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Native American (Confederated Salish and Kootenai Tribes of the Flathead Nation), 20th–21st century, male.

Born 1946, in Montana.

Printmaker, photographer, conceptual artist, installation artist.

Corwin Clairmont, or ‘Corky’, received his MFA from California State University, Los Angeles in 1971. His early work, concerning social and environmental issues, earned him a Ford Foundation Grant (...

Article

American, 20th–21st century, female.

Born 1960, in Brooklyn (New York).

Engraver, photographer, mixed media, installation artist.

Conceptual Art, Identity Art.

Lorna Simpson is an African American artist who combines texts and photographs of black women to explore the experience of African American women in contemporary society. The artist also makes sound installations.

Simpson studied at the University of San Diego and then at the New York School of Visual Arts. She began as a photo-journalist and her work has retained a connection between photograph and text. Simpson’s work portrays the black female body, and its frequent encounters with micro-aggressions and projected stereotypes of black female sexuality. In the series Guarded Conditions (1989–1990), which includes a photograph of a black woman dressed in a large nightshirt or cotton dress, the model is shown six times, while a text printed as a caption alternates the words ‘sex attack’ with the words ‘skin attacks’, inferring that the woman has been sexually attacked because of the colour of her skin and that the condition of being a black woman predisposes her to becoming a rape victim....

Article

Canadian, 20th–21st century, male.

Active in USA 1964–1972.

Born 10 December 1928, in Toronto.

Painter, sculptor, collage artist, lithographer, video installation artist. Artists’ books.

Conceptual Art.

Michael James Snow was a student at the Ontario College of Art in Toronto from 1948 and graduated in 1953. He spent time in Europe in 1954–1955. He also made a name for himself as a jazz musician. He mainly chooses the most ordinary subjects and objects from everyday life, which he empties of their usual significance in order to transmute them by making their place in space and time perceptible. His early works were figurative, interiors and figures. However, from 1961, he particularly exploited the theme of the ...

Article

American, 20th century, male.

Born 2 December 1942, in Holyoke, Massachusetts.

Painter, watercolourist, draughtsman (ink), lithographer, photographer, mixed media, video artist. Figures, portraits, landscapes.

Bad Painting, Conceptual Art.

William Wegman graduated from the Massachusetts College of Art, Boston, and went on to study printmaking at the University of Illinois, Urbana-Champaign. His early work consisted of Minimalist paintings and sculptures, but he later began making conceptual works, which he documented with photographs. He made his name in the 1970s with photographs and videos of his Weimaraner dog Man Ray, who also features in his paintings and drawings. He adds captions to his paintings and drawings, some copying text from 1950s children’s encyclopaedias. In the 1980s Wegman continued making photographs of his dogs, generating public attention from children and adults. These deadpan, quirky portraits give them a near-human quality, especially when Wegman began posing them in period costumes, roller skates, and in tableau-vivant settings of everyday life. His series of fairy-tale portraits of the dogs have been described as transfigurations. He returned to painting in the mid-1980s and in 1998, after a 20-year hiatus, Wegman began making video works, usually depicting himself performing monologues. The light-hearted and ironic tone of his videos explores what has been described as ‘the aesthetic of boredom’. In 2003, he showed works in which he had painted around postcards glued to wood panels. He experiments with varied styles, from conceptual art to Hyperrealism, from Orientalism to Luminism. He is based in New York....