Unwoven cloth made from the bast (inner bark) of a tree. It is also known as ‘tapa’, with reference to the Polynesian bark cloth made from the bark of the paper mulberry and used for clothing. There is a huge collection of Polynesian bark cloth in the Bernice Pauahi Bishop Museum in Honolulu. In sub-Saharan Africa bark cloth was traditionally decorated with free-hand painting applied with grass brushes, and was used for room-dividers and screens as well as clothing. Its widest application was in Japan, where bark cloth was used for windows, screens, kites, flags and umbrellas.L. Terrell and J. Terrell: Patterns of Paradise: The Styles of Bark Cloth around the World (Chicago, 1980)M. J. Pritchard: Siapo: Bark Cloth Art of Samoa...
Noémie Goldman and Kim Oosterlinck
Term for the return of lost or looted cultural objects to their country of origin, former owners, or their heirs. The loss of the object may happen in a variety of contexts (armed conflicts, war, colonialism, imperialism, or genocide), and the nature of the looted cultural objects may also vary, ranging from artworks, such as paintings and sculptures, to human remains, books, manuscripts, and religious artefacts. An essential part of the process of restitution is the seemingly unavoidable conflict around the transfer of the objects in question from the current to the former owners. Ownership disputes of this nature raise legal, ethical, and diplomatic issues. The heightened tensions in the process arise because the looting of cultural objects challenges, if not breaks down, relationships between peoples, territories, cultures, and heritages.
The history of plundering and art imperialism may be traced back to ancient times. Looting has been documented in many instances from the sack by the Romans of the Etruscan city of Veii in ...