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Astrology in medieval art  

Sophie Page

Astrology is the art of predicting events on earth as well as human character and disposition from the movements of the planets and fixed stars. Medieval astrology encompassed both general concepts of celestial influence, and the technical art of making predictions with horoscopes, symbolic maps of the heavens at particular moments and places constructed from astronomical information. The scientific foundations of the art were developed in ancient Greece, largely lost in early medieval Europe and recovered by the Latin West from Arabic sources in the 12th and 13th centuries. Late medieval astrological images were successfully Christianized and were adapted to particular contexts, acquired local meanings and changed over time.

Astrology developed into a scientific branch of learning in ancient Greece, but because of the opposition of the Church Fathers it was transmitted to early medieval Europe in only fragmentary form in technically unsophisticated textbooks and popular divinatory genres. Literary and scientific texts provided more general ideas about the nature and attributes of the planets which were influential on later iconography. The first significant astrological images appear in 11th-century illustrated astronomical texts (e.g. London, BL, Cotton MS. Tiberius BV), which were acquired and produced by monasteries to aid with time-keeping and the construction of the Christian calendar....

Article

Chest  

J. W. Taylor

Large box container with a hinged lid. When the lid is domed, or if the chest is reinforced, it can also be known as a coffer. Chests are among the earliest furniture types and commonly served in ancient Egyptian homes as storage for clothing, linen and valuables. The shape and size of these chests often depended on their function. Some types, which could be quite complex, were known during the Old Kingdom (c. 2575–c. 2150 bc) and survived virtually unchanged over the succeeding centuries. The ancient Egyptian chest comprised a rectangular box supported on legs and covered by a lid, which could be flat, gabled, domed or sloping. Cords wound around projecting knobs on the lid and side of the chest held it closed; if necessary, this fastening could be sealed with a lump of mud for greater security. Favoured materials for making chests include native acacia and ...

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Hoof foot  

Gordon Campbell