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Bauhaus  

Rainer K. Wick

[Bauhaus Berlin; Bauhaus Dessau, Hochschule für Gestaltung; Staatliches Bauhaus in Weimar]

German school of art, design and architecture, founded by Walter Gropius. It was active in Weimar from 1919 to 1925, in Dessau from 1925 to 1932 and in Berlin from 1932 to 1933, when it was closed down by the Nazi authorities. The Bauhaus’s name referred to the medieval Bauhütten or masons’ lodges. The school re-established workshop training, as opposed to impractical academic studio education. Its contribution to the development of Functionalism in architecture was widely influential. It exemplified the contemporary desire to form unified academies incorporating art colleges, colleges of arts and crafts and schools of architecture, thus promoting a closer cooperation between the practice of ‘fine’ and ‘applied’ art and architecture. The origins of the school lay in attempts in the 19th and early 20th centuries to re-establish the bond between artistic creativity and manufacturing that had been broken by the Industrial Revolution. According to Walter Gropius in ...

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Folk Art in America  

Sandra Sider

Folk art, or vernacular art (specific to a group or place), developed in Colonial America out of necessity when individual households produced most of the utilitarian objects required for daily life. Using traditional tools and techniques, many of these makers created pieces in which aesthetics came to play a substantial role, through form, ornamentation, or both. In some groups, notably the Shakers, function was emphasized, with pure form evoking an aesthetic and spiritual response. Religious beliefs have informed American folk art, such as the saints and other figures (Santos) carved and painted by Catholic settlers in the Southwest as early as 1700. Although the majority of folk art is now anonymous, the oeuvre of numerous individual artists can be determined by their distinctive styles or marks. Folk art is often considered within the field of ‘material culture’, with an emphasis on the object’s context rather than its creator. Most American folk art falls within three categories: painting and cut paper, textiles and fibre, and three-dimensional work such as furniture, carvings, metalwork, ceramics, and outdoor installations....