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[Lat. Aizani]

Site of Hellenistic and Roman city, 54 km south-west of Kütahya in Turkey. Its remains comprise a Temple of Zeus, two agoras, a heroön, a macellum (market), a round structure with the Edict on Prices of Diocletian (ad 301) carved on its exterior walls, a stadium and theatre complex, a bath–gymnasium, bridges and quays. Most date to the 2nd century ad, the period of the city’s greatest prosperity. The theatre–stadium group and the Temple of Zeus were both built during the reign of Hadrian (reg ad 118–37).

The temple is particularly significant because of its excellent state of preservation and its combination of Greco-Anatolian and Roman architectural forms. Inscriptions on the exterior walls of the cella attest to the date of construction. They also record a gift of land to Zeus made by the Hellenistic rulers Attalos I Soter (reg 241–197 bc) and either Prusias I (...

Egyptian city situated on the Mediterranean coast west of the delta of the River Nile, capital of Egypt from c. 320 bc to ad 642, seaport and centre of ancient Greek culture.

Judith McKenzie

Alexandria was founded in 331 bc by Alexander, on the site of the small Egyptian settlement of Rhakotis. Its location, with access by canal to the River Nile, enabled it to become an important and highly prosperous trading centre, and by c. 320 bc Alexandria was the capital of Ptolemaic Egypt. During Ptolemaic times (304–30 bc) it became a major centre of learning, with famous scholars of literature, mathematics, astronomy, medicine and geography, and it played a major role in the transmission of Greek culture to the East.

With the defeat of the last Ptolemaic monarch, Cleopatra VII (51–30 bc), by Octavian (later called Augustus) at the Battle of Actium in 30...

[Andjar, ‛Anjar, ‛Ayn al-Jarr]

Late Antique and early Islamic settlement in the Beqa‛a Valley of Lebanon, 56 km east of Beirut. Excavations since 1953 have revealed a cardinally orientated rectangular enclosure (370×310 m) with dressed stone walls. Each side has regularly spaced half-round towers and a central gate. Two colonnaded avenues intersecting at right angles under a tetrapylon link the gates, a plan recalling that of Roman foundations in the Levant and in North Africa. Within the enclosure are the remains of two palaces and the foundations of three others in stone and hard mortar, as well as a mosque, two baths (one paved with mosaics) and a well. The western area has streets intersecting at right angles and housing units with private courts, and the eastern area has open fields beyond the palaces and mosque. The construction of the greater palace in alternating courses of stone and brick is a technique well known in Byzantine architecture. Reused architectural elements from the Roman and early Christian periods, some bearing Greek inscriptions, are found all over the site. A large quantity of archivolts and mouldings, carved with vegetal, geometrical and figural motifs, was found among the ruined palaces. Texts suggest that Anjar was founded in the time of the Umayyad caliph al-Walid (...

[Antinoë; now el-Sheikh Ibada]

Egyptian site 75 km north of Asyut. The town was officially founded by the Emperor Hadrian in October ad 130 to commemorate his favourite, Antinous, who had been drowned there. However, there was a Late Predynastic (c. 3000 bc) cemetery on the site and Ramesses II (reg c. 1279–c. 1213 bc) built a temple there using decorated blocks and columns from buildings at Tell el-Amarna. The Roman town was designed on a grid plan and boasted an amphitheatre and hippodrome, a temple to the deified Antinous and a colonnaded main street with a triumphal arch: the last, now destroyed, was still standing when Edmé Jomard (1777–1862) visited and drew the site in 1803. The necropolis of Antinoöpolis has yielded important Roman artefacts, particularly illustrated papyri, textiles (e.g. Lyon, Mus. Hist. Tissus, 28.927 and encaustic mummy portraits of distinctive shape and technique. The last were produced by a local school of artists and often embellished with gilded wreaths and stucco jewellery before being bound into the mummy wrappings (e.g. Detroit, MI, Inst. A., 25.2); their style and iconography blends Egyptian and Hellenistic elements. Brick tombs of the 6th century ...

[now Antakya]

Greek and Roman city on the River Orontes in south-east Turkey (ancient Syria), which flourished from c. 300 bc to the 7th century ad.

Its advantageous site on the edge of the Amuk Plain at the foot of Mt Silpius, commanding important trade routes linking Anatolia with Palestine and the Mediterranean with inland Syria, attracted the attention of Seleukos I (reg 305–281 bc), who founded the city (c. 300 bc) as the capital of his Syrian empire. With its port at Seleucia and residential suburb at Daphne, Antioch prospered as capital of the Roman province of Syria from 64 bc. The city enjoyed the attentions of Roman benefactors from Julius Caesar onwards and attained the height of its prosperity during the 2nd to the 7th century ad, becoming the diocesan capital of Oriens. Its influence was particularly strong in early Christian affairs: Paul and Barnabas were active at Antioch, while Peter was regarded as its first bishop. ...

[‘Pisidian’]

Greek and Roman city in western Asia Minor (now Turkey) on a plateau above Yalvaĉ. It was founded by the Seleucids in the 3rd century bc and refounded as a colony for veteran soldiers by Augustus c.25 bc; it flourished until the Early Christian period. The site was excavated in 1924 by D. M. Robinson and was the object of a detailed archaeological survey by S. Mitchell and M. Waelkens in 1982–3. Further excavations have taken place during the 1980s and 1990s, directed by M. Taslianan. About 4 km south of the city Hellenistic remains survive at the sanctuary of Mên Askaênos, where an imposing temenos with porticos on four sides enclosed a mid-2nd-century bc Ionic temple (6 by 11 columns) on a high, stepped podium. The design of the temple was influenced by the layout of the temples of Zeus Sosipolis and Artemis Leukophryene at Magnesia on the Maeander...

[Lat. Apamea; Arab. Afāmiya, Fāmiya; now Qal‛at al-Muḍīq]

Hellenistic and Roman city in northern Syria, on a plateau on the south-west tip of Jebel Zawiye overlooking the valley of the Asi (formerly the Orontes). It was founded in 300–299 bc by Seleukos I Nikator (reg 301–281 bc) on the site of an ancient Bronze Age capital; it was one of the four great cities known as the Tetrapolis. The disastrous earthquake of 15 December ad 115 carried away most of the original buildings, but in many places there remain powerful courses, solidly anchored on rock, of the Hellenistic walls, eloquent testimony to their 7 km circuit of the city. The Apameia that the excavations of a Belgian archaeological expedition brought to light from 1928 onwards is essentially a Roman city, capital of the province of Syria Secunda from c. ad 415. Apameia contributed greatly to the cultural life of the empire and a famous school of Neo-Platonic philosophy existed there from the 2nd to the 4th century ...

Hellenistic and Roman site in south-west Caria, Asia Minor (modern Turkey), on a plateau in the Baba Dag mountains above a tributary valley of the Maeander (Büyük Menderes).

Kenan T. Erim

As its name suggests, Aphrodisias was a major cult centre of a goddess of nature and fertility, originally of local character but eventually influenced by other similar Anatolian and Near Eastern divinities. She was identified with Aphrodite only in late Hellenistic times, so the use of the name Aphrodisias for the site must also be dated to that time; Stephanos of Byzantium indicated that it was also known by other names (Nations cdlxxvi.6–7). Access to the site was for a long time difficult. From the late 18th century several archaeologically inclined travellers, including members of the Society of Dilettanti, described visible remains and copied inscriptions. Early excavations, undertaken by a French amateur archaeologist, Paul Gaudin, in 1904–5 and by an Italian mission under ...

[now Bilkis]

Site in southern Turkey of a Greek and Roman city that flourished c. 100 bc–ad 300. It is eight miles from the mouth of the River Köprüçay (anc. Eurymedon) in the region once known as Pamphylia. It was a Greek colony that claimed to have been founded by Argos, but was incorporated with all Pamphylia into the Lydian empire of Croesus (c. 560 bc), and was then lost by Croesus to Cyrus of Persia in 546 bc. Despite the Athenian general Kimon’s double victory over the Persians at the mouth of the Eurymedon (c. 468 bc), and its subsequent membership of the Athenian-dominated Delian League, Aspendos remained voluntarily under Persian control until taken by Alexander the Great (334/333 bc). Thereafter it changed hands several times, being held successively by Antigonos, the Ptolemies and the Seleucids until it was ceded to Rome in ...

Astrology is the art of predicting events on earth as well as human character and disposition from the movements of the planets and fixed stars. Medieval astrology encompassed both general concepts of celestial influence, and the technical art of making predictions with horoscopes, symbolic maps of the heavens at particular moments and places constructed from astronomical information. The scientific foundations of the art were developed in ancient Greece, largely lost in early medieval Europe and recovered by the Latin West from Arabic sources in the 12th and 13th centuries. Late medieval astrological images were successfully Christianized and were adapted to particular contexts, acquired local meanings and changed over time.

Astrology developed into a scientific branch of learning in ancient Greece, but because of the opposition of the Church Fathers it was transmitted to early medieval Europe in only fragmentary form in technically unsophisticated textbooks and popular divinatory genres. Literary and scientific texts provided more general ideas about the nature and attributes of the planets which were influential on later iconography. The first significant astrological images appear in 11th-century illustrated astronomical texts (e.g. London, BL, Cotton MS. Tiberius BV), which were acquired and produced by monasteries to aid with time-keeping and the construction of the Christian calendar....

[Heliopolis]

Greco-Roman site in Lebanon, c. 1150 m above the fertile Bekaa Valley 64 km to the north-east of Beirut. Its remains chiefly comprise the vast Sanctuary of Jupiter Heliopolitanus (begun c. 1st century bc), the exceptionally well preserved ‘Temple of Bacchus’ (2nd century ad; see fig.) and an elegant circular temple perhaps dedicated to Venus (3rd century ad; 1b). The ancient city lay on the caravan route from Damascus and Palmyra to the Phoenician coastal cities and was occupied from prehistoric times, although it did not become important until the Hellenistic period (323–27 bc). Attempts to link Baalbek with Solomon’s Balaath, or with any other biblical site, have not met with general acceptance. The worship at Baalbek of the Semitic storm god Baal, whom the Greeks assimilated to Zeus and the Romans to Jupiter, was of great antiquity: the rectangular court of the Temple of Jupiter was built over an ancient tell containing the remains of at least three sanctuaries going back to the ...

(b Moscow, May 7, 1903; d Paris, Jan 25, 1988).

Lithuanian art historian, scholar of folklore and Egyptology, and diplomat of Russian birth. Son of the celebrated Lithuanian Symbolist poet of the same name, Jurgis Baltrušaitis II studied under Henri(-Joseph) Focillon at the Sorbonne and earned the PhD in 1931. The concerns of his mentor are evident in La stylistique ornementale dans la sculpture romane (1931), which reprises and extends arguments for the ‘law of the frame’ in Romanesque sculpture. Accordingly, the shapes of architectural members, such as capitals and tympana, determined the articulation of sculptural forms. This theory could account for the genesis of a wide array of monumental carvings, from foliate capitals to narrative reliefs, but ultimately it had a rather limited impact on the field of Romanesque sculptural studies. In a scathing critique, Schapiro argued that Baltrušaitis’s book—and by implication Focillon’s methods—robbed Romanesque sculptors of agency and neglected the religious and expressive meanings of this art form....

[Arab. Buṣrā; anc. Bostra]

Town in southern Syria, 110 km south-east of Damascus. Originally an Arab settlement, it came under Nabataean rule after 144 bc. After being annexed by the emperor Trajan in ad 106 it became the capital city of the Roman province of Arabia; most of its ancient remains date from this period. Bosra was an important Christian city in the Late Byzantine period; it was captured by the Muslim Arabs in ad 635.

Vestiges of the ancient city walls survive only in the north-west, the areas where pottery sherds from Middle Bronze II period (c. 2000–c. 1550 bc) constitute the oldest traces of settlement. Pottery also provides evidence of Nabataean habitation throughout the city; the eastern section may have been founded by the Nabataeans as there is no indication of an earlier phase of building there. The Roman decumanus (main road), which runs from east to west, is intersected by several north–south streets, mostly crossing it at an oblique angle and in a variety of alignments. It is lined by Roman buildings from the 2nd century ...

Product of a technique first used in ancient Egypt and later developed in ancient Rome. The outer of two superimposed layers of glass was ground away to leave a pattern consisting of a pattern standing in relief on a contrasting ground, usually white on dark blue. The finest surviving example is the Portland Vase (early 1st cent. ...

Ruined city on the North African coast at the end of a narrow peninsula pointing into the Bay of Tunis. Now an archaeological site at the edge of Tunis itself, Carthage was founded, according to legend, by the Phoenician queen Elyssa in 814 bc. It became a major Mediterranean power until its destruction by the Romans in 146 bc. Carthage flourished as a Roman city, Christianity reaching it by the 2nd century ad. The city was revived by Emperor Justinian, but it was finally destroyed by the Arabs in ad 698.

For later history see Tunis.

In the 6th and 5th centuries bc the city’s interventions in disputes between the Greek and Phoenician city states of Sicily made Carthage the leading western Phoenician colony, and it formed a close alliance with the Etruscans. From the 5th century bc the Carthaginians spread into the African hinterland, eventually controlling the area that is today the northern half of Tunisia. They also concluded three alliances with the newly emergent power of Rome. Further conflict in Sicily, however, precipitated (...

[Phoen. Iol; Lat. Caesarea; Fr. Charachel]

Algerian seaport with a sheltered anchorage and a hinterland of fertile valleys, set amid high mountains. It was settled at least as early as 600 bc, probably by Carthaginians, who called it Iol. It rapidly grew into a prosperous trading post that had town defences by 200 bc. Its most illustrious ruler was Juba II of Mauretania (reg 25 bc–ad 23), who, educated in Rome and a friend of Augustus, sought to make his city as Greco-Roman in appearance as possible. Iol was renamed Caesarea, and, with the help of imported craftsmen, many public buildings of Roman type were built, including a theatre, an amphitheatre, a forum, a palace and huge town walls. Juba also acquired much fine Classical sculpture (Cherchel, Mus. Archéol.) and some ancient Egyptian objects.

In ad 40 Caesarea was made capital of the province of Mauretania Caesariensis, and under Claudius (reg ad 41–54) it was awarded colonial rank. Its continued prosperity is attested by the remains of a 45 km-long aqueduct, probably built in Hadrian’s reign (...

[Flavius Valerius Constantinus]

(b Naïssus [now Nish, Serbia], c. ad 285; reg 306–37; d Constantinople, 337).

Roman emperor and patron. He was the son of Constantius Chlorus (reg 293–306) and Helena (c. 248/9–328/9) and succeeded his father as Co-Emperor in ad 306. Six years later he defeated his rival Maxentius at the Milvian Bridge outside Rome and became sole ruler in the West. In 313, with Licinius (reg 307–24), the Eastern Emperor, he published the Edict of Milan, which openly favoured Christianity. He defeated Licinius at the Battle of Chrysopolis in 324 and united the Empire under his control. Artistic and literary sources during his reign show an imperial policy dominated by the newly authorized religion, and new artistic values gradually transformed public art into a more fully recognizable Christian form. He believed that his military successes were attributable to the Christian God, whose sign of the Cross had appeared to him, superimposed on the sun, at the Milvian Bridge. In the final battle he ordered the monogram of Christ to be painted on his soldiers’ shields, thus establishing the cross and the chi-rho in later iconography. His victory was commemorated in 315 with the construction of a triumphal arch in the Roman Forum....

(Decimus)

(fl c. 170 bc).

First known Roman architect. Though a Roman citizen, he probably came from wealthy, Hellenized Campania (annexed by Rome). The pro-Roman King Antiochos IV Epiphanes of Syria (reg 175–163 bc) commissioned him to work on the Temple of Olympian Zeus at Athens (see Athens, §II, 4). Vitruvius (On Architecture VII, Preface 15 and 17) noted the temple’s huge cella and double Corinthian colonnade, which showed architectural learning and were admired by connoisseurs for their magnificence; he regretted that Cossutius left no annotated specification, as Greek architects had done. Surviving material, if datable to his time, is Greek and advanced in style, unlike contemporary building in Rome. The name Cossutius (in Latin letters) is also twice scratched inside a 2nd-century bc aqueduct near Antioch in Syria, suggesting that the architect worked on Antiochos’ building programme there. He may have travelled with his own workforce (as was common in the Greek world), probably chiefly his slaves and freedmen: the inscription could record a freedman, properly bearing his patron’s name. He may also have worked on the new Temple of Jupiter Capitolinus at Antioch and on buildings presented by Antiochos to various Greek cities....

[Gr. Kypros; Turk. Kibris]

Third largest island in the Mediterranean (9251 sq. km), 70 km south of Turkey and 103 km west of Syria (see fig.). The island’s geographical location and its natural resources of copper and shipbuilding timber have had a considerable impact on the destiny of its inhabitants. Cyprus has throughout its history been vulnerable to the geopolitical ambitions of the powers controlling the neighbouring countries, which have not hesitated to exploit its resources and to use it as a stepping stone or place of retreat. Although it possessed a vigorous and distinctive local culture in Neolithic times (c. 7000–c. 3800 bc), it lacked the population, resources and strength to withstand the external pressures to which it was subjected from the start of the Bronze Age (c. 2300 bc). Since then and over the subsequent millennia Cyprus has been invaded and colonized for varying periods by Achaeans, Phoenicians, Assyrians, Egyptians, Persians, Romans, Arabs, Byzantines, Crusaders, Venetians, Turks and the British. While its strategic position has always given it certain commercial and cultural advantages, it has also been the source of most of the island’s troubles since the beginning of recorded history, because too often the interests and concerns of the native inhabitants were subordinated to the ambitions and dictates of the powers around it. Yet, despite the ultimate demise of the native Cypriot style in the Late Bronze Age, the Cypriot craftsman’s ability to adapt and amalgamate the forms, designs and subject-matter of successive incoming groups produced a range of artefacts that ingeniously blended traditional with foreign concepts. While the forms of Cypriot expression after the introduction of outside influences could be mistaken for provincial imitation, the island’s art never lost its essential native characteristics: a strong underlying sense of inventiveness, superstition and wit. This has left a large body of captivating and whimsical material which, in turn, has inspired not only students and collectors of the island’s past art but modern Cypriot craftsmen as well....