberg studied at Kansas City Art Institute and School of Design from 1947 to 1948 under the terms of the GI Bill before travelling to Paris, where he attended the Académie Julian for a period of about six months. On reading about the work of Josef Albers he returned to the USA to study from autumn 1948 to spring ...

Article

Helen A. Harrison

[Grossberg, Yitzroch Loiza]

(b New York, Aug 17, 1923; d Southampton, NY, Aug 14, 2002).

American painter, sculptor, printmaker, poet and Musician. He was a jazz saxophonist before he was encouraged to take up painting by two artist friends, Jane Freilicher and Nell Blaine (b 1922), who shared his enthusiasm for jazz. After brief service in the US Army Air Corps during World War II (1942–3), he studied with Hans Hofmann from 1947–8 in New York and Provincetown, MA. He painted for a short period under the influence of the Abstract Expressionists but, after seeing Pierre Bonnard’s retrospective exhibition at the Museum of Modern Art in 1948, he began to apply his facility for drawing to figurative subjects extracted from the intimate circumstances of his family life and everyday surroundings. The first such pictures, for example Interior, Woman at a Table (c. 1948; New York, Pat Cooper priv. col., see Harrison, p. 29), were stylistically very close to Bonnard’s work, but in such works as ...

Article

Grischka Petri

(b Leverkusen, nr Cologne, Oct 14, 1932; d Berlin, April 3, 1998).

German painter, sculptor, décollagist, composer, video artist, and performance artist. He was one of the fathers of the European Happening movement. Vostell studied typography, lithography, and painting in Cologne, Wuppertal, Paris, and Düsseldorf (1950–58). In 1959 he married Mercedes Guardado Olivenza in Cáceres, Spain. Early in his career he discovered Décollage , a technique of cutting, tearing away or otherwise removing pieces of an image. His spelling of the term, dé-coll/age, underlined the term’s dialectical implications of destruction and creation. In the 1960s he worked with chemicals to transfer the process to photography, video, and film, turning it into an all-encompassing strategy of image deconstruction, often within the iconographic framework of violence and sexuality as communicated by mass media.

Vostell’s combined décollage with car parts and television sets, being one of the first artists using such a device as part of a sculpture in 1958. In 1962 he joined the ...