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Article

Russian, 20th – 21st century, male.

Active in Moscow.

Born 1952, in Moscow.

Painter. Portraits.

Avietik Abadgian produces paintings in which restrained figures sketched with expansive brushstrokes emerge from a neutral background made up of different flat, wide areas. He has taken part in several national and international exhibitions....

Article

French, 20th – 21st century, female.

Born 31 May 1947, in the Haute-Garonne.

Painter (mixed media).

Abadie has lived and worked in Paris since 1985, after art and sculpture studies in Toulouse. She also studied fresco techniques in Venice. In Paris, she has exhibited at the Salon de la Jeune Peinture in ...

Article

French, 20th – 21st century, female.

Active in France.

Born 11 August 1950, in New York.

Installation artist, photographer. Multimedia.

Art Narratif.

Aballéa studied epistemology. She lives and works in Paris. Aballéa's work stages natural phenomena and scientific descriptions entirely of her own invention, which she describes using writings in the form of tales. Her work generally involves an environment in which light has a predominant place: 'In my work, I like to tell stories. I tell them through space, image, situation and text. I don't believe in any defined limitation between the real and the unreal, but rather a large, fluctuating zone of possibilities. My works are situated in this large zone.' She willingly refers to Borgès and Lewis Carroll, provoking a mêlée between elements of reality and textual fiction. She often uses photographs re-touched with pastel colours which she accompanies with texts....

Article

Italian, 20th – 21st century, male.

Born 1946, in Rome.

Painter. Figure compositions.

Citazionismo.

Work by Alberto Abate appeared in several collective exhibitions from 1977 onwards in Italy, Spain and the USA, and in numerous solo shows in Italian galleries from 1976.

He paints large neosurrealist compositions, peopled by figures from antiquity and mythology....

Article

Iraqi, 20th – 21st century, male.

Active since 1974 active in France.

Born 12 September 1948, in Shamyah (Mesopotamia).

Painter.

Akeel Abbas has shown his works in a number of group exhibitions, including the 2nd Arab Biennale, Kuwait in 1971; Centre Culturel Irakien, Paris in 1975...

Article

Algerian, 20th – 21st century, male.

Born 1949, in Constantine.

Painter, miniaturist. Local scenes, scenes with figures, landscapes.

Nasreddine Abbassi was a student at the Algiers school of art. After doing a number of different jobs, he decided to take up painting as a full-time profession. Since ...

Article

Belgian, 20th – 21st century, male.

Born 1943, in Denderbelle.

Painter.

Jan van den Abbeel trained at the academy in Ghent. He explores variations on a single theme.

Article

Sarah Urist Green

(b Kabul, June 5, 1973).

Afghan video and performance artist and photographer, active also in the USA. After fleeing Soviet-occupied Kabul with her family in the late 1980s, Abdul lived as a refugee in Germany and India before moving to Southern California. She received a BA in Political Science and Philosophy at California State University, Fullerton, and an MFA at the University of California, Irvine, in 2000. Abdul first returned to a post-Taliban Afghanistan in 2001, where she encountered a place and people transformed by decades of violence and unrest. Since that time, Abdul has made work in Kabul and Los Angeles, staging herself in performances and creating performance-based video works and photography that explore ideas of home and the interconnection between architecture and identity.

Beginning in the late 1990s, Abdul made emotionally intense performance art informed by that of Yugoslavian artist Marina Abramović and Cuban-born American artist Ana Mendieta. At the time unable to travel to Afghanistan, Abdul created and documented performances in Los Angeles that probed her position as Afghan, female, Muslim, a refugee and a transnational artist. In ...

Article

American, 20th – 21st century, female.

Born 28 August 1952, in Richmond Heights (Missouri).

Installation artist, video artist, photographer.

Kim Abeles was an American Field Service student in 1969 in Utsunomiya, Japan, where a Buddhist priest introduced her to traditional Japanese arts. She returned to the USA and studied painting at Ohio University, receiving a BFA in ...

Article

Dutch, 20th – 21st century, male.

Born 1953, in Emmen.

Painter. Landscapes.

Johan Abeling has exhibited with the Galerie Lieve Hemel, Amsterdam, since 1982, having solo shows in 2001 and 2004.

Nieuwendijk, Koen: Met engelengeduld (The patience of a saint), exhibition catalogue, Gal. Lieve Hemel, Amsterdam, 1995....

Article

Kyla Mackenzie

(b Nelson, 1949).

New Zealand photographer. Aberhart became a leading photographer in New Zealand from the 1970s with his distinctive 8×10 inch black-and-white photographs, taken with a 19th-century large format Field Camera. He is particularly well known for his images of disappearing cultural history, often melancholic in tone, in New Zealand.

Aberhart’s use of an ‘outmoded’ process for picturing subjects in apparent decay or decline paradoxically re-invigorated them. He was inspired by the documenting traditions of New Zealand’s itinerant 19th-century photographers. His generally provincial subjects included vacant architectural interiors and exteriors, such as domestic houses, Masonic lodges, churches, Maori meeting-houses, and cemeteries, war memorials, museum exhibits, landscapes, and horizons (see A Distant View of Taranaki, 14 February 2009, Auckland, A.G.). Aberhart also produced several compelling portraits, especially those from the late 1970s and early 1980s of his daughters (e.g. Kamala and Charlotte in the Grounds of the Lodge, Tawera, Oxford, 1981; Christchurch, NZ, A.G.)....

Article

In the 1990s, Aboriginal art gained for the first time a substantial audience as contemporary art. Ten years earlier it had been the preserve of anthropologists and marketed as ‘primitive fine art’ to collectors of tribal art. In 1980, Andrew Crocker, the newly-appointed manager of Papunya Tula Artists Pty Ltd—the Western Desert artist-run company formed in 1972—sought to change this by marketing the art on purely aesthetic grounds without reference to its Aboriginality. This coincided with a growing interest in the art by an emerging generation of contemporary artists. When abstract paintings from Papunya Tula began appearing in contemporary art venues, Australian critics wondered if they were pieces of Post-modernist or conceptual art. By the end of the decade, such questions were being asked at an international level, with Western Desert art playing a significant role in the emerging post-colonial debate. While this international interest by critics quickly waned, from this time onwards, Aboriginal art became well and truly framed in the Australia art world by the discourses of Post-modernism, post-colonialism and contemporary art....

Article

Yugoslav, 20th–21st century, female.

Active in the Netherlands.

Born 30 November 1946, in Belgrade (now in Serbia).

Performance artist. Multimedia.

Conceptual Art, Body Art.

Marina Abramovic studied at the fine arts academy in Belgrade from 1965 to 1970 and began executing her first performance pieces, films and videos between ...

Article

Francis Summers

revised by Jessica Santone

(b Belgrade, Nov 30, 1946).

Serbian performance artist, video artist and installation artist. She attended the Academy of Fine Arts in Belgrade (1965–70) before completing her post-diploma studies at the Academy of Fine Arts, Zagreb, in 1972. Her early works included sound recordings installed on bridges, paintings of truck crashes, and experiments with conceptual photography (see Widrich, pp. 80–97). In her first significant performance, Rhythm 10 (1973), she repeatedly and rapidly stabbed the spaces between her fingers with various knives. Later, in Rhythm 0 (1974; see Ward, pp. 114–30), she invited gallery visitors to choose from 72 available objects to use on her body, as she stood unresponsive for 6 hours. Her infamous performance Thomas’ Lips (1975; see M. Abramović and others, pp. 98–105), in which she cut, flagellated, and froze herself, established her practice as one that dramatically explored the physical limits of the human body, as seen in the work of Gena Pane or Chris Burden (...

Article

American, 20th – 21st century, female.

Born 26 March 1954, in New York.

Painter. Figures, landscapes.

Elizabeth Abrams studied at Mount Holyoke College in Massachusetts from 1971 to 1975 and from 1975 to 1976 at the Pratt Institute of Design in New York. Overlapping with this, she studied at the École des Beaux-Arts and the École des Arts Décoratifs in Paris in ...

Article

Absalon  

John-Paul Stonard

[Eshel, Meir]

(b Tel Aviv, Dec 26, 1964; d Paris, Oct 10, 1993).

Israeli sculptor. He adopted the name Absalon on his arrival in Paris in the late 1980s. During his short career he achieved widespread recognition for the 1:1 scale architectural models that he constructed of idealized living units. These wooden models, painted white, demonstrate an obsession with order, arrangement and containment, and have associations both of protective shelters and monastic cells. They were designed to be placed in several cities and to function as living-pods for the artist as he travelled. Exhibiting a series of six ‘cellules’ in Paris in 1993, he described how they were fitted both to his body and to his mental space, but were also able to condition the movements of his body in line with their idealized architecture. Although he denied their apparent utopianism, the sculptures can be viewed as the reduction of the utopian aims of early modern architecture (as seen in the work of the Constructivists, de Stijl and Le Corbusier) to the level of individual subjectivity. This suggests both the failure of architectural social engineering and its inevitable basis in subjective, anti-social vision. Absalon’s habitational units also have an element of protest. In an interview for the ...

Article

Israeli, 20th – 21st century, male.

Born 11 November 1961, in Umm el Fahm.

Painter (including mixed media), draughtsman. Military subjects, figures, still-lifes, animals.

Asim Abu-Shakra was educated at the college of fine arts in Tel Aviv, where he worked as a teacher in 1987 and ...

Article

Filipino, 20th century, male.

Born 1930, in Bohol, Philippines.

Sculptor. Figures, historical subjects, religious subjects, allegory, myths.

Napoleon Veloso Abueva graduated in 1953 from the University of the Philippines College of Fine Arts (UPCFA), where he was mentored by the first National Artist for Sculpture, Guillermo Tolentino. He received another scholarship from the Fulbright/Smith–Mundt Foundation and in ...

Article

Frazer Ward

(Hannibal)

(b New York, Jan 24, 1940).

American poet, performance, video, and installation artist, and urban designer. Acconci worked for an MFA degree at the University of Iowa from 1962 to 1964. He initially devoted himself to poetry and writing that emphasized the physicality of the page and then began to produce visual work in real space in 1969. He worked as a performance artist from 1969 until 1974. His performance work addressed the social construction of subjectivity. A central work, Seedbed (1972; New York, Sonnabend Gal.), saw Acconci masturbate for six hours a day, hidden under a sloping gallery floor, involving visitors in the public expression of private fantasy. Between 1974 and 1979 he made a series of installations often using video and especially sound, mainly in gallery spaces, examining relations between subjectivity and public space. For Where We Are Now (Who Are We Anyway) (1976; New York, Sonnabend Gal.), a long table in the gallery and recorded voices suggested a realm of public or communal debate, but the table extended out of the window over the street like a diving board, countering idealism with the realities of city life. In the 1980s Acconci made sculptures and installations, many viewer-activated, invoking basic architectural units and domestic space. ...

Article

French, 20th – 21st century, male.

Born 1967.

Painter, engraver, photographer.

Achard took some courses at the École d'Arts Décoratifs in Nice, and studied drawing with Velickovic at the École des Beaux-Arts in Paris, graduating in 1987. He has participated in group exhibitions since 1981.

Achard is also an active photographer, working for periodicals, magazines, and especially in film. He draws, paints in oil, acrylic, as well as using airbrushing and engraving. His painted works are directly derived from photography....