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Article

(b Berlin, Oct 15, 1827; d Berlin, Sept 15, 1908).

German architect, archaeologist and writer. He was one of the leading figures of Berlin’s architectural establishment in the latter half of the 19th century. On completion of his studies in 1852, he was given the prestigious post of Bauleiter at the Neues Museum in Berlin, designed by Friedrich August Stüler. He subsequently became a lecturer and in 1861 a professor of architectural history at the Bauakademie in Berlin. Many of his church buildings used medieval motifs and elements, for example the Christuskirche (1862–8) in Berlin and the Elisabethkirche (1869–72) in Wilhelmshafen. He followed Karl Bötticher in his attempts to merge medieval and classical elements, best illustrated in his design for the Thomaskirche (competition 1862; built 1865–70), Berlin. There, Adler used Gothic structural devices embellished with rich Renaissance detail, a tendency that was also present in many of the entries for the Berlin Cathedral competition (...

Article

C. Hobey-Hamsher

(fl late 5th century bc).

Greek painter. He was the son of Eudemos and came originally from Samos, but worked in Athens; none of his work survives. He was said to be self-taught. Vitruvius (On Architecture VII.praef.11) claimed that Agatharchos was the first artist to paint a stage set on wooden panels. This was for a tragedy by Aeschylus (525/4–456 bc), although it may have been a revival presented later in the 5th century bc. Vitruvius added that he wrote a commentary discussing the theoretical basis of his painted scenery and that the philosophers Demokritos (late 5th century bc) and Anaxagoras (c. 500–428 bc) followed him in exploring theories of perspective. It is unlikely that Agatharchos organized his compositions around a single vanishing point. More probably, individual objects and buildings or groups of buildings were depicted receding towards separate vanishing points. If Agatharchos’ experiments in perspective were confined to stage scenery, they would have been limited to architectural backgrounds, before which the actor moved. Aristotle (...

Article

Greek, 19th century, male.

Born 1852, in Athens; died 1878.

Painter. Waterscapes, seascapes.

A friend of the architect H.C. Hansen, Altamura visited Copenhagen where he attended the fine arts academy from 1873 to 1876. He was primarily a painter of seascapes.

Copenhagen, 3 June 1976...

Article

Margaret Lyttleton

(fl late 2nd century bc–mid-1st).

Greek architect and astronomer. He is associated with a single building, the Tower of the Winds (Horologion) on the edge of the Roman agora in Athens, of which he was named the architect by Vitruvius (On Architecture I.vi.4). This elegant and ingenious small marble octagonal building was designed externally as a monumental sundial and weather-vane, with a representation of each of the eight winds carved on the sides of the octagon; at the apex of the roof was a bronze Triton that acted as a weathercock. The interior of the building contained a complicated waterclock; apart from the Triton and the clock, the building is well preserved. Andronikos’ home town of Kyrrhos appears to be that in Macedonia, rather than the town of the same name in Syria, because a sundial from the island of Tenos carries an epigram in honour of its maker, who is named as Andronikos of Kyrrhos in Macedonia, son of Hermias, and compares him with the famous Hellenistic astronomer Aratos of Soli in Cilicia (...

Article

4th century, male.

Painter.

Ancient Greek.

Pliny Antenorides was, with Euphranor, a follower of Aristides - though not Aristides the famous painter of the time of Alexander but probably the grandfather of the latter and an architect, sculptor and painter. Nothing is known of the works of Antenorides....

Article

T. F. C. Blagg

(b Damascus; d Rome, c. ad 125).

Roman architect. His first known work, and possibly his training, was in military engineering. He constructed the 1135-m-long bridge across the Danube (nr Turnu Severin, Romania) in ad 103–5, between Trajan’s two Dacian campaigns. It had a timber superstructure and arches on huge masonry piers and is represented on Trajan’s Column in Rome. Apollodorus’ treatise on the bridge remains untraced. His other major achievements were in Rome. Dio (LXIX.iv.1) recorded that he built the Baths and Forum of Trajan and an odeum. Substantial remains of the first two survive. The forum, built in ad 107–13 and famous in antiquity for its magnificence, was a boldly conceived project that involved the removal of part of the Quirinal Hill (see Rome, §V, 2). Apollodoros was probably also architect of the adjacent Markets of Trajan, since its masterly adaptation to its site seems integral with the forum’s design (c....

Article

5th century, male.

Active in Attica in the second half of the 5th century BC.

Stone worker, sculptor (?).

Ancient Greek.

Archedemus was involved with the transformation of one of the largest natural grottoes to the south of Mount Hymettus (near the modern village of Vari) into a sanctuary dedicated to Pan, the Nymphs and the Charites (the Graces). At the foot of the central wall of the grotto, Archedemus has depicted himself (?) in his working clothes, with his pointed hammer and set square....

Article

Sophie Page

Astrology is the art of predicting events on earth as well as human character and disposition from the movements of the planets and fixed stars. Medieval astrology encompassed both general concepts of celestial influence, and the technical art of making predictions with horoscopes, symbolic maps of the heavens at particular moments and places constructed from astronomical information. The scientific foundations of the art were developed in ancient Greece, largely lost in early medieval Europe and recovered by the Latin West from Arabic sources in the 12th and 13th centuries. Late medieval astrological images were successfully Christianized and were adapted to particular contexts, acquired local meanings and changed over time.

Astrology developed into a scientific branch of learning in ancient Greece, but because of the opposition of the Church Fathers it was transmitted to early medieval Europe in only fragmentary form in technically unsophisticated textbooks and popular divinatory genres. Literary and scientific texts provided more general ideas about the nature and attributes of the planets which were influential on later iconography. The first significant astrological images appear in 11th-century illustrated astronomical texts (e.g. London, BL, Cotton MS. Tiberius BV), which were acquired and produced by monasteries to aid with time-keeping and the construction of the Christian calendar....

Article

6th century, male.

Active during the second half of the 6th century BC.

Born in Magnesia ad Maeandrum.

Sculptor, architect.

Ancient Greek.

Bathycles, like many other Ionians in Asia, moved westwards under the threat from the Medes as first Lydia and then the coastal towns fell. He came eventually to work in Greece. Around 530 BC, he designed the vast decorative construction known as the ...

Article

2nd century, male.

Born in Laconia.

Sculptor, architect (?).

Ancient Greek.

Batrachus, with his compatriot Sauras, is mentioned by Pliny in his discussions of sculptors in marble ( Natural History 36. 42) as the builder of the temples of Jupiter Stator and Juno Regina. According to Pliny, because the two artists' names did not feature in the act of consecration, they signed their work by carving 'in columnarum spiris' (on a twisted column) a frog (batrachus) and a lizard (saurus). Quite apart from the matter of their curious (but not impossible) names, the anecdote still seems unlikely to be true. Firstly, it does not appear to have been the custom in the 2nd century BC to mark the consecration of temples with an inscription. Secondly, we know from Vitruvius the name of the architect who built the temple of Jupiter Stator: the Cypriot Hermodorus of Salamis. If they ever existed, Batrachus and Sauras were probably just ordinary decorative sculptors....

Article

Daniela Campanelli

(b Lugano, March 26, 1787; d Naples, Dec 6, 1849).

Italian architect and archaeologist, of Swiss origin. He was a pupil of Luigi Cagnola and attended the Accademia delle Belle Arti in Milan, graduating in architecture at Pavia in 1806. He lived in Rome and between 1810 and 1814 was superintendent of the excavation of the Colosseum, which was being directed by Giuseppe Valadier. In 1812 Bianchi published the Osservazioni sull’arena e sul podio dell’Anfiteatro Flavio … in Rome, and he also carried out excavations on the Forum Romanum.

As a member of the Accademia di S Luca, Bianchi was put forward to design the layout of the Largo di Palazzo (now the Piazza del Plebiscito), Naples; the commission was awarded him by Ferdinand I of the Kingdom of the Two Sicilies (reg 1759–1825). Ferdinand had in fact announced a competition in 1817 for the completion of this work, which had been initiated by Joachim Murat, King of Naples, in ...

Article

6th century, male.

Active during the second half of the 6th century BC.

Born in Chios.

Sculptor, architect.

Ancient Greek.

Boupalus' work is known from the writings of Pausanias. Mention is made of a statue of Fortune, crowned with a polos (head-dress) and holding in her hand the horn of Amalthea. It is likely that Boupalus was the originator of this type of statue, so often copied by the Romans. They, and Augustus in particular, much appreciated his work, examples of which were placed in the temple of Apollo on the Palatine. Boupalus worked with his sculptor brother Athenis in several towns in Asia Minor and at Delos....

Article

Greek, 20th century, male.

Active also active in France.

Born 1926, in Lesbos.

Painter. Landscapes.

Manolis Calliyannis began painting aged 15, and went on studying architecture until 1947. An pilot in the RAF during World War II, he then studied at the University of Johannesburg in South Africa and settled in Paris, where he exhibited for the first time in ...

Article

Valeria Farinati

(b Casale Monferrato, Oct 24, 1795; d Florence, Oct 17, 1856).

Italian architect, archaeologist and architectural historian. He studied architecture at the University of Turin (1810–12) under Ferdinando Bonsignore (1767–1843) and his assistant Giuseppe Talucchi (1782–1863). After serving (1812–14) in the fortress of Alessandria, he resumed his studies and obtained a degree in architecture in 1814. He served a period of apprenticeship under Talucchi, who helped him obtain a three-year grant from the Court of Turin for further study in Rome, where Canina settled in January 1818. He worked on engravings of Roman monuments under the antiquarian, scholar and publisher Mariano Vasi (1744–1820), and at the end of his three-year period as pensionato, he presented a survey of the Colosseum (Anfiteatro Flavio descritto, misurato e restaurato; dispersed) to the architects of the Accademia di S Luca, including Giuseppe Valadier, who were much impressed.

In 1824 Canina was appointed to execute his scheme for the expansion of the park of the ...

Article

Greek, 20th century, male.

Active in England.

Born 1925.

Painter.

Michael Christos Caras studied architecture. He lived and worked in London from 1955. He created canvas reliefs by stretching canvases across different wooden frames.

He took part in collective exhibitions from 1960, including the European painting prize, Ostend (...

Article

Thomas J. McCormick

(b Paris, baptAug 28, 1721; d Auteuil, Jan 19, 1820).

French architect, archaeologist and painter. He was an important if controversial figure associated with the development of the Neo-classical style of architecture and interior design and its dissemination throughout Europe and the USA. He studied at the Académie Royale d’Architecture, Paris, under Germain Boffrand and won the Grand Prix in 1746. He spent the years 1749 to 1754 at the Académie Française in Rome but left after an argument with the director Charles-Joseph Natoire over his refusal to make his Easter Communion; this may have been due to his Jansenist sympathies. He nevertheless remained in Italy until 1767. During these years he became a close friend of Piranesi, Winckelmann, Cardinal Alessandro Albani and other members of the international circle interested in the Antique.

In his early student days in Rome, Clérisseau became acquainted in particular with English travellers and began to sell them his attractive topographical drawings of Roman architecture. Initially these were influenced by his studies with ...

Article

Elizabeth Rawson

(Decimus)

(fl c. 170 bc).

First known Roman architect. Though a Roman citizen, he probably came from wealthy, Hellenized Campania (annexed by Rome). The pro-Roman King Antiochos IV Epiphanes of Syria (reg 175–163 bc) commissioned him to work on the Temple of Olympian Zeus at Athens (see Athens, §II, 4). Vitruvius (On Architecture VII, Preface 15 and 17) noted the temple’s huge cella and double Corinthian colonnade, which showed architectural learning and were admired by connoisseurs for their magnificence; he regretted that Cossutius left no annotated specification, as Greek architects had done. Surviving material, if datable to his time, is Greek and advanced in style, unlike contemporary building in Rome. The name Cossutius (in Latin letters) is also twice scratched inside a 2nd-century bc aqueduct near Antioch in Syria, suggesting that the architect worked on Antiochos’ building programme there. He may have travelled with his own workforce (as was common in the Greek world), probably chiefly his slaves and freedmen: the inscription could record a freedman, properly bearing his patron’s name. He may also have worked on the new Temple of Jupiter Capitolinus at Antioch and on buildings presented by Antiochos to various Greek cities....

Article

15th century, male.

Born c. 1400 BC.

Sculptor, architect, inventor. Mythological subjects.

Ancient Greek.

A legendary figure, said to be the great-grandson of Erechtheus, king of Athens, Daedalus was supposed to have invented the saw, the brace, masts and sails for ships, and a range of other practical devices. According to a familiar story, the council of the Areopagus in Athens banished him to exile in Crete for having killed his nephew out of jealousy. In Crete, according to later sources, he built the Labyrinth (which some have identified as the Minoan palace at Cnossus). He is said to have been the first Greek to carve figures in the round and with separated legs....

Article

Sarah P. Morris

[Gr.: ‘cunning worker’; Lat. Daedalus]

(?fl c. 600 bc).

Legendary Greek craftsman. He is conventionally associated with Bronze Age Crete and was credited in antiquity with a variety of technical and artistic achievements.

The earliest reference to Daidalos is in the Iliad, where he is named as maker of a choros for Ariadne at Knossos. In the 2nd century ad Pausanias recorded seeing this choros as a white marble relief at Knossos (IX.xl.2), but the term used in the Iliad could mean equally a painting, dancing-floor or dance. In the Classical period (c. 480–323 bc) Daidalos was mentioned primarily as a sculptor of ‘magic’ statues, both in drama (e.g. Euripides: Hecuba 838; Aristophanes: Daidalos frag. 194) and in philosophy (Plato: Menon 97d and Euthyphro 11c). In Athens he was given an Athenian pedigree as the son of Palamaon or Eupalamos, son of Metion, of the line of Erechtheos, and thus related to Hephaistos (e.g. Plato: Alcibiades I.121). He was also reputedly the teacher or father of the early ...

Article

Greek, 20th century, male.

Active in France.

Born 18 December 1928, in Hanover, to Greek parents.

Painter, print artist.

The son of the famous architect Ioannis Despotopoulos, Rhigas Despotopoulos grew up on Chios, in the Ionian Islands, and was educated at the American College of Athens. In ...