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Article

Russian, 18th – 19th century, male.

Born 1754, in St Petersburg; died 1824, in St Petersburg.

Painter, watercolourist. Urban landscapes, architectural views, still-lifes. Stage sets (?).

The son of a retired soldier employed as a custodian at the fine arts academy in St Petersburg, Alekseev trained there ...

Article

Ismael Gutiérrez Pastor

(b ?Modena, c. 1725; d ?Venice, c. 1796).

Italian painter, stage designer and draughtsman, active in Spain. He is thought to have first studied under Raffaello Rinaldi (fl 1713–?1747), a local artist, and between 1747 and 1751 he was enrolled in the Fraglia Veneziana, where he met the most notable vedutisti. He painted vedute in Treviso and Brescia, and these views, engraved by Francisco Zucchi, were used to illustrate Baldassare Camillo Zamboni’s Memorie intorno alle pubbliche fabbriche (1778). In 1754 Battaglioli went to Madrid to work at the court of Ferdinand VI, where he painted theatre sets for the Reales Coliseos at the Palacio Real, Aranjuez, and at the Palacio Real, Madrid. He also worked for such patrons as the castrato Farinelli (1705–82), painting two vedute (1756; Madrid, Prado) depicting scenes at the royal court. Under Farinelli’s supervision he painted stage sets (1756; two in Madrid, Real Acad. S Fernando) for Pietro Metastasio’s opera ...

Article

W. Georg Rizzi

(Maria Nicolao)

(b Bologna, 1675; d Vienna, March 4, 1735).

Italian architect, decorative artist, stage designer and painter, active also in Austria. He trained as a quadratura painter in Bologna, where he was a pupil of Giovanni Gioseffo dal Sole. He was recorded as working as a figure and quadratura painter in Vienna for Prince Montecuccoli in 1695, and shortly afterwards for Count Heřman Jakub Czernin in both Vienna and Prague. He soon became a project designer, when his responsibilities expanded to include architecture. Beduzzi’s first project was probably the design of furnishings for the summer sacristy of Melk Abbey Church (from 1701; see Melk Abbey, §2), which matched the European High Baroque style of the building. Later he designed furnishings and frescoes for the abbey church itself (1711–22) although, contrary to common belief, he did not design the high altar and doorway. He initially painted his frescoes himself, but later these were entrusted to his associates, as in the case of the pilgrimage church of Maria Taferl, near Melk, or to specialists employed by those commissioning the work. Beduzzi’s design for the illusionistic decoration of the church of St Peter (...

Article

Marc’alvise de Vierno

In 

Article

Alfonso Rodríguez Ceballos

[Santiago]

(b Piacenza, 1705; d Madrid, 18 or Sept 20, 1759).

Italian architect, painter, urban planner and stage designer, active in Spain. He was a pupil in Piacenza of the painters Bartolomeo Rusca (1680–1745), Andrea Galluzzi (fl 1700–1743) and Giovanni Battista Galluzzi (fl c. 1730–40). In 1728 he was one of a number of artists summoned to Spain by the Marchese Annibale Scotti to assist with the construction of royal projects that were already under way and to introduce an Italian influence in place of the French style that had been introduced by the Bourbon kings. He worked at the Aranjuez Palace with the French engineer Léandre Brachelieu (fl c. 1733–9) and then in 1735 became Director of Royal Works of Decoration. He specialized in quadratura painting and, in addition to his work at Aranjuez, where his fresco vault decorations provided fictive trompe l’oeil architectural settings for mythological figures executed by Rusca and ...

Article

French, 18th century, male.

Born 1717; died 1814.

Decorative designer, draughtsman. Stage costumes.

He started working for the Paris Opéra in 1748 and became the official costume designer for court festivals, entertainments and ceremonies in 1764.

Paris, 10 Nov 1988: Shepherdess Costume for an Opera...

Article

Gordon Campbell

(b 1754; d 1811).

French silhouettist and musician. In 1784 he invented a portrait cutting machine which he called a physionotrace; this apparatus, which consisted of a mechanical wooden instrument guided by a viewfinder, enabled Chrétien to draw quickly and to produce engraved drawings that could easily be reproduced.

W. Way and H. W. Chase...

Article

Susan Harrison Kaufman

[Giambattista]

(b c. 1685–6; d Venice, July 15, 1758).

Italian painter and stage designer. His earliest known work, the Flagellation of Christ (c. 1706; Venice, Mus. Diocesano S Apollinia), for the Scuola del Cristo of S Marcuola, is a dark, shadowy painting that reveals the strong influence of tenebrist trends of the 17th century. Crosato, however, belonged to the generation of Venetian painters such as Jacopo Amigoni, Sebastiano Ricci and Giovanni Antonio Pellegrini, who were developing a lighter, more colourful style. His tonality changed from the darkened shadows of the Flagellation to the light-filled frescoes for Stupinigi, the hunting palace of the Duke of Savoy, near Turin, which constitute his next known work. The most successful of these, the Sacrifice of Iphigenia (begun 1733), on the vault of the antechamber of the queen’s apartment, is a highly dramatic work full of bright bold colours accentuated against the blue sky and white clouds. The gold, blue and red tones are effectively placed so as to lead the eye around the room and guide it through the narrative, which is related through the specific gestures or glances of a few figures, at the same time suggesting the idea of greater numbers. Equally direct is Crosato’s use of sharply defined, highly saturated colours, which remain constant in their intensity and effective in providing visual unity; his linear style defines solidly modelled forms. Other rooms at Stupinigi decorated by him included the antechapel of S Umberto, with figures of hunters and lady companions, and the Sala degli Scudiere, with the story of ...

Article

French, 18th century, male.

Born 1734, in Paris.

Draughtsman, print publisher, musician.

He drew the illustrations for a number of travel books: Pictures... of Switzerland ( Tableaux... de la Suisse) (Paris, 1780-86), Description... of France ( Description... de la France) and Story of Saugnier's journeys to the African coast...

Article

Magnus Olausson

(b Auxerre, bapt May 28, 1743; d Stockholm, March 19, 1804).

French painter, stage designer and architect. After studies at Jacques-François Blondel’s private school, Desprez continued his architectural training at the Académie Royale d’Architecture, Paris, in the 1760s and, after several attempts, won the Prix de Rome in 1776. Soon after his arrival in Rome (1777) he was asked by the Abbé de Saint-Non to prepare illustrations for his famous Voyage pittoresque, ou description des royaumes de Naples et de Sicile (Paris, 1781–6; drawings in London, BM, and Besançon Mus. B.-A. & Archéol.). With the permission of the Académie, he joined Saint-Non’s team, and during their pioneering tour of southern Italy Desprez produced innumerable topographical drawings and watercolours that are remarkable for their vitality and accuracy. Back in Rome (1779), he completed the 135 illustrations selected for the engravings and resumed his architectural studies.

By the time Desprez sent a design for a public bath to the Académie in Paris in ...

Article

German, 18th – 19th century, male.

Born c. 1769, in Traustadt; died 29 August 1848, in Bern.

Painter, musician.

This artist was the father of Johann Rudolf. He settled in Bern from 1804 and, together with his son, produced paintings that they sold at auction. He lived initially in Plenjouse....

Article

French, 18th – 19th century, male.

Born 1749, in Versailles; died 1825, in Paris.

Painter (including gouache), watercolourist, sculptor, draughtsman (wash), engraver, decorative artist. Mythological subjects, allegorical subjects, historical portraits, hunting scenes, interiors with figures, gardens. Stage costumes and sets, furniture, designs for fabrics, frontispieces.

Dugourc's father, who was in the service of the Duke of Orléans, had a considerable fortune. Dugourc was permitted to attend the lessons taken by the Duke of Chartres (the future Philippe-Égalité), and at the age 15 left for Rome, attached to the embassy of the Count of Cani. From his infancy, he had shown an aptitude for drawing, perspective and architecture. However, the death of his mother, followed shortly after by the loss of his father's fortune, changed his life. From being an amateur, Dugourc became a professional artist, and executed paintings, sculptures and engravings. In a work published in ...

Article

Leah Lipton

(b Perth Amboy, NJ, Feb 18, 1766; d New York, Sept 28, 1839).

American painter, writer and Playwright. After working in England with Benjamin West between 1784 and 1787, Dunlap concentrated primarily on the theatre for the next 20 years. His two main interests are documented in his large Portrait of the Artist Showing his Picture of Hamlet to his Parents (1788; New York, NY Hist. Soc.). He wrote more than 30 plays and was called by some the ‘father of American drama’. He was the director and manager of the Park Theatre in New York from 1797 until its bankruptcy in 1805 and again, in its revived form, from 1806 to 1811. He began to paint miniatures to support his family in 1805 and travelled the East Coast of America as an itinerant artist. By 1817 he had become, in his own words, ‘permanently a painter’.

Dunlap always lived on the verge of poverty. To increase his income, he produced a large showpiece ...

Article

French, 18th century, male.

Born 24 March 1727, in Neudonchel; died 1780 or 1781, in Paris.

Painter, draughtsman, engraver, musician.

Marie Dominique Joseph Engramelle belonged to the Community of the Petits-Augustins of Queen Marguerite. He was also an engineer. He exhibited in the Salon de la Correspondence in ...

Article

Russian, 18th century, male.

Painter, decorative artist. Stage sets (?).

Nikifor Ezhevsky is known for works in the apartments of Empress Catherine the Great in the Winter Palace, in the Moscow Court Theatre and in Grand Palace at Pavlovsk.

Article

Marc’alvise de Vierno

In 

Article

Danish, 18th century, male.

Born 17 October 1718, in Copenhagen; died 4 April 1759, in Copenhagen.

Painter, musician.

Christoffer Foltmar was a painter of miniatures and a drawing master to the Danish royal family.

Hillerød (Frederiksborg): miniatures, portraits

Article

Danish, 18th century, male.

Active in Copenhagen.

Died 1 December 1763, in Copenhagen.

Painter, engraver (etching), musician.

Jacob Fosie was a pupil of the Copenhagen painter Hendrik Krock. Upon finishing his studies in Italy he became a drawing master at the junior school. He produced watercolours of landscapes, fruit and flowers, among which were copies of works by Wouwerman and other Dutch artists. As an etcher Fosie published a collection of his landscapes in ...

Article

Italian, 18th century, male.

Active in Bologna and Sardinia.

Painter, musician.

Article

Marc’alvise de Vierno

Italian family of painters and stage designers. They came from Andorno, near Vercelli, Piedmont, and were active in the 18th century and the first half of the 19th. Their works are mainly in Piedmont and Lombardy, although they also worked for leading European courts, such as those at Vienna, Paris and Berlin. Giovanni Galliari the elder (c. 1680–1720), from Andorno, was a minor provincial painter who worked in Milan and Crema in 1707 and 1709 with members of the Piedmontese branch of the Cignaroli. He may have painted several decorations for religious processions for the Sanctuary of the Madonna of Oropa, an ancient and celebrated place of pilgrimage. His three sons were (1) Bernardino Galliari, (2) Fabrizio Galliari and Giovanni Antonio Galliari (1718–83). The artistic tradition of the family was continued by the children of Fabrizio: Giovanni Galliari the younger (1746–1818), who went to Berlin, ...