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[Kazimir] (Konstantinovich)

(b Moscow, 1899; d c. 1935).

Russian sculptor and stage designer. He studied at the Stroganov School in Moscow from 1914 to 1918, specializing in stage design, and then at the State Free Art Studios (Svomas). He was involved in decorating Moscow for May Day 1918 and for the first anniversary of the October Revolution and became a founder-member of the Society of Young Artists (Obmokhu) in 1919. His contributions to the group’s exhibitions included a series of abstract constructions at the third show of May 1921.

Medunetsky was one of the original members of the First Working Group of Constructivists, founded in March 1921, which inaugurated Constructivism in Russia. The following January he displayed six sculptural works entitled Construction of a Spatial Structure in a joint exhibition with Georgy and Vladimir Stenberg. The artists’ declaration in the catalogue was the first publication of the principles of Constructivism and was elaborated in their paper to the Institute of Artistic Culture (Inkhuk), in February. The only extant example of Medunetsky’s sculpture, ...

(b Derpeczyn, Podolia, May 27, 1885; d Kraków, Feb 8, 1958).

Polish painter, sculptor and stage designer. In 1906–11 he studied painting at the studio of Teodor Axentowicz (d 1938) at the Academy of Fine Arts in Kraków, and he also visited France and Italy where he came into contact with the latest artistic currents. He began exhibiting, often abroad, in 1907, and from 1945 he had a painting studio at the Academy of Fine Arts in Kraków.

Until c. 1922 Pronaszko was one of the main organizers and exponents of modern art in Poland. In 1917, along with his brother Andrzej Pronaszko (1888–1961) and Tytus Czyżewski, he staged in Kraków the first exhibition of Polish Expressionists (later the Formists) and was one of the chief theoreticians of that tendency. The influence of Cubism is clearly evident in his pictures from that period (e.g. Act, 1917; Kraków, N. Mus.). At this time Pronaszko also made sculptures, producing one of the most celebrated Formist works, the wood monument to ...

(Alekseyevich)

(b Berlin, July 17, 1878; d Moscow, Jan 18, 1939).

Russian architect, graphic designer and stage designer. He studied (1896–1904) in the architectural faculty of the Academy of Arts, St Petersburg, under Leonty Benois, through whom he became acquainted with the World of Art circle. He also studied painting, graphic art and sculpture at the Academy, in the classes of Il’ya Repin, V. V. Mate (1856–1917) and Vladimir Beklemishev (1861–1920). For his diploma work he was awarded a gold medal, giving him the opportunity to travel to Italy, Greece and Turkey. After his return from a second visit to Italy, made in 1906, an exhibition of his architectural drawings and stage designs enjoyed great success (St Petersburg, Academy of Arts; 1907). In 1907 he made his début as a stage designer with a reconstruction of medieval scenery in morality plays for the Starinnyy Theatre of N. N. Yevreinov (1879–1953) in St Petersburg. In his first architectural works, for example the design of café interiors (...

Russian family of sculptors and designers. Vladimir (Avgustovich) Stenberg (b Moscow, 4 April 1899; d Moscow, 2 May 1982) and his brother Georgy (Avgustovich) Stenberg (b Moscow, 20 March 1900; d Moscow, 15 Oct 1933) were encouraged by their father, a painter, and worked closely together until Georgy’s death. They trained first at the Moscow School of Painting, Sculpture and Architecture, then continued their studies at the Free State Art Studios (Svomas) under Georgy Yakulov. They were founder-members of the Society of Young Artists (Obmokhu), which produced propaganda posters and urban decorations for revolutionary festivals. They contributed collaborative works to all four of the group’s exhibitions (1919, 1920, 1921, 1923); at the 1921 show they exhibited their three-dimensional constructions alongside Rodchenko’s hanging works. The Stenbergs joined the Institute of Artistic Culture (Inkhuk) in January 1920, becoming members of the First Working Group of Constructivists in ...

(b Angoûleme, April 4, 1885; d Paris, March 25, 1937).

French painter, collagist, draughtsman and stage designer. A few years younger than most of the Cubists with whom he became associated, he received a traditional art education at the Ecole Nationale des Beaux-Arts in Paris from 1906 to 1910. He did not participate in any of the manifestations of Cubism that took place before World War I. His interest in the movement appears to have developed under the influence of Albert Gleizes, who painted his portrait while both served near the front in the 167th regiment at Toul in 1914–15. By 1916 Valmier was making small and very delicate collages markedly different from those of Picasso, Braque or Gris, composed of minutely fragmented surfaces.

In 1919 Valmier signed a contract with the dealer Léonce Rosenberg, for whose Bulletin de l’effort moderne he later designed a cover. Rosenberg gave him his first one-man exhibition at his Galerie de l’Effort Moderne, Paris, in ...