Green variety of Beryl, mined in Upper Egypt and India from antiquity and in Colombia both before and after the Spanish Conquest. Nero is said to have watched gladiatorial contests through an emerald. The two best-known emeralds are the Devonshire Emerald (London, Nat. Hist. Mus.) and the Patricia Emerald (New York, Amer. Mus. Nat. Hist.). The most famous historical emeralds are the 453 emeralds (totalling ...
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Emerald
Gordon Campbell
Article
Indian subcontinent: Jewellery
Susan Stronge
Since the Indus Valley civilizations of the 2nd millennium
See also Indian Subcontinent [India and South Asia before 1947]
The famous bronze statuette from Mohenjo-daro of a girl naked but for her jewellery (New Delhi, N. Mus.) illustrates the preoccupation with personal adornment that has persisted in the Indian subcontinent throughout the ages. Besides the evidence of jewellery finds from the Indus Valley sites, goldsmiths’ tools and pots resembling crucibles have also been discovered, as have jewellers’ weights and balances. On the evidence of archaeology, the range of jewellery worn included armlets, rings, hairpins, necklaces, hair fillets, bangles, girdles and ear ornaments. Mackay (1939) argued that the Indus Valley goldsmiths could make artefacts from moulds, produce thin sheets of gold, draw wire and mix alloys of copper and silver with gold. He also noted (...
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Jargon
Gordon Campbell
Article
Mola (i)
Linda Mowat
Term for a colorful appliqué blouse worn by Kuna Indian women on the mainland and San Blas Islands of Panama and in the Darien region of northwestern Colombia. Mola is the Kuna word for cloth, but it also applies to the woman’s blouse and the front and back panels from which it is made. Mola blouses first appeared in the second half of the 19th century. Although made from European trade cloth, they were an indigenous development, and their complex patterns relate to earlier body paint designs.
Mola panels are hand-stitched, using cutwork and appliqué techniques. Two or more layers of different-colored fabric are used. Each layer is cut to the shape of the design and stitched to the layer beneath, so that motifs may be outlined in a number of colors. Embroidery is sometimes added to the top layer. The stitching is extremely fine, and no fabric is wasted. The front and back panels of a blouse are usually similar, but never the same. Design subjects include mythological patterns, birds, animals, plants, people, and scenes from daily life. Advertisements, magazines, political posters, and biblical themes often provide inspiration. The finished front and back panels are made up with a yoke and sleeves of plain or printed fabric....
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Oxus Treasure
Dominique Collon
Hoard of some 180 items of jewellery and precious objects, mostly dating from c. 550 to c. 330
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Shawl
Pamela Clabburn
Garment, originally of Indian origin, consisting of a square or oblong piece of fabric worn loosely over the head or shoulders. As articles of fashionable dress, shawls were not known in Europe until the last quarter of the 18th century. They had, however, been worn since the late 16th century in India, especially in Kashmir and other parts of the north, by both men and women, thrown over the head with one end over the shoulder. Indian shawls are finely and intricately woven, using a technique similar to that used in Europe for tapestries (see Textile §II 1.). The designs are in rich, strong but never harsh colours, and the grounds in off-white or in many subtle shades, especially deep yellow and nutmeg brown. Their main beauty, however, is the fine, soft wool from which they were woven. At its best (and most expensive) the wool came from the underbelly of the mountain goat, which grazed high up in the Himalayas. The higher the grazing, the finer the wool produced. The next best came from the flocks of goats herded by nomadic tribes....
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Transculturalism in Asian diasporic art
Alice Ming Wai Jim
Transculturalism proposes an approach to contemporary Asian art practices that addresses the conditions defining the modern experience of Asian artists living and working outside of their home countries. It is a term derived from the word transculturation, which describes the process of adjustment and re-creation that arises from the convergence of different cultures. The term became popular in the late 1980s and early 1990s, a period defined by major social changes wrought by globalization, increased mobility and ethnic intermingling that affected local community networks in both home and host countries, and also an upsurge in interest paid to contemporary art in and out of Asian countries.
Cuban anthropologist and humanist Fernando Ortiz (1881–1969) developed the concept of transculturalism in the 1940s, when he coined the term “transculturation” in a pioneering description of Afro-Cuban culture (Contrapunto cubano del tabaco y el azúcar, 1947). Ortiz devised the term to counter the notion of acculturation introduced by the British anthropologist Bronislaw Malinowski (...