1-5 of 5 results  for:

  • Publisher or Printer x
  • Prints and Printmaking x
  • Latin American/Caribbean Art x
Clear all

Article

Julieta Ortiz Gaitán

(b Mexico City, June 27, 1943).

Mexican painter, printmaker, performance artist, writer, teacher and publisher. He qualified as a printmaker at a very early age, then as a painter and engraver under the tutelage of several masters, among whom the most influential on his life was José Chávez Morado. Although he at first worked with traditional media, he possessed a constantly innovative and critical attitude and experimented with performances, installations, happenings, correspondence and media art, as well as writing, lecturing and publishing on such themes as artistic experimentation, cultural promotion, professional management for artists, collective mural painting and the publishing process. From 1968 to 1972 Ehrenberg lived in England where, with the architect Martha Hellion and the critic and historian David Mayor, he founded the Beau Geste Press/Libro Acción Libre in Devon, to propagate the work of artists involved with the Fluxus movement of the 1970s. He was also instrumental in the rise of many artistic groups, workshops and small publishing houses, such as ...

Article

Aída Sierra Torres

(b Mexico City, ?1820; d Mexico City, 1897).

Mexican illustrator and printmaker. He probably began his career in 1847 in the workshop of the Murguía publishing house. In 1854, in collaboration with Andrés Campillo, he created an outstanding series of illustrations for the book Los mexicanos pintados por sí mismos, in which he portrayed character types (e.g. Great Poet, lithograph) in the manner of Honoré Daumier. In 1855 he founded the firm Litografía de Iriarte y Compañía. The following year he published portraits of famous personalities in the weekly review El Panorama. He was a co-founder in 1861 of the political fortnightly La Orquesta, on which he worked for more than ten years as an illustrator and eventually as a caricaturist and as editor. Iriarte continued to contribute to a number of periodicals, including El Renacimiento, and his firm also published the weekly San Baltazar (1869–70). He collaborated with Santiago Hernández on numerous illustrations for, among others, ...

Article

Mónica Martí Cotarelo

(b Parma, 1790; d Tampico, Dec 11, 1832).

Italian lithographer, active in Mexico. In 1809 he completed his studies in Paris, but after returning to Italy he was sentenced to death in 1824 for revolutionary activities. He went to Mexico with his colleague Gaspar Franchini in 1825, apparently attracted by the idea of putting his revolutionary ideas into practice. He took a lithographic press with him and set up the first lithographic workshop in Mexico City. In addition to teaching, he printed a weekly periodical, El Iris, from February to August 1826, featuring lithographs of fashion models and portraits of such heroes of Mexican independence as Miguel Hidalgo y Costilla. Under this innocent guise, that of printers of a publication intended for women, he and his collaborators gave expression to political comment that led to the periodical’s closure, and in September 1826 he was forced to leave Mexico. In 1828 in Brussels he published Costumes civils, militaires et religieux du Mexique...

Article

Picheta  

Mónica Martí Cotarelo

[Gahona, Gabriel Vicente ]

(b Mérida, Apr 5, 1828; d Mérida, Mar 1, 1899).

Mexican engraver. In 1846 he went to study painting in Europe, where he almost certainly encountered the widely published lithographs of Gustave Doré, Honoré Daumier, and Paul Gavarni, which probably inspired his own work. On returning from Europe he founded, with some friends in Mérida, the periodical Don Bullebulle (1847), which satirized with grace and irony social customs, politics, and contemporary fashion. During its year-long life he illustrated the periodical with a total of 86 wood-engravings that he signed with the pseudonym Picheta. He achieved a sharpness of line that emphasized his draughtsmanship (e.g. The Clerk, 1847; Mexico City, Mus. N. Est.). When Don Bullebulle’s critical attitude forced the periodical to close, Picheta’s artistic career came to an end. Nevertheless, his work is greatly admired for its historical significance, especially in view of the lack of successful wood-engravers in Mexico during the 19th century.

Orosa Díaz, J....

Article

Aída Sierra Torres

(b Veracruz, 1848; d Tacubaya, Mexico City, Feb 14, 1904).

Mexican illustrator and lithographer. He began his career in 1869, making prints for the weekly La ilustración potosina in San Luis Potosí. He collaborated with Alejandro Casarín and Jesús Alamilla on illustrations using engravings coloured with pen for the novel Ensalada de pollos by José Tomás de Cuéllar. In these the use of a schematic design accentuated the appearance of the figures portrayed. He created caricatures (1872–3) for La orquesta and other periodicals, but he established his reputation with caricatures (1874–6) of government figures for the weekly Hijo Ahuizote. Villasana was a member of the political party of President Porfirio Díaz and in 1880 published ferocious caricatures of Díaz’s opponents in El coyote emplumado. He was co-publisher in 1883, with Ireneo Paz, of La patria ilustrada and in 1888 he founded his own weekly, México y sus costumbres; in both periodicals he published his own caricatures of public figures. In ...