1-17 of 17 results  for:

  • Publisher or Printer x
  • Painting and Drawing x
  • Twentieth-Century Art x
Clear all

Article

(b Holywood, County Down, Ireland, Jan 26, 1922).

Australian painter, printmaker, book designer, lecturer, collector, gallery director and publisher of limited edition artists’ books, of Irish decent. He worked as a draughtsman before entering war service in the British Admiralty from 1940 to 1949, including five years in Colombo, where he made sketching trips to jungle temples with the Buddhist monk and artist Manjsiro Thero. Between 1949 and 1951 Adams worked as an exhibition designer in London and studied wood-engraving with Gertrude Hermes in her evening class at the Central School of Arts and Crafts (now Central St Martin’s College of Art and Design). In 1951, after moving to Melbourne, Adams began a 30-year teaching commitment at the Royal Melbourne Institute of Technology (RMIT), where he instructed many of the younger generation of Australian printmakers, including George Baldessin and Jan Senbergs. A brief return to Britain and Ireland in 1957–8 provided experience with Dolmen Press, Dublin, which published his first book of engravings, ...

Article

French Canadian, 20th century, female.

Born in London, to an English mother and a French father.

Painter, draughtswoman, engraver, poet, publisher. Artists' books.

Visual Poetry.

Cozette de Charmoy has lived and worked in London, Canada and Switzerland, but did not go to art school in either England or Canada. She was inspired to become an artist by her knowledge of the avant-garde movements of the Sixties and Seventies, and by the people she met, most notably Henri Chopin, the publisher of the ...

Article

American, 21st century, male.

Born 1 July 1974.

Active in Brooklyn, New York.

Painter, curator. Artists’ books.

Appropriation art.

Eric Doeringer graduated from Brown University in 1996 with a BA degree, and received an MFA from the School of the Museum of Fine Arts, Boston in ...

Article

Julieta Ortiz Gaitán

(b Mexico City, June 27, 1943).

Mexican painter, printmaker, performance artist, writer, teacher and publisher. He qualified as a printmaker at a very early age, then as a painter and engraver under the tutelage of several masters, among whom the most influential on his life was José Chávez Morado. Although he at first worked with traditional media, he possessed a constantly innovative and critical attitude and experimented with performances, installations, happenings, correspondence and media art, as well as writing, lecturing and publishing on such themes as artistic experimentation, cultural promotion, professional management for artists, collective mural painting and the publishing process. From 1968 to 1972 Ehrenberg lived in England where, with the architect Martha Hellion and the critic and historian David Mayor, he founded the Beau Geste Press/Libro Acción Libre in Devon, to propagate the work of artists involved with the Fluxus movement of the 1970s. He was also instrumental in the rise of many artistic groups, workshops and small publishing houses, such as ...

Article

American, 20th–21st century, female.

Born 1950, in Prague.

Active in Rosendale (New York).

Printmaker, photographer, draughtsman, paper maker. Installation art, artists’ books.

Women’s Studio Workshop.

Tatana Kellner was born in Prague and grew up in communist Czechoslovakia as the daughter of Holocaust survivors. After the Soviet invasion in ...

Article

German, 19th – 20th century, male.

Born 2 October 1865, in Münster; died 8 October 1937, in Raron (Valais, Switzerland).

Painter (including glass), pastellist, illustrator, draughtsman, decorative designer, graphic designer, writer, publisher.

Melchior Lechter was initially apprenticed to a painter of cartoons for stained-glass windows in Münster, before enrolling at the Hochschule der Künste, Berlin in ...

Article

Anne Blecksmith

(b Kiev, Sept 4, 1919; d Miami, FL, Nov 19, 1999).

American painter, photographer and publishing executive of Ukrainian birth. Raised in England and France, he received a degree in philosophy and mathematics from the Sorbonne in 1930. Connected to the Russian exile community in Paris, he was introduced to artists Aleksandr Yakovlev and Marc Chagall. In 1931, he studied painting with André Lhote and enrolled at the Ecole Spéciale d’Architecture, where he was a student of Auguste Perret. Later that year, he transferred to the Ecole des Beaux-Arts. While studying architecture, he was apprenticed to graphic artist Cassandre through whom he found work at the newsweekly Vu, where he created photomontage covers with Russian Constructivist sensibilities and later rose to art director. At Vu he worked with imagery by pioneers of 35 mm photography Henri Cartier-Bresson, Brassaï and Erich Salomon. A prolific photographer since childhood, he enthusiastically identified with the candid documentary style of the 35 mm camera.

Arriving in New York in ...

Article

Dutch, 20th – 21st century, male.

Born 1968, in Volkel.

Sculptor of assemblages, installation artist, draughtsman, publisher.

Conceptual Art.

Since 1986 Mark Manders has considered his works to be self-portraits, buildings inhabited by himself or 'self-portrait dwellings'. At exhibitions he first fits out the allocated space, working on all the surfaces, walls and floor. Then, in this 'container-environment', he proceeds to install significant elements from each of his creations; these elements are joined by assemblage, connections or various links. To this majority of pre-existing elements, which he has deliberately selected in order to reunite them, and which are a testimonial of his relationship with the outside world, he adds others that he has made himself, and which are generally in the schematic image of a living creature, human or animal, and spring in outline from his inner world....

Article

Christina Lodder

(Vasil’yevich)

(b Nizhny Novgorod, 1861; d Leningrad [now St Petersburg], Oct 14, 1934).

Russian painter, patron, musician, writer and publisher. He pursued a highly original line of artistic thought and practice and developed an organic perception of the world, deriving his inspiration from nature rather than machines, unlike many of his Russian Constructivist contemporaries.

Matyushin trained initially as a musician at the Moscow Conservatory (1878–81) and played the violin in the Court orchestra in St Petersburg from 1881 to 1913. In 1889 he began to attend the School of the Society for the Encouragement of the Arts in St Petersburg, where he studied painting with Yan Tsionglinsky (d 1914). In Tsionglinsky’s studio he met the artist and writer Yelena Guro, whom he married. Later (1906–8) he studied with the World of Art (Mir Iskusstva) painters Léon Bakst and Mstislav Dobuzhinsky at the Zvantseva School of Art in St Petersburg.

In 1909 Matyushin briefly joined the circle around Nikolay Kul’bin and the following year he founded the ...

Article

British, 20th century, male.

Born 7 June 1921, in Manchester; died 2005.

Painter, poet, publisher.

Birmingham Surrealist Group.

Oscar Mellor moved with his parents to Birmingham in 1939. He studied part-time at Birmingham School of Art and became associated with Conroy Maddox and the Birmingham Surrealist Group...

Article

Guido Zucconi

(b Milan, Nov 18, 1891; d Milan, Sept 16, 1979).

Italian architect, painter, writer, designer and publisher. After serving in World War I, he graduated (1921) from the polytechnic in Milan, where he later held a professorship (1936–61). Working first (1923–7) with architects Mino Fiocchi and Emilio Lancia, and later (1927–33) in partnership with Lancia only, in his early years of practice he was attracted to the simplified classicism of the Novecento Italiano. As designer (1923–7) to the ceramic manufacturer Richard-Ginori he produced a porcelain that was exhibited at the first Monza Biennale (1923) and at the Exposition des Arts Décoratifs et Industriels Modernes (1925) in Paris, where the chairman of Cristoffle, Tony Bouilhet, commissioned him to make a new range of cutlery; he also asked him to design his villa (completed 1926) at Garches, Paris. This villa, together with the slightly earlier house (...

Article

Roberto Pontual

(b Recife, Dec 19, 1899; d Recife, Jun 5, 1970).

Brazilian painter, poet, and publisher. He became interested in painting while living in Paris between 1911 and 1914. On his return to Brazil he lived first in Rio de Janeiro and then, from 1918 onward, in Recife. There he prepared a series of watercolors based on indigenous themes, such as the Birth of Mani (1921; U. São Paulo, Mus. A. Contemp.), which were exhibited in Rio de Janeiro and São Paulo in 1920–1921. His modernist reworking of indigenous aesthetics challenged Parisian avant-garde primitivism and Brazilian academic aesthetics. In 1922 he took part in the Semana de Arte Moderna in São Paulo and returned to Europe, establishing a studio in Paris, where he illustrated P. L. Duchartre’s Légendes, croyances, et talismans des indiens de l’Amazonie (Paris, 1923). From 1922 to 1957 he alternated his residency between Paris and Brazil. In 1930 he and the French poet and critic Géo-Charles (...

Article

Lija Skalska-Miecik

(b Bohdanów, nr Vilna [now Vilnius, Lithuania], Dec 10, 1870; d Bohdanów, Oct 30, 1936).

Polish painter, printmaker and stage designer. In 1890–92 he studied law at the University of St Petersburg, but from the autumn of 1892 dedicated all his time to painting classes at the Academy of Fine Arts. He was a student of the Russian landscape painters Ivan Shishkin and Arkhip Kuindzhi. During his studies Ruszczyc went twice to the Crimea (1894 and 1895) to paint seascapes. In 1896 and 1897 he went to the Baltic islands of Rügen and Bornholm and to the southern coast of Sweden to paint studies of northern landscape. He also went several times to Berlin, where he first saw works by German Symbolist painters. The influence of Arnold Böcklin may be detected in works on fantastical themes, while Spring (1897; Moscow, Tret’yakov Gal.) recalls Kuindzhi’s luminism and the lyrical Russian landscape tradition. After graduation Ruszczyc made an extensive tour of western Europe, thus substantially enlarging his knowledge of contemporary European art. At the end of his journey (...

Article

Cheryl Leibold

American family of Philadelphia printmakers, printers, painters, and educators. John Sartain and his children, Emily and William, played an important role in the art world of Philadelphia for over a century. Their influence on American art lies primarily in the impact of their work example and leadership on others, and somewhat less from the value placed on their own artistic output. The patriarch, John Sartain (b London, 24 Oct 1808; d Philadelphia, PA, 25 Oct 1897), arrived in Philadelphia at the age of 22. By 1850 he was the city’s premier engraver of illustrations for a wide range of publications. His brilliant mezzotint engravings, often reproducing the work of others, brought graphic art into the homes of all classes. Reproductive engravings, either framed or in books, were widely popular before the advent of photography. Many writers promulgated the display of such prints as a means to refine and enlighten society. Sartain’s most successful endeavours in this field were his large and elaborate framing prints, commissioned by painters, collectors, and publishers to disseminate important works. The finest of these is ...

Article

M. N. Sokolov

(Mikhaylovich) [Chemiakin, Mihail]

(b Moscow, May 4, 1943).

Russian painter, graphic designer, sculptor and publisher. One of the most important representatives of the St Petersburg tradition of nonconformist art, he was born to a military family and spent his early years in the German Democratic Republic. His family returned to the USSR in 1957 and until 1961 he studied at the secondary school of art attached to the Il’ya Repin Institute of Painting, Sculpture and Architecture, Leningrad (now St Petersburg). His work combines the World of Art tradition with the surreal grotesque, portraying the world as a colourful carnival, intimidating in its terrifying metamorphoses, but drawing upon a wealth of artistic styles and psychologically striking tones. He was a master of the anarchic, bohemian life, and the poet Andrey Voznesensky (b 1933) described him as the ‘black prince of the Russian Underground’. After confrontations with the authorities, notably his participation in a group exhibition by underground artists of the ...

Article

Mariana Katzarova

[Sirak; Christov, Panayot Todorov]

(b Sliven, Oct 22, 1883; d Sofia, March 5, 1943).

Bulgarian painter, draughtsman, stage designer, writer, critic, editor and publisher. He studied (1908–12) under Léon Bakst at the Academy of Arts (Akademiya Khudozhestv) in St Petersburg and became a follower of the aesthetic concept of World of Art, dominated by the innovative decorative designs of Vera Komissarzhevskaya and Tairov. After he returned to Bulgaria, Skitnik was engaged in a variety of projects, writing poetry, critical reviews of exhibitions and plays and monographs on other artists such as Bencho Obreshkov. He also designed sets for the National Theatre (Naroden Teatâr) in Sofia. He painted mainly landscape and still-lifes in oils (e.g. Interior with Flowers, 1920), tempera (e.g. Russian Monastery, 1912), gouache (e.g. the Kiss of Judas, 1920; all Sofia, N.A.G.) and watercolour; he also drew in coloured pencil. During the 1920s and 1930s he became known in Bulgaria as an innovator who experimented with new problems of colour and form. Both his poetry and his original and highly emotional painting show his allegiance to the Symbolist movement. From ...

Article

British, 20th century, male.

Born 1940, in St Ives, Cornwall.

Book artist, painter, sculptor.

The son of critic Adrian Stokes, Telfer Stokes studied painting at the Slade School of Fine Art in London. In 1962 he received a postgraduate fellowship at the Brooklyn Museum.

Throughout the 1960s Stokes exhibited paintings although he often mixed media in his works, combining pigment with fibre glass and lighting. In ...