1-20 of 39 results  for:

  • Painting and Drawing x
  • African American Art x
  • Artist, Architect, or Designer x
  • Nineteenth-Century Art x
Clear all

Article

Canadian, 19th century, male.

Born 2 November 1828, in St Andrews (New Brunswick); died 9 January 1901, in Providence (Rhode Island).

Painter, draughtsman, watercolourist, engraver, photographer. Portraits, religious subjects, genre scenes, landscapes, seascapes, still-lifes.

Bannister's father was form Barbados and his mother was Scottish. He was born in Canada right after slavery was abolished. He went to live in New York were he was a sailor and settled in Boston in ...

Article

(b St Andrews, NB, 1833; d Providence, RI, Jan 9, 1901).

American painter . Bannister grew up in St Andrews, a small seaport in New Brunswick, Canada. His interest in art was encouraged by his mother, and he made his earliest studies, in drawing and watercolour, at the age of ten. After working as a cook on vessels on the Eastern seaboard, he moved in 1848 with his brother to Boston, where he set up as a barber serving the black community. During the 1850s and 1860s he learned the technique of solar photography, a process of enlarging photographic images that were developed outdoors in daylight, which he continued to practise while working in Boston and New York. Documented paintings from this time include religious scenes, seascapes and genre subjects, for example the noted Newspaper Boy (1869; Washington, DC, N. Mus. Amer. A.), a rare study of urban black experience.

In 1870 Bannister and his wife moved to Providence, RI, where his work flourished and his paintings were collected by such patrons as ...

Article

Margaret Rose Vendryes

(b Bay St Louis, MS, Jan 28, 1909; d Pasadena, CA, March 6, 1989).

African American sculptor and painter. Barthé was raised a devout Roman Catholic Creole. He was also the only African American artist of his generation to consistently portray the black male nude. Although closeted throughout his life, sensual figures such as Stevedore (1937; Hampton, VA, U. Mus.) expose his homosexuality. Barthé’s elementary education ended in 1914. As an adolescent, he skillfully copied magazine illustrations, especially figures. Barthé worked for the wealthy New Orleans Pond family, who summered on the Bay, and in 1917, he moved to New Orleans to become their live-in servant. Barthé had access to the Pond library and art collection, and while in their employment, he began to paint in oil. In 1924, his head of Jesus prompted the Rev. Harry F. Kane to fund the first of four years at the Art Institute of Chicago School, where Barthé studied painting with Charles Schroeder and sculpture with Albin Polasek (...

Article

American, 19th century, male.

Born 1820; died 1900.

Painter. Portraits, landscapes.

David Bowser Bustill was described as a 'free man of colour'. He was the grandson of Cyrus Bustill, founder of the African Free Society and a member of the St Thomas Free African Church in Philadelphia. David Bowser Bustill was active in Philadelphia ...

Article

American, 20th century, male.

Born 15 September 1940, in Connelsville (Pennsylvania).

Painter, print artist.

Peter Bradley studied at Cranbrook Academy, Bloomsfield, Michigan, the Society of Arts and Crafts in Detroit, and Yale University, New Haven, Connecticut. He settled in New York. Bradley has taken part in various group shows, such as: ...

Article

American, 19th century.

Born 1841, in Harrisburg (Pennsylvania); died 1918, in St Paul (Minnesota).

Painter, draughtsman, lithographer, cartographer, illustrator. Landscapes.

Grafton Tyler Brown was the son of emancipated slaves who had come from Maryland in 1837. He moved with them to San Francisco in 1861...

Article

Gina M. D’Angelo

(b Harrisburg, PA, Feb 22, 1841; d St Paul, MN, March 2, 1918).

African American painter and lithographer. Brown was the first African American artist to portray California and the Pacific Northwest. One of many artists who migrated West in the years after the gold rush, Brown began his career in San Francisco in the 1860s as a commercial lithographer, and made his mark in the 1880s as a landscape painter of the Pacific Northwest.

The son of freed slaves, Brown probably began his career working at the lithographic firm of P. S. Duval in Philadelphia, and in the late 1850s followed C. C. Kuchel, a Duval lithographer and his soon-to-be employer, to San Francisco. From 1861 to 1867 he worked as a draftsman and lithographer at the Kuchel & Dressel firm in San Francisco, and in 1867 established his own firm, G. T. Brown & Co. His most celebrated project, The Illustrated History of San Mateo County (1878), featured 72 city views whose sensitive topographical style would influence his paintings. Brown sold his firm in ...

Article

Sandra Sider

(b Lafayette, LA, 1967).

African American painter. Charles graduated from McNeese State University in Lake Charles, LA, in 1985, having studied advertising design, illustration, and painting. He received his MFA from the University of Houston in 1993, and subsequently taught at the University of Texas at Austin. His paintings, which manipulate images of historical black stereotypes, have generated critical controversy and hostile reactions from viewers. Charles, however, saw himself as investigating these images and their place in American history, exploring and exposing their negativity. He typically signs his work with an actual copper penny, oriented to display the profile of Abraham Lincoln.

Charles also collected black memorabilia, such as Aunt Jemima dolls and other advertising ephemera, and has researched 19th-century blackface and minstrelsy performers. Some of his most controversial figures have been of childhood literary icons, including a black Sambo reminiscent of Mickey Mouse. Charles is interested in how these images remain in America’s collective memory, and the different attitudes of Caucasians and African Americans when viewing them. He creates extreme caricatures, such as a sinister-looking black face with a watermelon slice for a mouth and black seeds instead of teeth—images meant to stimulate thought. The faces in his paintings confront the viewer with their oversized scale, some of them more than 1 m high. Charles felt that American advertising conditioned people of all types to pigeonhole blacks as representing the body (instead of the mind), and as entertainers—and that these stereotypical attitudes have been retained in the American psyche. To emphasize this point, Charles juxtaposed African American celebrities with advertising imagery, such as Oprah Winfrey as a cookie-jar mammy figure....

Article

Jenifer P. Borum

(b Emelle, AL, Sept 10, 1928; d McCalla, AL, Jan 25, 2016).

African American painter and sculptor. Dial was born into poverty and left school at age nine to work various jobs, including fieldwork. At age ten, his mother gave up Thornton and his half-brother Arthur to be raised by their great-grandmother. Upon her death they were taken in by their aunt for two years, and then given to their great-aunt, Sarah Dial Lockett, in Bessemer, AL.

Throughout most of his life, Dial worked as a farmer, a gardener, a bricklayer, and a construction worker. He worked for the Bessemer Water Works for 13 years and the Pullman Standard for nearly 30 years. Dial’s labor gave him a great many skills that he would later apply to making artwork. He was handy with found objects and materials, often making cemetery decorations, as well as for his yard—both of which should be considered in the context of vernacular signifying practices within the African diaspora. Unfortunately, he buried or destroyed much of his early mixed-media yard work, as it often carried messages of social protest and could have been a source of trouble for him and his family. The practice of destroying his work changed when he met his future patron, the Atlanta collector Bill Arnett, in ...

Article

Joseph D. Ketner II

revised by Wendy Jean Katz

(b Fayette, Seneca County, NY, ?1821; d Detroit, MI, Dec 21, 1872).

African American painter. A self-taught artist and landscape painter of the Hudson River school tradition, Duncanson was the first African American artist to receive international recognition (see fig.). Born into a family of painters and handymen, Duncanson first worked as a house-painter and glazier in Monroe, MI. By 1841 he was in Cincinnati, OH, where he learnt to paint by executing portraits and copying prints. Throughout the 1840s he travelled as an itinerant artist between Cincinnati, Monroe, and Detroit. His early work included portraits, including those of local abolitionists and educators, as well as a few genre subjects and ‘chemical’ paintings for paying exhibition.

Around 1850 Duncanson was awarded his largest commission, the murals for the Cincinnati estate Belmont, formerly the Martin Baum House (now Cincinnati, OH, Taft Mus.), then owned by prominent art patron Nicholas Longworth (1869–1931). These consist of eight landscape panels (2.77×2.21 m each) in ...

Article

African American, 19th century, male.

Active in the United Kingdom and Canada.

Born 1821, in Seneca County (New York), or 1822 according to some sources; died 21 December 1872, in Detroit (Michigan).

Painter, watercolourist, photographer. Figures, portraits, genre scenes, landscapes, urban townscapes, still-lifes, mural compositions. Hudson River School...

Article

Margaret Moore Booker

(Eva)

(b Long Creek, NC, Dec 1, 1892; d Wilmington, NC, Dec 16, 1987).

African American painter. As a self-taught artist who has been labeled a southern folk artist, outsider artist, a Surrealist painter and a visionary, Evans created highly personal works inspired by her private and very vivid dream world.

The descendant of a Trinidadian woman brought to the United States as a slave, Evans was the only child of farmers who lived in rural Pender County, NC. In early childhood she moved with her parents to Wilmington, NC, where she attended school. At 16 she married Julius Evans and had three sons. She worked as a domestic and later as gatekeeper at Airlie Gardens in Wilmington (from 1948 to 1974). A highly religious woman, she attended St. Matthew African Methodist Episcopal Church in Wrightsville Beach, NC.

Beginning in her youth, she often heard voices and had waking dreams and visions. After a voice (which she believed was a message from God) told her to “draw or die,” Evans, then in her early 40s, began to record the complex imagery of her visions. Using pencil and wax crayons, she created semi-abstract forms on scraps of paper. By the late 1940s she worked in crayon, pencil and ink, and created scenes that were a combination of abstract and realistic forms. Later she experimented with oil paints, and by ...

Article

American, 19th – 20th century, male.

Born 1882, in Charleston; died 5 May 1931, in Charleston.

Painter, photographer. Figures, portraits, landscapes, still-lifes (flowers). Murals.

Edwin Augustus Harleston studied at Atlanta University, the Boston Museum of Fine Arts School (1906-1912) and Harvard University. He opened a photography studio with his wife, Elise, in Charleston. In ...

Article

Phoebe Wolfskill

(Cole) [Hedgeman, Peyton Cole]

(b Widewater, VA, Jan 15, 1890; d New York, Feb 18, 1973).

African American painter. Although Hayden received only sporadic formal instruction in painting, his serene seascapes and unique interpretations of African American life secured his place as a leading artist of the Harlem Renaissance.

After taking various odd jobs and enlisting in the US Army, Hayden traveled to New York in 1920 to study painting and composition. He took summer classes at Columbia University, studied briefly with an instructor at Cooper Union, and relocated to Maine to work and study at the Boothbay Art Colony. In 1926, Hayden submitted a seascape to the first annual competition of the Harmon Foundation, an organization that promoted and exhibited black art. Awarded the first-place medal, Hayden used his prize money, along with financial assistance from an employer, to travel to Paris and further hone his skills. Joining Harlem Renaissance contemporaries, including Hale Woodruff and Countee Cullen (1903–46), Hayden produced seascapes and Nous quatre à Paris...

Article

Irish, 19th century, male.

Active in the USA.

Born 23 December 1840, in Dunmanway (County Cork); died 14 August 1895, near Worristown (Pennsylvania).

Painter. Portraits, genre scenes.

Thomas Hovenden was a pupil at the School of Fine Arts in Cork. He went to America in 1863 and was a pupil at the National Academy in New York. Around 1874 he returned to Europe and worked in Paris in the studio of Alexandre Cabanel. He spent some time in Pont Aven in Brittany. He finally settled in the USA in 1880 and became a teacher at the Pennsylvania Academy of Fine Arts. He was influenced by Courbet and painted realist genre scenes which enjoyed great success in America. His depictions of African American subjects in domestic settings were atypical in their sensitivity and avoidance of racial stereotyping. He exhibited his work in the USA in 1878 and in 1893 at the Universal Exhibition in Chicago....

Article

American, 19th century, male.

Born 1811; died 1844.

Painter, miniaturist. Portraits, battles.

Julien Hudson was an Afro-American active in New Orleans during the years 1830-1840. His father was a British merchant and his mother was of mixed race living in New Orleans. He is believed to have studied under a painter in the city in ...

Article

David Bjelajac

(fl c. 1796–1824).

American painter, perhaps of West Indian heritage. Johnson was the first significant, identifiable African American professional painter. He worked primarily in Baltimore, painting portraits from 1796 to 1824. His career and his identity as a ‘Free Householder of Colour’ are sketchily documented in city records. He had once been a slave and apprenticed to a blacksmith, but was freed by the 1780s. More than 80 portraits have been attributed to him (see fig.). Sarah Ogden Gustin (c. 1798–1802; Washington, DC, N.G.A.) is the only signed work and typifies his early style. Although the figure is woodenly rendered and awkwardly seated within a flattened space, the view through a window reveals a painterly landscape and an attempt at atmospheric perspective. Johnson’s early portraits closely resemble compositions by members of Charles Willson Peale’s family, particularly Peale’s nephew Charles Peale Polk, suggesting that he may have studied under them. His later work is more tightly painted and includes several large family portraits, such as ...

Article

American, 18th – 19th century, male.

Active in Baltimore, 1793-1824.

Born 1762 or 1763, in Maryland; died c. 1830.

Painter. Portraits, compositions with figures.

There is not very much information on the life of Johnson. His mother was a slave and his father was probably the white painter George Johnson. He was liberated from slavery at age 19, thanks to a law in Maryland in ...

Article

American, 19th century, female.

Active in Italy.

Born 4 July 1844, in New York State; died 1907, in Hammersmith, London.

Sculptor (marble), draughtsman. Portraits, medallions, busts, statues.

Mary Edmonia Lewis (Wildfire), a sculptor of African American and Native American ancestry, who once held studio space in Antonio Canova’s old rooms in Rome, created successful works and received many commissions during her lifetime. Lewis was the daughter of a Chippewa (Ojibwa) mother and an African American servant. She became an orphan at the age of four, and was raised by her mother’s people on the Mississagua Indian Reserve in Canada. Her brother, Sunrise, enrolled her in a school near Albany and she entered Oberlin College, Ohio, in ...

Article

French, 19th century, male.

Active in the USA.

Born 1810, in Paris; died 9 January 1866, in New Orleans (Louisiana), USA.

Lithographer, painter, photographer. Portraits, city scenes, landscapes.

Jules Lion exhibited lithographs at the Paris Salon from 1831 to 1836. He arrived in New Orleans in ...