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American, 20th–21st century, female.

Born 1950, in Prague.

Active in Rosendale (New York).

Printmaker, photographer, draughtsman, paper maker. Installation art, artists’ books.

Women’s Studio Workshop.

Tatana Kellner was born in Prague and grew up in communist Czechoslovakia as the daughter of Holocaust survivors. After the Soviet invasion in ...

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(b Norman, OK, Sept 28, 1952).

American painter, draughtsman, and printmaker. He studied under John Baldessari and others at the California Institute of the Arts in Valencia, CA (1973–5). While working in the art department of a publisher of romance and pornographic magazines, he gathered together photographs from the company’s archives, later using them as source material for his paintings. His soft-core pornographic depictions of women drew frequent criticism from reviewers and critics. After producing performances and installations in the late 1970s, he began in 1979 to make paintings in which he overlaid images in different styles based on found sources, as in The Flesh Made Word (1979; Rotterdam, Mus. Boymans–van Beuningen). Although he acknowledged the example of the Transparencies series painted in the late 1920s and 1930s by Picabia, a more immediate point of comparison for works such as Good Bye D. (1982; Richmond, VA Mus. F.A.)—with their references to popular sources and kitsch and jarring juxtapositions of styles—was in work produced in the 1960s by artists associated with Pop art, notably James Rosenquist and Sigmar Polke. During the 1980s and early 1990s he was one of the most influential young painters working in a representational idiom. Splicing recognizable elements from canonical artworks together with laid-on transitional passages made from a range of straight photographs, grisaille adaptations, vintage magazine ads, and drawn-on elements, Salle created visual puzzles and unusual juxtapositions with emotional impact, as in the diptych ...