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Article

Bo Bardi [née Bo], Lina  

Julio Roberto Katinsky

revised by Adrian Anagnost

[Achillina]

(b Rome, Dec 5, 1914; d São Paulo, Mar 29, 1992).

Brazilian architect of Italian birth. She graduated in architecture (1939) from the University of Rome, where director Marcello Piacentini oversaw a curriculum dominated by the classicizing monumentality of Fascist Italy. In 1940 she moved to Milan and worked for publications seeking to modernize Italian architecture and interior design, including Lo Stile (1941–1943) and Domus (1943–1944). In 1945 she co-organized the critical rationalist architects’ group Movimento studi architettura, and participated in debates on postwar reconstruction at the Primo Convegno Nazionale per la Ricostruzione Edilizia, with Ernesto Nathan Rogers and others. In 1946 she worked with architect Bruno Zevi on the magazine A– Cultura della Vita, wrote for the revived Domus under editor Gio Ponti, and designed displays for a Milan commercial fair.

In September 1946 she moved to Brazil where her husband, Pietro Maria Bardi (1900–1999), was invited to establish and direct the ...

Article

De Zayas, Marius  

Henry Adams

(b Veracruz, Mar 13, 1880; d Stamford, CT, Jan 10, 1961).

Mexican illustrator, writer, gallery owner, and publisher, active in the USA. He was the son of a wealthy Mexican lawyer and publisher. De Zayas started his career as an artist by providing drawings for his father’s newspaper in Veracruz. In 1906 he moved on to Mexico City’s leading newspaper, El Diario, but a year later, after the ascension of the dictator Porfirio Diaz, whom the newspaper had opposed, he fled to the USA. There he landed a position making caricatures for the New York Evening World. Shortly after his arrival in the USA, he came into contact with Alfred Stieglitz, who staged solo shows of De Zayas’s caricatures at his gallery Gallery 291 in 1909 and 1910, both of which proved to be huge popular successes.

In 1910 De Zayas traveled to Paris, where he stayed almost a year, scouting out adventurous forms of modern art for Stieglitz, notably the cubist work of Picasso and African sculpture. On his return, equipped with knowledge of European modern art and inspired by the work of the French modernist ...

Article

Ehrenberg, Felipe  

Julieta Ortiz Gaitán

(b Mexico City, Jun 27, 1943).

Mexican painter, printmaker, performance artist, writer, teacher, and publisher. He qualified as a printmaker at a very early age, then as a painter and engraver under the tutelage of several masters, among whom the most influential on his life was José Chávez Morado. Although he at first worked with traditional media, he possessed a constantly innovative and critical attitude and experimented with performances, installations, happenings, correspondence art, and media art, as well as writing, lecturing, and publishing on such themes as artistic experimentation, cultural promotion, professional management for artists, collective mural painting, and the publishing process. From 1968 to 1972 Ehrenberg lived in England where, with the architect Martha Hellion and the critic and historian David Mayor, he founded the Beau Geste Press/Libro Acción Libre in Devon, to propagate the work of artists involved with the Fluxus movement of the 1970s. He was also instrumental in the rise of many artistic groups, workshops and small publishing houses, such as ...

Article

Facio, Sara  

Erika Billeter

(b Buenos Aires, Apr 18, 1932).

Argentine photographer and publisher. She trained as a painter at the Escuela Nacional de Bellas Artes, Buenos Aires (1947–1953), and took up photography only in the late 1950s. She studied in Buenos Aires first in the studio of Luis d’Amico and then in 1960 under Annemarie Heinrich. In 1960 she opened a studio in Buenos Aires with the Argentine photographer Alicia D’Amico (1933–2001). She contributed to La Nación and Autoclub, and in 1973, together with María Cristina Orive, she co-founded La Azotea, a publishing house specializing in Latin American photography. She was primarily a documentary photographer, whose reputation did not depend on the recording of sensational events. Her photographs were realistic portrayals of the Argentine way of life; they were taken using natural light and were not modified in the laboratory.

Buenos Aires, Buenos Aires. Buenos Aires, 1968.Retratos y autorretratos. Buenos Aires, 1973.Seven Voices...

Article

Finlay, Ian Hamilton  

Stephen Bann

(b Nassau, Bahamas, Oct 28, 1925; d Dunsyre, Scotland, March 27, 2006).

Scottish sculptor, graphic artist and poet. Brought up in Scotland, he briefly attended Glasgow School of Art and first made his reputation as a writer, publishing short stories and plays in the 1950s. In 1961 he founded the Wild Hawthorn Press with Jessie McGuffie and within a few years had established himself internationally as Britain’s foremost concrete poet (see Concrete poetry). His publications also played an important role in the initial dissemination of his work as a visual artist. As a sculptor, he has worked collaboratively in a wide range of materials, having his designs executed as stone-carvings, as constructed objects and even in the form of neon lighting.

In 1966 Finlay and his wife, Sue, moved to the hillside farm of Stonypath, south-west of Edinburgh, and began to transform the surrounding acres into a unique garden, which he named Little Sparta. He revived the traditional notion of the poet’s garden, arranging ponds, trees and vegetation to provide a responsive environment for sundials, inscriptions, columns and garden temples. As the proponent of a rigorous classicism and as the defender of Little Sparta against the intrusions of local bureaucracy, he insisted on the role of the artist as a moralist who comments sharply on cultural affairs. The esteem won by Finlay’s artistic stance and style is attested by many important large-scale projects undertaken throughout the world. The ‘Sacred Grove’, created between ...

Article

Pfemfert, Franz  

Michael Butler

(b Lötzen, East Prussia [now Gizycko, Poland], Nov 20, 1879; d Mexico City, May 26, 1954).

German editor and writer. He grew up in Berlin, where he worked until 1933. After the Nazis came to power, he emigrated via Czechoslovakia, France and the USA to Mexico. Self-educated, he mixed with anarchist circles and in 1910 became editor of Der Demokrat. In 1911 he founded and edited Die Aktion, a weekly newspaper for politics and literature, which became his life’s work. From 1912 the masthead bore the extended title Wochenschrift für Politik, Literatur und Kunst and for the next six years the paper was at the forefront of revolutionary ideas in art, literature and society. Its most influential period coincided with early Expressionism. Die Aktion brought together journalists, poets and painters in an atmosphere of radical internationalism and left-wing pacifism. It regularly printed black-and-white drawings and woodcuts, including work by Paul Cézanne, Honoré Daumier, Eugène Delacroix, Raoul Dufy, Lyonel Feininger, Vincent van Gogh, Franz Marc, Ludwig Meidner, ...

Article

Rego Monteiro, Vicente do  

Roberto Pontual

revised by Jennifer Sales

(b Recife, Dec 19, 1899; d Recife, Jun 5, 1970).

Brazilian painter, poet, and publisher. He became interested in painting while living in Paris between 1911 and 1914. On his return to Brazil he lived first in Rio de Janeiro and then, from 1918 onward, in Recife. There he prepared a series of watercolors based on indigenous themes, such as the Birth of Mani (1921; U. São Paulo, Mus. A. Contemp.), which were exhibited in Rio de Janeiro and São Paulo in 1920–1921. His modernist reworking of indigenous aesthetics challenged Parisian avant-garde primitivism and Brazilian academic aesthetics. In 1922 he took part in the Semana de arte moderna in São Paulo and returned to Europe, establishing a studio in Paris, where he illustrated P. L. Duchartre’s Légendes, croyances, et talismans des indiens de l’Amazonie (Paris, 1923). From 1922 to 1957 he alternated his residency between Paris and Brazil. In 1930 he and the French poet and critic Géo-Charles (...

Article

Scliar, Carlos  

Roberto Pontual

(b Santa Maria do Rio Grande do Sul, Jun 21, 1920; d Rio de Janeiro, Apr 28, 2001).

Brazilian draftsman, engraver, and painter. At the age of 15 he began publishing illustrations in the newspapers of his native state. In 1940 he went to live in São Paulo, where he began his career as a painter. He joined the Família Artística Paulista (a group founded in 1937, typical of the second phase of Brazilian Modernism) and allowed his work to be influenced by a vivid, socially committed Expressionism, often using drawing and engraving. Between 1944 and 1945 he fought in Italy as a soldier in the Brazilian Expeditionary Force and produced rapid but undramatic drawings of the war. During a subsequent stay in Paris from 1947 to 1950 he developed his characteristic style under the influence of late Cubism and afterwards of Giorgio Morandi. On his return to Brazil, from 1950 to 1956 he helped to create the local Engraving Club in Porto Alegre; in its artistic aims and political stance he promoted a polemical form of realism devoted to landscape, human types, and scenes of the still rural south. He returned to painting only on settling in Rio de Janeiro in ...

Article

Villasana, José María  

Aída Sierra Torres

(b Veracruz, 1848; d Tacubaya, Mexico City, Feb 14, 1904).

Mexican illustrator and lithographer. He began his career in 1869, making prints for the weekly La ilustración potosina in San Luis Potosí. He collaborated with Alejandro Casarín and Jesús Alamilla on illustrations using engravings colored with pen for the novel Ensalada de pollos by José Tomás de Cuéllar. In these the use of a schematic design accentuated the appearance of the figures portrayed. He created caricatures (1872–1873) for La orquesta and other periodicals, but he established his reputation with caricatures (1874–1876) of government figures for the weekly Hijo Ahuizote. Villasana was a member of the political party of President Porfirio Díaz and in 1880 published ferocious caricatures of Díaz’s opponents in El coyote emplumado. He was co-publisher in 1883, with Ireneo Paz, of La patria ilustrada and in 1888 he founded his own weekly, México y sus costumbres; in both periodicals he published his own caricatures of public figures. In ...